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After crossing wastelands lost in oblivion (Everything Collapse[d], Aagoo, 2014), and being skeptically moved by listening to pulsations of a weak life (Weak Life, Aagoo, 2015), Cristiano Deison and Andrea Gastaldello (aka Mingle) are arriving at their final destination, Innersuface, the last stop on their journey. They suddenly fall into a hole and are trapped in a slimy pit overflowing with mud and industrial liquids. Everything is dense and oppressive. Their physical movement stops, the chaos…
Rosary Bleeds takes the road hinted at with those 90s synth chords and follows it all the way down. While the other two releases feel like very communal creations with no single voice dominating, Rosary Bleeds is centred on Alison O'Donnell's dramatic vocals. The backdrop is almost entirely synthetic; clicking drum machines, burbling, proto-melodic leads, deep bass. Clean electric guitar sometimes adds to the texture with simple, single strums. There is almost nothing to suggest that the…
"A carefully thought out, simple, clean but rich performance using really almost nothing, just a turntable, teach yourself foreign language LP’s, the impeccable timing of a percussionist, and an idea. With the intense focus of a scientist fed up with pointless repetition, Pascal Le Gall takes a scalpel to composition, improvisation and performance, and (with the most basic means) examines their sameness, and their miniscule but important differences. A riveting public dissection, his performance…
Mohammad are back!! Finally here, the third and final installment of a trilogy that explores the sounds of the geographical area between 34°Ν - 42°Ν & 19°Ε – 29°Ε. Segondè Saleco is the final catharsis which signals a dramatic change of atmosphere in the trio’s signature sound. "Greek chamber doom trio Mohammad have been operating since 2009, releasing albums on their own Antifrost imprint and brought to a wider audience in 2013 with their excellent ‘Som Sakrifis’ LP on PAN. Here they complete t…
Everyone’s favourite chamber doom band (are there any other chamber doom bands?) are back with the second instalment in their “trilogy that explores the sounds of the geographical area between 34°Ν - 42°Ν & 19°Ε - 29°Ε”. If you find all those coordinates confusing, googling them will only add to that confusion. But more importantly, the first record of the trilogy ‘'Zo Rél Do' was a corker and this one is easily as good if not better. For the uninitiated, what Mohammad do is take contrabass, cel…
This LP from Kaumwald has five tracks of creeping, grating, clanging dark ambient electronica with touches of post-dub, kind of like Forest Swords' sinister ambience crossed with the visceral dark noise drift of Ela Orleans & Skitter's recent 'Le Flechettes' LP. Side A opens with the brief and twitchy 'Fetemes', which grinds and groans and glitches like a long-dormant robot flickering into life before the lengthy 'Lethe', which takes up the bulk of this side, drops softly into a Coil-esque lands…
Peter Frohmader alias Nekropolis is a german artist known for his distinct and very dark athmospheric electronic compositions as well as his extreme visual art-projects leading to many exhibitions, films, multi.media-events and collaborations in the field of art and music (incl. H.R. Giger, Chris Karrer...). In 1981 at age of 23 Peter released his first Lp “Musik aus dem Schattenreich“. At same time he produced a series of 4 Tapes called Nekropolis 81 Vol.1-4 which can be found on his comprehens…
This 3LP Box-Set presented by the godfather of the genre of dark ambient/industrial, B. Lustmord, putting into its focus the very early works recorded between 1980-83 including previously unreleased material and the very first Lustmord recording of all, in it's primitive glory. Lustmord's intense and aggressive live performances in the early 80’s had been recognized by other industrial bands like Throbbing Gristle and SPK, the latter leading to a cooperation with Graeme Revell for many years inc…
Portugese bassist Margarida Garcia remains one of the most distinctive improvising voices on her instrument even as she moves well beyond contemporary improv praxis with an umbilical that runs deep into the contemporary psychedelic underground. This new LP, released in an edition of only 200 copies on guitarist Manuel Mota’s Headlights imprint, sees her exploring some darkly dramatic arco drone space with enough F/X to sink the Titanic. The territory is murky, sub-aqueous, giving the nod …
'Bless Them That Curse You captures an unprecedented balance of claustrophobia and solace. It's a strange alchemy to render something both inviting and alienating; it requires a special kind of skill to create music that sounds like it's rattling apart at its seams, unraveling in a torturous but compelling fashion. It demands an acknowledgement of the fine line between noise and racket, between tension and tedium. Finding an interpersonal chemistry to pull it off can take years of searching and …
Pendulum Nisum are Reto Mder (Ural Umbo, Sum Of R, RM74) and Mike Reber (Herpes Ö DeLuxe) from Bern, Switzerland. The 8 pieces on their debut album are built on majestic organic drones and hypnotic, sinister melodies - a complex structured sound built from horns, organ, piano, analogue synthesizers, shades of guitar sounds, voices, found objects, electro-acoustic processes, and, most of all, an unusual strong presence of field recordings. The powerful but warm and gloomy sound, based on acoustic…