Conductor / Life And Death Of Pboc
Two rare historical recordings (1983 and 1986) originally released as single sides and gathered here for the first time. "Conductor might be my favourite composition and Life And Death Of Pboc might be my most sincere. Conductor was my first composed piece with no obvious reference points ... Life And Death Of Pboc was the second. These two compositions gave me the title Godfather of Dark Ambient."Carl Michael von Hausswolff, born in 1956 in Linköping, Sweden, lives and works in Stockholm. Since…
None Corsa
Debut vinyl outing for Valentina Magaletti and Pino Montecalvo’s Avvitagalli project couretesy of London's Horn of Plenty label. Variegated percussion + WTF jams inspired by a visit to an abandoned, torched palazzo somewhere in southern Europe. Its charred, decaying splendour casts a fitting backdrop to the surreal push-pull of Valentina & Pino’s aural capers. None Corsa explores presence and absence, purpose and chance, and the tension between serenity and disquiet. Composing and decomposing, g…
almenrauschen
These five albums by Klaus Janek appear to have been originally released in 2018, but were bundled together under the title almenrauschen in 2019 in nice colour-coded sleeves designed by Stephanie Roderer – I’ll refer to this aspect at the head of each review section – in an edition of 300 units. The name “almenrauschen” derives from the aural sensation perceiving a non intentional sound world and transforming it to musical sense-making.
This bundle includes the following albums on vinyl:
- Casp…
Infinite Bang
'Janek’s “source of inspiration” was apparently Stanislaw Lem’s novel Solaris and Janek’s own social observations in Prospect Park in New York City “…where I was living during the main research period for this work”. I’m not familiar with Lem’s novel, but if you’re expecting echoes or resonances from the soundtracks of either the Tarkovsky film or the George Clooney remake, I’m afraid you may be disappointed.
On side A we find “Infinite Bang Part 1”, which is more solo contrabass and electronics…
Prospecting
'The first track on side A is “Violeros Revisitados”, which is a fight between the sounds made by Brazilian traditional musicians and the UHER Report 400 tape machine the sounds were recorded on. This source material was recorded by Gunther Kipfmüller in Northeast Brazil in the 1970s. Kipfmüller’s daughter, Milena , processes the raw material while Janek adds his contrabass and electronics to the mixture. Brazil born, Milena is also Berlin-based and works as”… a freelance soundartist, dramaturgu…
Reciprocum
Magenta. Road at night. Its probably worth quoting from the sleeve-notes so you get an idea of what the intention is on this disc: “The album consists of music chosen from a pool of recordings made over a time span of 10 years and according to its expression composed ‘together’. All of the music was created through a practice of combining the compositional and performative act. The album making process consists of two levels: the music created in the past functions as material and is put into fo…
Libellule Ebouli
*300 copies limited edition* Two guitars heard, one played that listens to the second. Two superimposed timelines that are replayed through the disc. Libellule: One side with use of drone. Ébouli: a side where the guitar is detuned as the piece progresses. Guilhem Lacroux designed this disc so that it could be listened to in 45 rpm and 33 rpm. The 45 rpm, as a version of real time - I live - and the 33 rpm version that of the state of suspension, the invitation to slow time. Interview between Gu…
![Tearful face of my cute love [is begging to me]](https://cdn.soundohm.com/data/products/2022-03/Ki-front-with-obi-mock-1-jpg.jpg.500.jpg)
Tearful face of my cute love [is begging to me]
*285 copies limited edition* 'The latest entry in An’archives’ ‘Free Wind Mood’ series, Ki is a trio that pits long-time collaborators Tamio Shiraishi (saxophone, voice) and Takahashi Michiko aka Mico (drums, voice, vocoder, melodica, piano, percussion) against drummer, percussionist and vocalist Fritz Welch. They each bring a wealth of experience, from Shiraishi’s early moves in the Japanese underground of the late ‘70s and early ‘80s – he was a founding member of Fushitsusha, and played with T…
SoundScapes # 3 Festival Munich - 2021 SchwereReiter
'14 musicians from nine different countries went on a sound journey directed only by their own musical fantasy, no borders – except one, more about that later. The venue, the newly built „Schwere Reiter“ in Munich, is perfect for this: clear acoustics, clear architecture. In the middle of the covid pandemic, in a short time when concerts were possible, such an intense and open exchange could happen, two days in a row, on October 1st and 2nd 2021 – a stroke of luck. A music that moves, stimulates…
Substantial Myths
The most promising vibraphone virtuoso Emilio Gordoa collects an excellent quartet with such fantastic young colleagues Dag Magnus Narvesen and Don Malfon and legendary iconic bass player John Edwards. They presented their music first time at the Artacts Festival in St. Johann in Tirol. Now this great performance is available on CD.
