Restocked, reduced price * 13-CD limited edition box set with 300 page booklet * The Recordings, a box set edition compiling all Meredith Monk ECM New Series discs to date, is issued on the occasion of the composer and singer’s 80th birthday. With Dolmen Music in 1981 Meredith became the first singer to be the front person on an ECM recording. Included here are the albums Dolmen Music, Turtle Dreams, Do You Be, Book of Days, Facing North, ATLAS, Volcano Songs, mercy, impermanence, Songs of Ascen…
1995 release. Originally released in 1971. Key contains Meredith Monk's earliest compositions for voice. The songs that make up Key
were composed and performed in a three year period between 1967 and
1970, when Monk collected them into this 45-minute "invisible theater"
experience. Meredith Monk on the release: "In Key I wanted to
create a constantly shifting ambience. Each song dealt with a different
vocal character, landscape, technical concern or emotional quality. I
was trying for a vi…
*100 copies limited edition* Recorded on April 7, 2025 at Studio H in Beijing. Mix, mastering, recording and cover design by Jason Kahn. Many thanks to Zhu Wenbo and Yan Jun for all their work in making my tour through China and this recording possible.
Carl Ludwig Hübsch (voice, tuba) and Ignaz Schick (sampler, turntables) between abstracted song, sound poetry, noise improvisation and radio play, from sessions in Cologne and at Morphine Raum in Berlin.
Recorded in a water-closet. Berlin, 2026. Cut up, mixed and mastered in a closet. Paris, 2026. Cover art by Pakhom, design and layout by Agendathnethaim.
Inuit singer Tanya Tagaq live at Victoriaville in May 2010 with Jean Martin on drums and computer and Jesse Zubot on violin: throat singing, cries and breath stretched into an hour of raw, physical improvisation.
Sachiko primarly performs live in Tokyo with drone music centered around her voice. Here, in this new studio album, her voice seems concealed within the silence of the outer space or among a forest settling into stillness. The soundscapes are carefully crafted for a slow reveal, wavering and drifting, with the electronics and viola at times taking the lead, gradually unveiling an abyss of emotion.
While playing the bass in the Japanese bands Kousokuya and Overhang Party, Sachiko began her solo p…
*300 copies limited edition* "Interplay" is performed by five singers, from tenor clef to treble clef, recorded in different places at different times. Each singer had not listened to what the others had recorded before. They actually did not sing words, but produced sounds, reacting to the voice on certain situations given by the author. Afterwards the five tracks have been combined together into a single track. The final result is an interplay of voices, an abstract sonorous space, disembodied…
Big tip! Forty years of cassette releases, pressed for the first time on vinyl. First of two instalments exploring the previously unreleased sonic archives of one of Poland’s most enigmatic living artists - with its first volume focused on his deep listening practice and spiritual reverie (recorded 1990–2013). The last time Andrzej Dudek-Dürer took a banknote bearing the face of the Polish anarchist Jarosław Dąbrowski from his pocket to trade it for a pair of shoes was in 1969. He bought them fo…
For Circular Song she adapted circular breathing to the voice and sang on the inhale as well as the exhale. For Hear What I Feel she was isolated beforehand, then performed with her eyes taped shut, responding to materials placed in front of her that she could not see.
Chris Shields on organ, Ed Atkins on voice and Magnus Kaslov recording, live at KoncertKirken in Copenhagen in 2024: the organ reduced to air leaks, mechanical hesitation and shifting overtones. Liner notes by Sarah Davachi, edition of 200.
For over ten years, Brussels-originals ladr ache have dipped their toes and vocal chords in all matter of musical mischief as only they know how. With éclats z, their latest recorded offering, new canons arise that belong to no place or genre. Between the layers of chant, other voices turn up in old tongues and secret languages, gliding alongside pipes and electronic warps, pulsing in time with the granularity of choice. Recorded over two years in different times and spaces, the living textures …
Documentary recordings of Hartmut Geerken and Michael Ranta’s November and December 1976 tour of the Middle East and East Asia. Geerken is known for his long relationship with Sun Ra (including compiling a discography), but he wears many other hats too: musician, film-maker, archivist. Ranta is a percussionist best known for his famous “Improvisation Sep.1975” collaborative record with Toshi Ichiyanagi and Takehisa Kosugi. This is a CD reissue of an LP boxset, originally released in 2010 as the …
*300 copies limited edition* The first Af Ursin album in a decade, this release features extraordinary Belgian vocalist and performer Bénédicte Davin. Ad Fontes is a personal response to the fractured reality of our time. Created in the wake of visible social decay, manipulation, and institutional control, the album serves as a sonic mirror to an era defined by corruption and systemic failure. Instead of preaching political manifestos or claiming to have answers, this work is an intimate persona…
To wander means to relinquish the idea of a destination—moving through sound without immediately seeking a form, allowing chance encounters, shifts, and resonances to suggest the path. It is from this gesture that "In Vago Spirito" emerges, the new album by Italian vocalist, composer and sound artist Ludovica Manzo. The record marks a new chapter in Ludovica Manzo’s ongoing exploration into the dialogue between free improvisation and composition—a path previously charted through her work with th…
*100 copies limited edition* Utisetur I is the sixth album by Canadian ritual project Undirheimar. Marking the beginning of an ambitious trilogy, this new work delves deeper than ever into the project’s uncompromising spiritual and sonic vision. Utisetur I unfolds as a six-part ritual chant rooted in the ancient meditative practice of Utiseta. Stripping away all instrumentation, Undirheimar constructs the entire album exclusively from layered overtone singing, creating a dense, immersive field o…
'Murdúchann’: Where layered vocal transformations summon siren songs and sonic phantoms from within the source. The word ‘Murdúchann’ comes from a Middle Irish word evoking a siren-like being—a sea singer or mermaid. It derives from ‘muir’ (sea) and ‘dúchann’ (chant, song). The singing melodies said to hold sway over seamen were characteristic of the sirens of classical mythology—likely imported into Irish literature via Homer’s Odyssey.
