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Alma de Nieto presents Madre by Fonemi. All tracks by Vito Santoro. Tracklist: Madre, Pietra Bianca, Cobalto, Attesa , Crepuscolo, Lungo i Binari, Uter.
An introspective journey into darkness through an oblique and fascinating song form. This, and much more, in Enten Hitti's beautiful new album. There is something particularly transcendental about 'A Tutti gli Uragani che ci Passarono Accanto', the new Enten Hitti album released on 25 May 2020 by Lizard and ADN Records. It is a work that welcomes the song form, but dished out with the classic researched and experimental approach that has distinguished the band's work in recent years.
An album of…
** 2021 Stock ** "Boris Kovac is one of a handful of modern composers and performers from the region of Hungary, Bulgaria, and Yugoslavia whose names reached Western Europe and America. Strongly influenced by folk music from that region (a fascination he shares with István Mártha and Ernö Király), minimalism, Bela Bartok, and the philosophy of Bela Hamvas (also influential on Hungarian composer Tibor Szemzö, Kovac's music takes multiple forms." - François Couture/All Music Guide ‘His compositio…
** 2021 Stock ** Partly improvisations by Luciano Margorani (electric guitar, noises), Federico Zenoni (drums and objects), recorded together in Italy, then sent to Dave Newhouse (saxes, clarinets, and keyboards) in the USA for his input, this 2nd release by the trio is an expansion of the debut (under their full names, and then titled ‘Beauty Is In The Distance‘ – 2016) which only had one long composition. This new one has three pieces that have an even more florid array of aromas, catching sha…
Alma De Nieto presents Live Concerts 1990 - 2006 by Ruggero Tajé, Italian electronic composer, drummer and guitarist, and Ahmed Ben Dhiab,Tunisian painter, poet, author, composer, art teacher and singer born in Tunis. Live performance featuring: Nabil Khalidi: oud (Marocco), Raul Barboza: accordeon (Argentina), Carlo Rizzo: percussion (France), Michel Doneda: saxophone (France).
Another piece of the puzzle to his 4-part ‘Pedlar’ boxset, this one was thrown down in 2011 at Newcastle’s legendary Morden Tower, a C.13th, grade-listed turret on the West Walls of the city’s ancient defences against curious Mackems and Durham scunners, that was also previously and notably site of seminal recordings by The New Blockaders, a.o. In that vein, Davies gets raw to the bone in ‘Wound Response’, using Lap harp fed thru transducer, read by contact microphone, and pushed to seething lim…
** Dark Green vinyl edition of 500 copies, newly mastered by Rashad Becker. Printed on beautiful matt laminate card stock w/ printed inners. ** Newly remastered by Rashad Becker for this vinyl edition, ‘Echo’ finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new music that we wager will take your breath away. Félicia was undertaking an artistic residency in La Becque when the plague took hold in Europe at the…
Music composed & mixed by Anthony Pateras. Tape part recorded and assembled at Gold Tony Love’s Audio Hell, Castlemaine, Australia. Perfromance recorded by Tomasz Kubiak live on 27th September 2019 at the 17th Sacrum Profanum Festival in Małopolska Garden of Arts, Kraków, Poland. Festival curated by Krzysztof Pietraszewski. Pseudacusis was commissioned by the Musica Sanae project by In Situ Foundation (Sanatorium of Sound Festival in Sokołowsko) in collaboration with Michał Libera, Phonurgia (La…
I associate Christer Bothén with a Maestro. I look upon him as a Maestro. A true MAESTRO. Of music. Of Life. A Maestro needs pupils. And pupils need a Maestro. To be given perspectives on Music and Life. It works both ways. It is a sharing of ideas and previous experiences. In order to make music NOW and onwards. In order to live. This is old school. And this is the way it works. And HAS to work. The true mechanics of artistic work and a creative way of living. We learn from other people. From t…
** 12” LP edition of 300 copies with cover artwork and booklet featuring illustrations by Ettore Tripodi ** In September 2019 Alessandro Bosetti was invited by fellow composer and curator Riccardo La Foresta to create a new work for a newly created ensemble as part of a residency program hosted by Centro Musica in Modena, Italy. The very first encounter took place on Skype – kind of a prediction of the forthcoming physically distanced pandemic times. The first, straight-to-the-point question Bos…
“Gyropedie,” Anne Guthrie’s third record for Students of Decay, takes us further into her hermetic practice, wherein expertly captured field recordings, French horn, and electronics are woven into potent and richly imagined electroacoustic environments. In Guthrie’s own words, “Quite literally a record of pilgrimage from East to West. Remnants of Midwest and East Coast soundmarks, instruments sold to lighten the travel load, sketched out and then buried under the new. Winter birds and crunching …
