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2025 stock ** "In 2010, Jean-Luc Guionnet and Éric La Casa were invited by Arika to the Uninstal festival in Glasgow (Scotland) to carry out a series of recordings with some inhabitants of this city, in their home spaces. Based on predefined rules, including the single-sequence shot as a recording method, these people became the actors in a story about their everyday life. Guionnet and La Casa considered this work as a composition under the form of a score with four phases."
Over the past several years, Vienna-based composer / producer Peter Kutin has been working intensely at the little-explored junction between sound art and journalism / documentation. Focusing on sonic experiences in extreme or exceptional conditions, Kutin explores both the physical and psychological impacts of such extremes on how we hear. Later translating or orchestrating these experiences into sound. Despite his age, Kutin has already seen (and heard) many lost corners of the world, having r…
“The cold ice burns like the hot fire” wrote Max Beckmann in 1948 in his letter to an imaginary female painter. The extremes of fire and ice have always been a popular metaphor for the opposites of ardent passion and unfeeling frigidity, of flux and torpor – extremes which, for all our polarizing way of perceiving them, are very similar. This is also true, especially so in fact, in the acoustic field: in terms of their behaviour and dynamics, the sounds we associate with fire and ice – as create…
When Important Records originally released (in 2005) Henry Jacobs 'The wide weird world of Henry Jacobs / The fine art of gofing off”, it was met with instant acclaim and a lengthy, nationally broadcast feature on NPR. We are happy to announce the reissue of this out-of-print CD/DVD set. Over forty years ago, Henry Jacobs left a large collection of his recordings underneath his house in Mill Valley, CA only to have it discovered in the past decade. Restored, sequenced and mastered by producer Ja…
LP only. Limited Edition of 130 copies. These 37 minutes mark a turning point in Uhlig,s work. "Genmaicha: At the opal seashore (the last full length Aalfang Mit Pferdekopf-album on Mystery Sea, October 2005) was a already a vague hint of what comes now: Uhlig on the peak of low volume.
"VIVMMI is divided into five segments accompanied by a host of verdant birds and the melancholic and peaceful humming chords of an old droning piano (and without much doubt: completely out-of-tune). As if someone…
Field recordings 1995-2007 by Seijiro Murayama : snare drum + objects and Éric La Casa: microphones + field recordings (1995-2007). Drawing by Tomoya Izumi. 'What makes one a musician, a composer? It happens only when one succeeds in giving life to music, a certain presence. I don't hesitate, even though I am not a writer, a painter etc., to say the same thing about them. For this composition, 'Supersedure', I met Eric. It seems to me that we share an artistic, but maybe also a general attitud…
**Edition of 400** 'Flak' is an excellent 10" release offering two diverse pieces. Side A is a heavy, densely layered drone piece comprised of harsh, grating sounds all over the sound field, but sliding from start to finish with remarkable constancy. It's a truly beautiful noise, rather like some of David Jackman's earlier work as Organum. Side B is a field recording, untreated, unfiltered, recorded outdoors, with a great hiss that is very much present in the mix. This second track seems to comm…
Compilation CD with Francisco Lopez, Giancarlo Toniutti, Jeph Jerman, Seth Nehil & toy.bizarre, Kiyoshi Mizutani, MNortham, Eric La Casa. A confrontation of different ideas, views, about nature … and sound… From the electroacoustic deep soundscape of Eric La Casa to the droney stones of Giancarlo Toniutti, from the rough fresh stream field recordings of Kiyoshi Mizutani to the heavy processed insects, wood and grass sounds of Seth Nehil & toy.bizarre… from the silent nature of Francisco Lopez to…
Tip! 2000 release After Paradigm Discs released the 1976 LP by Anal Magic and Rev. Dwight Frizzell, the true scope and diversity of this man's activities became more apparent. First, there were the countless unused remnants from the original LP recording sessions, then the many films and their soundtracks, the regular radio shows, the dreamlanddiaries web page, the large scale Intermedia events, performing weddings and leading the live group Black Crack Review. For 25 years there has been a dyna…
Over the last thirty years Peter Cusack has built a reputation as an improvising musician, and is often to be found plucking an array of string instruments, including guitar and balalaika, while simultaneously triggering live electronics. Peter had known for some time about the extraordinary Lake Baikal, a 600 kilometre long lake in Siberia. It is thought to be the world's oldest and deepest lake and holds one fifth of the earth's fresh water. It was only recently, however, that he came across a…
Mark Wastell and Matt Davis met and first played together in a workshop led by Eddie Prévost in London during the spring of 1996. Soon after, Wastell was invited to join Chris Burn's Ensemble, in which he played with Phil Durrant for the first time. Subsequently, Phil and Mark worked together in the quartets Assumed Possibilities and Quatuor Accorde, documented on Rossbin and Emanem CDs, respectively.
The debut trio concert by Davis/Durrant/Wastell took longer to organise than any of the partici…
The audio material of «Songs for Nicolas Ross» is taken from my travels 2000-2003 in the cities Amsterdam, Baltimore, Berlin, Caudeval, Lausanne, Los Angeles, New York, Paris, St. Pölten and Zürich. As the CD was for the birthday of Alessandro Bianco's son Nicolas Ross, I thought of the pieces as short songs, either as lullabyes or just brief sonic enivornments for him to enter into. I tried to imagine young Nicolas' perception of the sound around himself and his relation to this. This was the s…
in the memory of René Quinon thanks to Fred Galiay & "Samedi 14" We all are in a house: "Villa Adriana", (René Quinon's house - little village - low mountain - high valley - Ardèche). A bunch of all kind of microphones are deviced in the house and amojng the landscape around the place. Each of them is plugged into a mixing desk that Eric La Casa is using during the recordings. The duration of the mix is more or less pre-decided by the 4 of us. During this amount of time, the 3 instrumentalists a…
This is a co-release with Tochnit aleph. Recorded by Dave Phillips, january-march 2001 and january-february 2004. These recordings have been equalized, other than they have been left es arecorded. No mixing, no layering, non normalization or compression, no effetcs nor any other additions or manipulations. All cuts are indexed. Play loud. Alternate playback through earphones is highly recommended. Seriously.