"Over the past decade I have been working with a vast sour…
*300 copies limited edition* During the year 2021, Charlemagne entrusted us with numerous archives recently found on audio cassettes dating from the 70s and 80s. After a long process of listening and selection, we are pleased to present the first volume of these archives to you.
"Singing in Unison" is the final in a series of recordings from acclaimed sound artist, composer and performer Yoshi Wada. Recorded live over two nights, March 14 and 15, in 1978, at New York City's legendary performance space The Kitchen, "Singing in Unison" is a dramatic yet meditative work: modal improvisations for three male voices, singing, with great gravitas, in purposeful unison.
These previously unreleased recordings, featuring vocalists Richard Hayman (aka R.I.P Hayman), Imani Smith an…
»Baby Ghost« is the debut album by double bassist and vocalist Jordan Sand. Released through Hallow Ground, it blurs the lines between different genres and modes of expressions, improvisation and composition and showcases the unique playing style the composer has developed. Sand blends her voice with the bowed harmonics and subharmonics of her double bass. At once conceptually rigorous and musically open-ended, Sand’s wordless meditations on death and what comes after are both visceral and explo…
*2026 stock* It Burns with a Sweetness is the culmination of the work we’ve been doing together for the past three and a half years: six studio improvisations of voice and electronics edited and mixed on late nights while borrowing our friend Drew’s speakers (thanks Drew). The album maps out the sound worlds we’ve been traversing these past years: ethereal streams, static electricity, and chewed-up slimy gibberish. Our first improvisation together was for three people, in a courtyard, with the v…
There aren’t many all-female vocal groups in the world of improvised music, even fewer of them are working bands, and there are very few projects that are anything more than that. VoiceACT, conceived by Anna Gadt, is exactly that. VoiceACT is, above all, a platform for artistic exploration, generally without specific stylistic characteristics, but operating according to the sacred principle of free creation, to which each invited artist contributes whatever resonates in their improvisational sou…
Tulpa by Charmaine Lee transforms voice, electronics, and feedback into a vivid organism of noise, song, and silence. Produced by Randall Dunn and released on her label Kou Records, the album bends improvised vocal gestures into sculptural form—an intimate encounter between body and circuitry that questions where identity begins and resonance ends.
*200 copies limited edition* Following the acclaimed Tectonic Plates, his celebrated collaboration with John Butcher and Mark Sanders, Alan Niblock returns to 577 Records with Sonic Breath, a striking solo work built from the elemental encounter between improvised voice and double bass. On Sonic Breath, Niblock treats the double bass not simply as an instrument but as a resonant environment for the voice. Breath, vibration, texture and gesture become the primary materials, allowing the music to …
Rlw (aka Ralf Wehowsky ) whose work deals in the transformation of prerecorded sound material, the permutation of the senses and the metamorphosis of the sensitive, has been a proponent of long distance collaborations for decades, long before lockdown made this manner of working popular. This goes way back to his beginnings with Permutative Distortion or P16.D4 and the Selektion label. He is a strict and disciplined composer, a formal organizer of discernible objects.Tunnel presents five pieces …
Uranian Void is the new solo album from vocalist, composer, and lyricist Jessika Kenney out on Kou Records. Known for her singular approach to voice and expansive collaborations (A24's Midsommar, Alvin Lucier, Eyvind Kang, Melati Suryodarmo), Kenney here turns inward, shaping sound as memory and vibration.Blurring sine waves, hydrophone recordings, ghazal, solo instruments, and voice, the album is a meditation on resonance - where shimmer and shadow are equally alive. Produced by Randall Dunn, U…
The Swamp’ is a get-to-know-you party where furniture is broken, wine glasses are smashed and walls are defaced with graffiti, but the living room remains more beautiful than the night before. The album is the first meeting between vocalist Maja S. K. Ratkje, guitarist Torstein Slåen and electronics artist Sigurd Ytre-Arne. With a fair dose of anti-bullshit inherited from decades of jazz/improv/contemporary music mixed together in the Norwegian stew pot, they improvise new songs across time, aes…
With a refined, modern sensibility and a deeply human sense of space, “Undercurrent / Wanderlust” balances detail and emotion. Each track unfolds like a short journey: moments of clarity and restraint giving way to tension, color, and release. The partnership between Suzuki’s expressive musical voice and Okagawa’s atmospheric approach creates a sound world that is both immersive and immediate—an invitation to listen closely, then follow where the music leads.