**Edition of 250 copies, Mastered by Giuseppe Ielasi. Painting by Gayle Paul, design by Ashley Paul** 'Ray' is Ashley Paul's bright, sensual return to Slip: a lifting, delighting suite of yearning winds, loose beats, and cocooning, humid bass coming together and falling apart as songs. The LP airs Paul's new trio, alongside bass clarinettist Yoni Silver and bassist Otto Willberg, who fatten out and shine light on her singularly intimate, multi-instrumental with mystery and grace. 2018's 'Lost In…
**Limited editions of 300 copies. Ultra clear vinyls in gatefold sleeve. Includes download card.** Matière mémoire éditions presents Treatments by Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia and Tatsuhisa Yamamoto. Recorded in studio W (Brussels), Atelier Eiko, Steamroom, Completamente TAZ (Tokyo), Good Mixture (Berlin). Mixed by Jim O’Rourke at Steamroom (side A & B), Joe Talia at Good Mixture (side C), Tatsuhisa Yamamoto at Completamente TAZ (side D). Mastering & cut by Frédé…
The untold early history of Amsterdam's seminal collective. Founded in 1967 by three of European free music's leading lights -- pianist Misha Mengelberg, drummer Han Bennink, and saxophonist and clarinetist Willem Breuker -- the Instant Composers Pool (ICP) was simply one of the most important vehicles for experimentation and improvisation in the history of creative music. Culling ideas and materials from jazz, modern and contemporary classical music, Fluxus, traditional music from the Balkans a…
**Edition of 118 numbered audiophile golden CD** Best known as producer and mainman behind Dark Companion Records and the reborn Manticore Records, Max Marchini gives birth to his first solo album where he plays all instruments except for two collaborations with avant-garde singer songwriter Paola Tagliaferro and the amazing pakhawaj indian drum playing of Akhilesh Gundecha. This album was intended as a present for his friends for Dark Companion’s 5th anniversary, but eventually label insisted t…
An extended duo for double bass and quartertone bass flute by Catherine Lamb, another US-born composer now resident in Berlin, whose previous discs include ‘Point-Wave’ and the Viola Torros double CD with Johnny Chang.Exquisitely played by Rebecca Lane and Jon Heilbron.
* Sold out at source. Edition of 60. Handstamped and numbered * A summer recording session, conceived as a dadaist collage sound experiment and edited in the traditional apulian cooking style.
Efisio Biancofiore: Potatoes, handmade metal & wood instruments, reed objects.Pino Montecalvo: Rice, keyboard, bass, plastic bone, some toys and voice.Valentina Magaletti: Mussels, drums, percussion, magnetic sources.Thanks to Gianluca Ranieri for his saxophone fragments.
Harry Bertoia's Glowing Sounds LP contains three versions of the same composition, each transferred at different tape speeds in accordance with the artist's instructions. This is the third LP to be released from Bertoia's extensive tape archive and it's the first, of many, to be released using instructions left behind by the artist himself.
Bertoia wrote the concept for this Glowing Sounds LP on a note in 1975 and slipped it into the master tape case where it sat unread for 45 years. The idea wa…
* 2021 Stock. Last copies. * A singularly brilliant work for baritone, tenor, contralto & soprano whistling kettles from this unpredictable Argentinian collective Reynols seems to be more active than ever. Responsible for a bunch of highly conceptual projects such as the '10.000-chicken Symphony', 'BlanTapes', 'Fire Music', 'Reynols Plays the Eiffel Tower', etc. this sound-art piece redefines a traditional format in classical music, 'the quartet', in order to expand its boundaries and possibilit…
Three mysterious, shimmering chamber works by the Australian composer Newton Armstrong, performed by Plus Minus Ensemble and Séverine Ballon (cello) "In 1990 I was studying composition at university. I basically wanted to be Stravinsky. Chris Mann took an interest in me and I started spending a lot of time at his house, drinking tea and talking. He changed my mind about a lot of things and introduced me to people who were making music that excited me. The Melbourne experimental scene was thrivin…