South Winds
No Noise Reduction, a collaboration project between Rafael Toral and João Paulo Feliciano, operated throughout the 1990's and early 2000's. In the Summer of 1995, João Paulo Feliciano and myself did a more focused effort on extended improvisation pieces, each with either guitars or circuit-bent toys and various effects (including tape echo Copycats). We did a mini-tour performing only in radio stations, as live broadcasts. Back then we were really excited about experimenting new things and that …
On Air
No Noise Reduction, a collaboration project between Rafael Toral and João Paulo Feliciano, operated throughout the 1990's and early 2000's. In the Summer of 1995, João Paulo Feliciano and myself did a more focused effort on extended improvisation pieces, each with either guitars or circuit-bent toys and various effects (including tape echo Copycats). We did a mini-tour performing only in radio stations, as live broadcasts. Back then we were really excited about experimenting new things and that …
Emissaries
Radio Massacre International is a British trio of Steve Dinsdale (keyboards, electronics), Duncan Goddard (keyboards, electronics) and Gary Houghton (guitar, keyboards). These three musicians have worked together in various configurations since the early 1980's and formed R.M.I. in 1993. They released their first album in 1995 and since that time have released dozens and dozens of albums. Appealing to fans of classic era work by Ashra/Manuel Gottsching, Heldon, Pink Floyd, Popol Vuh, Steve Roach…
Oordeel
This collaboration was bound to happen someday! Out of mutual respect and admiration for each other’s work Asmus Tietchens and Frans de Waard decided to work on some music together. The result is “Oordeel" (dutch for "judgement") – eleven tracks of diverse character and subtle beauty. From distorted groans and gritty pulses to delicate and abstract sound layers Tietchens and de Waard have created a fascinating sound world of bizarre beauty.
De La Bouche à l'Abysse
*100 copies limited edition* Registered and assembled in Quimper & Anderlecht in 2023.
Concert à la Cave 12
*100 copies limited edition* "Out there Norwegian guitarist-performer-singer, Gaute Granili, a true prodigy of (de)structured psychedelic song that we have been following since his beginnings, continues his explorations of sweet madness by donning a fantastic collection of strange twisted stretched beads, filled with ghost/haunting folk music, which one has the impression of knowing from who knows where, of lyrics sung in unknown vocabularies and of pop surges deboned by a psychedelic gnome mess…
Selection De 8 Moments
*100 copies limited edition* Selection of eight moments of cybernetic self-hypnosis, observe a tiny point and enter it. Associate sound impressions and abstract emotions, Nocola Henry's laboratory avatar.
Où les observer, savoir les reconnaître
*2024 stock* Recorded and mixed by Manuel Duval at the Studio de la Grange Cavale in 2020-2021Mastered by Camille JamainText "Faire les dents repousser" by Bise LolikowskaProduction : In Paradisum, Murailles Music & La République des Granges
Bwa Ba Baw Boi
*2024 stock* Dwarf Lift Dwarf is a two-headed cerberus with crumpled masks of celestial rascals. His chirps sound like the call of a freshly deconditioned post-Hawaiian pizza. One mouthful leading to another, creepers and castrated quarterbacks arch perilously over putrid swamps where the spoils of a lucid duty-free tourist languish.
