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*First pressing of 200 copies* "Code-Talker II is the latest installment of my ongoing pipe organ project. In this current iteration I am joined by bassist Henry Fraser. The name of this project derives from the Code-talker paradox, which is an issue in linguistics that calls into question fundamental ideas about the nature of language. The term was coined in 2001 by linguist Mark Baker to describe the Navajo code talkers of WWII. This album documents the paradox: how language (musical or otherw…
*Limited edition of 200 copies.* A research on possible timbral encounters between percussion and electric guitar, aimed to make them indistinguishable. A sound force that generates dimensions and worlds, where the dramaturgical narration does not necessarily have to be present, since the sound itself already tells and describes. The form take second placet in favor of the timbre, that outlines unknown languages, fantastic machines, microorganisms, alien vegetation with new and curious colors an…
Bára Gísladóttir is an Icelandic composer and double bassist based in Copenhagen. She is an active performer and regularly plays her own music, mostly solo or with her long-time collaborator Skúli Sverrisson. Additionally, she is the double bassist of Elja Ensemble. Occasionally, she performs as a soloist with ensembles or orchestras, most recently in her own double bass concert, "Hringla," with the Copenhagen Philharmonic. Every sound on SILVA is of the double bass, processed to various degrees…
"Pangrams" evokes a wide range of emotional moods, sketched in a chamber atmosphere. The four pieces stress the immediate and deep understanding of Di Domenico and Moberg.’ - Eyal Hareuveni
Four Works is a split full-length album by Linus Hillborg and Theodor Kentros with two pieces by each composer. The music on this record was written and recorded during 2019-2021. Each side of the album begins with a piece for organ and electronics performed by Fredrik Lundqvist. The record opens with Hillborgs Auguries which examines microtonal register shifts and shift changes in register as well as density throughout its 14 minutes. In this piece the electronics act as a shading device outlin…
German ambient musician. He was briefly a member of the krautrock band Popol Vuh in the early 1970s where he played on the albums Hosianna Mantra and Seligpreisung. Comes in jewel case with slipcase.
Recorded in 1971, "Musical Offering" is 6 tracks (42 mins) of experiments on the unique machine by: Eduard Artemiev (2 tracks), Oleg Buloshkin, Sofia Gubaidulina, Edison Denisov, and Alfred Schnittke.
Nichola Scutton'Interzone (Nonclassical, 2023) takes inspiration in the state of in-betweenness: not awake or asleep, conscious or unconscious, and at the border between daytime and nighttime. Two defined elements emerge fromInterzone: a careful use of electronics, and Scrutton's experimental vocal practice. The album was recorded in two steps, first by the artist herself in her studio in Glasgow, using field recordings and archival materials, resulting in the series of four Interzones which con…
*300 copies limited edition* After 10 years in the making 2021 saw the screen premiere of Kärma Burg's feature-film documentary "Die Experimente des Naum Kotik" (The Experiments of Naum Kotik), delving into the experiments in psycho-physical energy by Russian neurologist Naum Kotik (1876-1920) in the early 20th century. These were adop ted by his grandson Naum Kotik Jr. using his grand father's fundamental research to expand, not to say to revolutionize the possibilities of film making. Kärma Bu…
Murmer is the long-standing project of American/Estonian field recordist and composer Patrick McGinley, and with Tether, The Helen Scarsdale Agency welcomes Murmer back to our roster, over a decade since he graced us with his last production for the Agency. His field recordings often center upon the amplification and activation of resonance from a particular space, landscape, or object. Such sounds emerge from a condition as being fleeting, inconsequential, or ephemeral and explode into that whi…
The cover of Joachim Spieth’s latest album, Reshape, depicts a stony landscape against a moody sky at dusk, silver clouds backlit with soft orange light. His 2021 album Ousia featured a similar sun, only foregrounded by waves. It’s as if some lost, drowned continent rose from the murky depths, dotted with strange fossils and petroglyphs. That contrast is an apt analogy for Reshape — an album of remixes and reworkings from some of the biggest names in ambient, techno and drone in honor of the Aff…
With ‘Terrain,’ Joachim Spieth presents the fourth long player on his Affin imprint. The follow-up album to ‘Ousia’ (2021), ‘Terrain,’ reflects on the human relationship with nature. The album title is a reference to a musical language that layers Spieth’s music production practices and intimacy with nature.‘Terrain’ was forged in deep solitude.“ It’s an interplay of euphoric flashes and introspection” – says Spieth. The eight compositions take the listener into a captivating cascade of sonic te…
Gorgeous, pearlescent cosmic ambient flights by London’s Jo Johnson - erstwhile member of ‘90s riot grrrl group Huggy Bear - now in pursuit of astral trajectories since returning to orbit over the past few years. “What is the sound of feeling? In physics, we conceive of sound as waves. Vibrations, undulations, physical manifestations: heard but not seen. Borne by the body, but interpreted in the brain.
Within ourselves, we perceive emotion as waves, too. Rolling in, rolling out: tidal, even. In …
Edition of 500 copies w/ printed inner. Swedish drone alchemist Mats Erlandsson is sitting in a fictional room on ‘Gyttjans Topografi’, imagining a virtual chamber orchestra using zithers, tapes, double bass, harmonium, organ, and various synthesisers to draft a treatise on alternative tuning and non-normative harmonic structures. Transcendent material. The music on this recording is performed by a kind of fictitious chamber ensemble situated in an imaginary room outlined by textures that altern…
"Picture a Frame" the debut album by the Belgian composer Elisabeth Klinck, was born out of strict isolation and is nonetheless a result of a collaborative process that saw her working closely with artist Oscar Claus. Enriching her compositions for violin with electronic soundscapes and field recordings from their surroundings, the two entered an artistic dialogue that took place inside its own idiosyncratic space outside of conventional time. It is an intimate record in which Klinck’s expressiv…
"We entered the shadowy mouth of a new space, descending into a realm that precedes the underworld, the arcane, far from our time. We met beasts that gave us lessons about their language, which we started learning without grammar."
Tip! *50 copies limited edition* Gibrana Cervantes is an acclaimed Mexican musician who has made a name for herself as a violinist, composer, and improviser. She is widely recognized for her innovative and experimental approach to music, which seamlessly blends classical and metal influences to create a truly distinctive style. Cervantes has a gift for combining melody and noise in her compositions, resulting in emotive and contemplative pieces. Beyond her work as a musician, Cervantes is also t…