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*300 copies limited release* Biarrezgaur (not tomorrow, today) is a blissful and misty set of guitar tones entangled with effects and reverberation. Dreamy and reflective proto-blues-folk sketches that suggest a sense of matured serenity that only comes with years of practice. Spontaneous, gentle and free-flowing in equal parts, Biarrezgaur is a perfect autumnal recipe for those looking in the direction of Six Organs of Admittance, Loren Connors with Alan Licht, or even Robbie Basho or Albert Gi…
First album in seven years from Maple Death Records founder James Jonathan Clancy (Italy/Canada), and the first under his birth name following previous ensembles His Clancyness (Fat Cat, Maple Death) and Brutal Birthday (Total Punk, Improved Sequence). In the interim between those projects and this latest, ‘Sprecato’, Clancy has refined and honed his vision —steadily and carefully drawing from a host of disparate influences to create a new kind of singer-songwriter album that bridges the divide …
This is a presentation of Xexa's different sensibilities as a composer, musician and sound designer, mapping what are in effect her initial explorations with voice, rhythms, synths, ambience, ever searching for an organic final result. As a student at the Guildhall School of Music and Drama (London) between 2019 and a still fresh 2023, she presented in her third year a portfolio that included what we can now listen as "Clarinet Mood", the final track on "Vibrações De Prata". Her intention was to…
‘Musik für animierte Tonspurfilm’, the twelfth album by Die Anarchistische Abendunterhaltung (or DAAU, as they are commonly known), is the soundtrack to a series of short, abstract animation films by Rudy Trouvé, who also acted as a creative director during the recording process. The music originates from acoustic improvisation sessions by accordionist Roel Van Camp, clarinetist Han Stubbe, double bass player Hannes d'Hoine and percussionist Jeroen Stevens. These took place according to concep…
*2023 stock. 300 copies limited release* Composed and played during summer 2020. Recorded at NGHE (Brussels) between september '20 and march '21. Mix by Valentin Noiret with acurate advices from SSM. Mastering by Manuel Duval. Artwork by Fanny D. Touchemoulin. Layout by Todesangst
*2023 much needed repress!* Reiko Kudo first appeared on the Tokyo underground music scene in 1980 with Noise, a duo which consisted of Tori Kudo on organ and herself (then under her maiden name Reiko Omura) on voice, guitar and trumpet. Their only album "Tenno" (1980 on Engel) is probably one of the most outstanding and uncompromising records of all time. Besides other pioneering female producers from Japan such as Non (of Non Band), Phew and Haco, who all had started their startling careers in…
*2023 stock* This is my debut album. I had just 'discovered' my singing voice. The songs are recorded in a straightforward fashion.
1, 3, 4, 5 and 12 were recorded in Ingelmunster, Belgium, during the summer of 2002. The rest was recorded in Hilversum, The Netherlands, spring 2003- spring 2004.
Michael Anderson of BlueSanct wrote: "Annelies's music is singular. It is genrally one isntrument; piano, cello, guitar, or melodica. Sometimes there is only voice. [...] Like the other artists on Buesanc…
When you listen to birds, they usually talk about food, sex/family, or anxiety. If they knew about the true nature of humanity's cruel and exploitative relationship with birds, they would be discussing rebellion. Humanity's current trajectory about birds is to cause the extinction of one-third of all bird species by the end of this century. This record crystallises the borders between memory, beauty, and anxiety. At the core is an amalgam of all the birds we have met and heard, their sounds synt…
Opening a glimmering window into the brilliant scene currently percolating in Strasbourg, France, Morc Records returns with “Lo Becat”, their first offering from the stunning creative duo of Lise Barkas and Lisa Käuffert. Rendered on two bagpipes, intertwining elements of traditional French folk with the tactics, ideas, and approaches of experimental music, the resulting sounds unfurl a singular iteration of intoxicating long-tone minimalism that leaves you riveted to the core.