The intentions are clear: to emerge virtuous from the winter of 2020, accompanied by the priest of priests Flavio Bagnasco le Cremovo, aka Cremyeuse, on the double-…
Decay Music n.8: I Hate All the Words
“I hate all the words” by Luca Scarabelli and Michele Lombardelli’s Untitled Noise, the eight instalments in the celebrated Die Schachtel’s “Decay music” series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche: Misery, the awareness; The Time, the suspension of disbelief; and Heaven, the existential atonement through detachment. The sounds and the voice proceed alternately, overlapping, where each, in its progression, asserts itself autonomo…
Futurist Antiquarianism
Nocturnal Emissions, masterminded by Nigel Ayers, have been on the cutting edge of new music since the 1970s. Ayers has been described as a Guerrilla Sign Ontologist, cutting-up and pasting the contents of the human psyche. With a background in avant-garde art, his work has grown from audio visual installations through underground video works which changed the shape of British television. In the early eighties Nocturnal Emissions hit London with a barrage of seminal funk; pioneering the use of s…
Difference and Repetition / A Musical Evocation Of Gilles Deleuze
This new album (the tenth in their discography) was born from two ambitions: to pay tribute to Soft Machine's Third on form (4 sides / 4 titles) and to philosopher Gilles Deleuze (Difference and Repetition is the title of his thesis) on the contents. The 4 long pieces of this double concept album were developed over 2 years and each has a different style and climate. Bold and kaleidoscopic, Difference and Repetition perfectly synthesizes the musical and literary obsessions of Palo Alto.
Formed i…
Ladder To Wave
Following releases on Altered States Tapes, Bunyip Tracks and Moontown, NM presents ‘Ladder To Wave’ - a spectacular new recording from anonymous Australian producer HHOST, in high resolution digital audio.
Out Of Practice II
This tape is a weird one. We’re calling it a “covers album”, which in our fried brains it is, but you might disagree. When our first two gigs in 15 years landed on our calendar we wanted to do something unexpected, a ‘live one night only’ kind of thing. We're always improvising everything, but as OOP1 may (or may not) have demonstrated we usually go into our live sets with some kind of plan — a set of moves, themes, approaches, ideas, structures or feelings that we call “songs” but that probably…
Out Of Practice I
Getting back to playing was a whole thing. Neither of us had been playing much music and weren't sure how we'd get back to it since we live pretty far apart and had opted in to playing shows. We always leaned on improvisation in our sets and our last few years were entirely improvisational, so we decided we'd create a few frameworks for playing our live gigs to give us something to lean on. In a sense, "songs" but VERRRRY loose. So here's a tape documenting two very different versions of one of …
The Process
"Just want to emphasize that Detroit is my heart. That’s the environment of my imagination. From the beginning."
Gerald Cleaver
Arrival
Big Tip! Not to be confused with the In Camera who had a couple of post-PiL releases on 4AD in the 80s, this In Camera is the work of Christoph Heemann and Timo Van Luijk. Four years after they got Lost in Spice they reached the point of Arrival. An altar on the surface of the water is burning with flames. Behind it you can see a half of the Earth's globe, and on it there’s a bright throne. A pale, translucent ruler wearing a crown sits in the throne. The globe is surrounded by a ball of shadow…
Haut les Vaches
Haut la vache is a record of sound exploration, a testimony to twilight contemplation, and by the way, the second field recording album by collectif_sin~. After Tour de Transmission (2016), a recording of celestial flutes created by the wind rushing through a metal structure at the top of a Pyrenean peak, we now head to Switzerland, where the tinkling of cowbells forms infinite landscapes for the ears, a metallic wave swaying over the green grass that you can listen to on side A, while on side B…
Varder 1
Big Tip! Varder is a new LP-series dedicated to unearthing early Norwegian electronic music. When this new form of music began to spread in the 1950s, it required large studios with expensive equipment, and the outcome was often considered not commercial enough for record labels to venture into. But despite the meagre means, Norwegian composers threw themselves into new sonic adventures such as electroacoustics, musique concrète and computer music, travelling to studios in Norway, Sweden, Poland…
The Kitchen Counter Experiments & Other Electronic Works 1959-1984
Big Tip! For over sixty years Maj Sønstevold (1917-1996) and Gunnar Sønstevold (1912-1991) were a driving force in the Norwegian music scene. The couple became famous for their sonic adventures into genres such as jazz, contemporary and screen music, writing some of the most well-known soundtracks and theme songs of their times. This 2LP focuses on the electronic experiments conducted by the two composers – ranging from drone music, electroacoustics, minimalism and improvised electronics – firml…