Few artists have expanded the possibilities of the voice as radically and masterfully as Berlin based voice artist, composer and improvisor Ute Wassermann. For her, the voice is an ecosystem: a living field of relationships between body, object, space, and the listener’s ear. Her music moves between the transcendental and the quotidian at once – breath as ritual, sound as touch, acoustic experience as something simultaneously otherworldly and utterly present. Dissolving the perceived boundaries …
Recorded on September 13-14, 2023 at Ting ShuoHear Say in Tainan, Taiwan.
Recording, mixing, mastering and cover designby Jason Kahn.
Much gratitude to Alice Hui-Sheng Chang and Nigel Brown for all their help and warm hospitality during my stay in Tainan as resident artist at Ting Shuo Hear Say. Also many thanks for the generous financial support from Stadt Zürich Kultur, Pro Helvetia, and Fondation SUISA which made my trip to Tainan possible.
On Voice, Sofia Jernberg compresses a lifetime of radical vocal exploration into a stark solo document, treating the larynx as full‑spectrum instrument - from split tones and pitchless friction to fragile lyric shards that hang in charged silence.
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. This performance is from Okkyung Lee.A native of Korea, Okkyung Lee has been developing her own voice in contemporary cel…
Tip! Employing a vast array of advanced vocal and instrumental techniques, Broken Gargoyles is arguably Diamanda Galás' most intellectually, sonically and viscerally formidable work to date. The album finds the visionary artist deftly probing the weaving, warping transformation on the nervous systems of her post-traumatic soldiers and dying diseased. The album's first part, "Mutilatus," contains the Georg Heym poems "Das Fieberspital" and "Die Dämonen der Stadt," and concerns the suffering of th…
*100 copies limited edition*
Phil Durrant // amplified objects, electronicsJason Kahn // voiceMark Wastell // percussionCaius Williams // double bass
Recorded on September 12, 2025 by Dave Hunt in London.Mix, mastering and cover design by Jason Kahn.
‘Traces of the ceiling’ is the new album by Takako Minekawa, an artistic collaboration between Minekawa who composed, performed and recorded the works contained within - and artist Ippei Matsui, who created and designed the accompanying elaborate five-panel fold out sleeve, risograph inserts, and vinyl. ‘traces of the ceiling’ is also the debut release from Portland, Oregon based shop, label, and event series tone poem.
‘traces of the ceiling’ was recorded in los angeles between 2018 and 2020, a…
Legendary French industrial pioneers Vox Populi! arrive on Dark Entries with a reissue of Sucre De Pastèque. Vox Populi! was founded in Paris in 1981 by Axel Kyrou, a multi-instrumentalist of Greek, French, and Palestinian roots. He soon recruited his future partner, Mitra, and her brother Arash Khalatbari, who were born in Iran and came to Paris in their teens, as well as bassist Fr6 Man (Francis Manne).
Their sound was motley, combining elements of musique concrete and early industrial with ho…
*200 copies limited edition* Eight pieces of free vocal improvisation by the duo of Jason Kahn and Alice Hui-Sheng Chang, who have been working together since 2015. "I Smile When the Sound Is Singing Through the Space" is their second release and was recorded during Jason Kahn's one-month artist residency in September 2023 at Ting Shuo Hear Say in Tainan, Taiwan.
Clarity, more often than not, is a lie, a red herring. Truer, it seems, are blurred images and misty conceptions. Music history as a whole is undecipherable. Zooming in may bring some sense of understanding but many lineages lie far beneath the surface, made of obscure stories and oblique connections, like the ones that tie Joan La Barbara, Meredith Monk, Robert Ashley & Jacqueline Humbert - a scrawny branch in the genealogical tree on which now sits Thelma Cappello. Its motto reads: “voice is a…
Omega Point had obtained the original tape recording of "Extended Voices" composed by Toshi Ichiyanagi (first released by Odyssey/Columbia in 1967 on the compilation of the same name, alongside other pieces for voice & electronics by Pauline Oliveros, Morton Feldman, John Cage, Robert Ashley and Alvin Lucier). The piece consists of electronic sounds and modulated voices which are included on this album in two new 2014 realizations, in collaboration with Takashi Matsudaira, a baritone singer…
Solo Throat is the first solo LP from vocalist, composer and movement artist Elaine Mitchener. Drawing on the work of African-American and African-Caribbean poets Edward Kamau Brathwaite, Aimé Césaire, Una Marson and N. H. Pritchard, these twelve new vocal compositions disrupt semantic sense, play with the margins of lyrical translation, and give rise to new voicings. Elaine Mitchener is a veteran of vocal expression in the global Black Avant Garde, traversing free improvisation, cross-disciplin…