Room with No Name
Luis Vicente, one of the most demanding trumpet players from Lisbon with the companion of the excellent pianist Seppe Gebruers and magnificent drummer Onno Govaert. Three young faces in an improvised world in their second trio recording. Unedited improvisations in the order as played, are composed by an interaction between the musicians, instruments, a nameless room, audience, microphones and you.
Flatwise Huddle - Performing And Expanding Cracked Everyday Electronics 1968-2016
Andy Guhl’s career as an improvisational musician went from strength to strength in the 1970s but it wasn’t until 1983 that the Swiss experimenter and architect stopped using any traditional instruments in order to embrace electronic collage, a technique that incorporates the use of modified radios, turntables, transmitters and other objects in a sort of ante-litteram circuit-bending. A similar approach emerged in collaboration with Norbert Möslang as part of Voice Crack, a collective active fro…
Stellan Veloce's Complesso Spettro
Tip! *200 copies limited edition* Stellan Veloce’s first record for Hyperdelia is not only their debut album but simultaneously the inception of a band: Stellan Veloce’s Complesso Spettro. At Veloce’s disposal, the players have turned into a Frankensteinian super group: with Andreas Dzialocha on electric bass, Bridget Ferrill doing electronics & processing, Julia Reidy on guitars, Marta Tiesenga on baritone sax, Earl Harvin and Jesse Quebbeman-Turley on drums, Elena Kakaliagou playing horn, Carl…
Port of Saints
Port Of Saints is the third collaboration between Archer and Caines - all compositions by Caines with arrangements and production by Archer. This time around the 14 pieces have been edited into three long suites, and a careful listener will hear thematic links running all the way through the album. Caines takes centre stage throughout with the other musicians arranged to provide a shifting and sometimes almost orchestral setting. Breaking with the group's tradition, whereas previous albums have …
Again Alors?
Eclectic Maybe Band is the creation of Guy Segers, a player / composer / producer first prominent as bassist with legendary band Univers Zero, and subsequently active in many live and studio projects. “Again Alors?” is the third release by EMB which brings together detailed studio work with the creativity of real time improvisation. Using different groupings from within a large ensemble cast, which includes many well-known names, Guy has created an album where half the tracks are drawn from live…
Polvere di Rabbia
*300 copies limited edition* Over the last decade, Rome-born, Brussels-based eclectic composer Giovanni Di Domenico has been ranging through a diverse number of fields within experimental music. Now, in the midst of a close series of astounding releases, Di Domenico adds another superb piece to his prolific discography as proof of an ever more enduring state of grace. The first of his works ever to feature voice and language as foregrounding elements, the five truly visionary pieces making up Po…
Erosion
Tip! *100 copies limited edition* Erosion is a sprawling yet focused love affair with the bass drum, allowing myriad objects to playfully interact with its grand form. Kevin and Jacob engage with the instrument in an entirely unrelenting way, traversing textural, pointillist sections, as well as rippling metallic drones. Notice’s admiration of Kevin and Jacob’s work goes back to circa 2008, with Kevin’s album with Tetuzi Akiyama and Christian Kiefer on the much-loved Digitalis Industries, and J…
Elders
Tip! Elders is the debut release from Ensemble Nist-Nah, a nine-piece percussion group led by Nantes-based Australian drummer and percussionist Will Guthrie. The diverse group of French musicians that make up Ensemble Nist-Nah – whose collective experience encompasses traditional Gamelan performance, contemporary composition, noise, jazz, and everything in between – perform on drum kits, traditional and junk percussion, and a complete set of Javanese Gamelan instruments. Though building on the f…
The Mermaid's Purse: Live at Chatham College, 1976
In 1976 the Entourage Music and Theater Ensemble reached a creative zenith. The nomadic troupe had just released The Neptune Collection, its iconic second album for Moses Asch’s Folkways Records, and decided to present the music to audiences across the rust belt in its most miasmic, elemental form. Extended stretches of full-group improvisation mingled with folk-tune like melodies during these performances, which featured multiple dancers spontaneously interpreting the music, at times in elabora…
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"As far as my artistic memory goes, I have always been fascinated by the boundaries between continuity and discontinuity, between the sayable and the unsayable, between the countable and uncountable; between what can be described completely by an algorithm and what cannot; between precise writing and writing that only manages to approximate any given phenomenon; between directionality and a lack thereof, adirectionality — a conflict that, not without a certain degree of internal struggle, I woul…