From Matière Mémoire, one of the most striking and unique labels currently working in experimental music, comes “Adage Vestige”, the latest stunning statement from the French, Belgium based multidisciplinary artist Roxane Métayer. Encountering one of Europe's most unique voices pushing ever further into abstract realms with her signature hybrid of folk and rigorously experimental approaches, it's an absolute stunner that can't be missed.
*2023 stock* Riding the rails down to the past and back to the future, Eiko Ishibashi considers the unknown lives that her own family has lived, set to expansive pop travelogues evoking the work of pioneers like Joni and Scott Walker, while pushing further, always further....
Big Tip! *50 copies Art Edition, handnumbered and signed, all copies are different* Audio dream directors Timo van Luijk (Af Ursin, Elodie) and Bart de Paepe (Sloow Tapes, Sylvester Anfang II) played as Ilta Hämärä on a MiMa night in Rotterdam (NL) in 2016. It was the day before Kraak fest, and they had a tour tape with them. A great night, as so many MiMa nights. Timeless Reality, featuring Family Underground, were also on the bill and on fire too: passport losing lo fi stoner garage. The toile…
*200 copies limited release* Fae Transit is an expedition into a realm of faerie music Sam McLoughlin introduced us to in his contribution to Folklore Tapes’ Swifter than the Moon’s Sphere. If Green and Brown was a sighting of a faerie parade, Fae Transit is a full abduction, a journey through a woodland inhabited by spirits and haunted by the living.
The album is written entirely for harmonium, nylon guitar, hand percussion and dictaphone, with harmonium and finger-plucked guitar continually ex…
In June 2021, Joshua Hill, violinist –– noted film composer and multimedia artist –– was staying with his parents in Northern Arizona, simultaneously retreating from the pandemic and caring for his father, in the throes of dementia. Micaela Tobin, passing through on her way from Los Angeles to New Mexico, stopped to stay for a few nights, pitching a tent in the Hill’s yard. On a whim, Hill and Tobin decided to set up microphones and a few instruments in the tent and record, only miles from then …
Pmxper is a new collaboration between the artists Pavel Milyakov (aka Buttechno) and Perila (real name Aleksandra Zakharenko). They will debut live at the influential Berlin Atonal festival in September. The music has elements of spoken word, electronics, guitars and drums, and has the same feel, flow and freedom as Young Marble Giants' classic album Colossal Youth.
*2023 stock* What once started as a series of mixes has been expanded into this compilation, which brings together genres like electronica, modern minimalism, folk, post-rock, avant-garde or modular music. Compiled by Martin Riedler
In 1995 the self-titled full-length debut of Die Anarchistische Abendunterhaltung (DAAU) was released. The band consisted of four young, 'classically derailed' musicians who played their own compositions exclusively their with acoustic instruments such as violin, cello, clarinet and accordion. Their work contained influences from Roma music, Eastern European folk, klezmer and jazz, but was performed with the energy, rebellious spirit and Sturm und Drang of a bona fide punk band. DAAU was part of…
A meeting of two mavericks - Greg Malcolm, a guitarist from New Zealand who has played with Rosy Parlane, Toshimaru Nakamura, Tetuzi Akiyama and Bruce Russell, as well as solo releases on his own label Corpus Hermeticum, and Stefan Neville aka Pumice - a long-running, endlessly inventive project whose shambolic music is equally reminiscent of Kiwi pop groups such as The Clean and Tall Dwarfs as well as the country's experimental noise-rock bands like the Dead C. "Who would attempt to combine cun…
The Path is the latest album from Belbury Poly (aka Ghost Box records founder Jim Jupp). This time round Jupp has recruited a full band roster to expand his own unique electronica. He is joined by occasional Belbury Poly collaborator Christopher Budd on Bass and Guitar, Jesse Chandler (of Midlake, Mercury Rev & Pneumatic Tubes) on flute, clarinet and keyboards, Max Saidi on drums plus narration from author and poet, Justin Hopper.
Musically it takes as its starting point a particular moment of e…