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New York City-based Pavone and Kasten Krause met by being placed together in the ensembles of other like-minded music experimentalists. It wasn't long before they realized their unique sonic preferences, aesthetics, and approaches to their instruments were similarly aligned and worth further investigation. Over the course of two seasons, they explored and experimented with sound worlds and structures, resulting in the four pieces that make up this album. Images of One is the first release from t…
** Edition of 300 in handmade cover, includes A3 colour poster. ** Deep and immersive open-air Chilean trance-folk improvisations from members of KYE Records alumni Glorias Navales and Sholto Dobie. "The idea of applying free-music logic to rock structures came of age with the records The Dead C and Harry Pussy put out on Xpressway and Siltbreeze in the '90s. They created a method to follow. Keep the tropes and tools of rock and roll but ditch the formal constraints. All you are left with then i…
Calamita = Karkhana members Tony Elieh, Sharif Sehnaoui and Lebanese drummer Malek Rizkallah join forces with the Egyptian singer Aya Metwalli - the result is the improbable meeting between free jazz / improv, punk rock & Oum Kalthoum!
Calamita is the "rock project" of Sharif Sehnaoui and Tony Elieh, two of the most active musicians on the Lebanese experimental scene (among others projects, both are members of the "free Middle Eastern music" collective Karkhana). Sehnaoui comes from a jazz and i…
Tip! *2023 stock. 30 copies limited edition C90* Zhu Wenbo: clarinet, bass clarinet, percussion, fan, theremin, viola, flute. This album was released in digital files by Zhu on his personal bandcamp on May 6, 2021. After a year, we got contact with him and decide to release it in physical format.
"I listened to the demo recordings for the “Ta Yu Ta I” CD. The track begins with the sound of a stone, and, for a moment I doubted my ears, thinking that it was the iwafue stone flute that I had lost overseas in 2005. The flute actually used on this recording was a replica on an ancient flute, one of three that have been handed down within my family. But until that moment when I heard the sound of it echoing inside my skull, I had completely forgotten about it. It was my living flesh that breat…
*2023 stock. 100 copies limited edition* Recorded at Vital Sounding festival; Nu Space Chengdu. collaboratioin between Yan Jun: open input feedback and Xiang: ableton live, contact mic.
*2023 stock. 100 copies limited edition* "Few words about Anzi: somehow, for me, she tells the meaning of "new music". She has daily job now and for a while she was a house wife. She is not active as an artist. She is quiet and looks weak. We had some collaborations and from those she influenced me so strongly. The recording on this cassette is from miji concert 57. You can check the video from a link on subjam.org for understand more (of course not for Chinese language but other aspects)." - Ya…
Tip! *2023 stock. 100 copies limited edition* Kaoliang Brothers Live at KLEX (Kuala Lumpur Experimental Film, Video & Music Festival) 2018, RAW Art Space, Kuala Lumpur. Collaboration between Taiwanese pioneer of experimental electronics Dino on no input mixing board and Malaysian tenor saxophonist virtuoso Yong Yandsen.
Rachika Nayar’s fragments is a collection of sonic miniatures constructed from guitar loops and in the familiar comforts of her own bedroom. First released as a limited edition cassette by RVNG Intl’s Commend THERE imprint in 2021, fragments (expanded) adds an entire new side of previously unreleased music to the collection, which has been newly mastered by Rafael Anton Irrisari.
While growing up and developing a relationship with the instrument and her capabilities, using delay pedals to improv…
"It’s unfortunately rare for an improviser, especially in a solo context, to concentrate on one idea, a single angle of attack, and to work that idea deeply, to discover hidden jewels within a relatively “narrow” range and further, to surprise the listener with unexpected divergencies. Agnas, in the three selections from a live event presented here, does this beautifully. On ‘1992’, he places his guitar on his lap and approaches it as a kind of dulcimer, generating a strong and captivating rhyth…
Tip! This fourth release by Great Waitress titled back, before was recorded before the pandemic and lockdowns in 2018, and has taken four years to get to production. A live set was beautifully recorded by Peter Farrar at the Annandale Creative Arts Centre in Sydney and mixed and mastered by Joe Talia.
In the elegant liner notes, Chris Abrahams writes of Great Waitress transcending “ ...the individual contributions of Mayas, Altman and Brooks. It's an identity made from a multi-dimensional count…
CD Edition. From its opening notes, it is apparent that Keith Tippett's first solo recording in fifteen years is something very special indeed. Tippett has always been a player with a talent for musical pyrotechnics, cascades of notes—triplets, trills, mordants and arpeggios-colliding with mighty tone clusters. But equally, he has also been an artist of great emotional subtlety and depth. Both these qualities are in evidence here. For much of the record, the sense is less that of Rachmaninov, mo…
Jim Denley and Dutch musician Cor Fuhler first met at the Taklos Festival in Switzerland in the early 1990s and Cor's frequent visits to Australia over the years gave them the opportunity to occasionally play. In 2012 Cor moved to Sydney, allowing them to ramp up the duo - this is their first release together.Over 7 weeks at the end of 2013 they recorded weekly in Cor's backyard studio, eventually choosing take 9 and 12, titling them Skive and Wag. Their imaginative preparations and inventions …
*2023 stock* Playful reverence acts as the adhesive in this recording. The muse is filled with chromatic color and interlocking light and shadows. This release celebrates a life of music-making from John Heward and Barre Philips, both whom were eighty-years young at the time of this concert. Other members of the quintet include: Lori Freedman, Joe McPhee and Dana Reason. Positive and negative space is the organizing principle of this improvised concert. Heward, a well-respected Canadian musician…
*2023 stock* "Railing backstage at his musicians between sets, drummer and big band leader Buddy Rich once declared, “There’s no sound in flutes. All I hear is noise!” It’s unclear if Alex Riva ever listened to these covertly made recordings of Rich chewing out his band. But if he had, Rich’s words certainly could have been the rallying cry on Riva’s new solo CD, Solos and More, recorded in Bangalore, India in 2019. Riva plays a wide variety of plastic recorders, the bane of many parents worldwi…
Outstanding violinist and improviser from Serbia Szilard Mezei in his latest studio recording! Alongside him on double bass are Zoltan Zoltán Csányi and percussion painter from Catalonia Vasco Trilla.
*300 copies limited edition* Well this is a dream, Ukrainian experimental composer Natalia Beylis put together "Love-In-A-Mist, Edible" over the course of three years, recording pianos she would find at other people's houses or on holiday, in Ireland, Amsterdam and Morocco. Ghostly and emotional musical polaroids - it draws immediate parallels with Dominique Lawalrée’s 'First Meeting’ which - you prob know by now - is all the comparison it needs to have our ears fully pricked.
Presented “like ho…
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…