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Alexandra Grimal’s new record is an exploration of her inner improvised language in resonance with the very special acoustic of the castle of Chambord. Refuge was recorded in the double revolution staircase in the castle of Chambord in September 2020.
*In process of stocking* ‘A grain of Earth’ is the first solo venture and expression of several years of working with instant compositions and the timbral possibilities of an acoustic piano. This has been wrapped in an idea of realities beyond our perception, and a thought that we are a part of a big organism where everything goes endlessly bigger and smaller in scale of size, time and speed. Everything moves in constantly interfering waves of energy; echoing and reflecting, in ceaseless dance o…
Forbes Graham (trumpet, drum machine, laptop computer) is joined by Cecilia Lopez (analog synth) and Brandon Lopez (bass) on a session recorded at Firehouse 12 in August of 2021. Each musician is wholly distinct and themselves on this recording, but their sounds unite to create a dark and quizzical sci-fi journey.
Amidea Clotet's Trasluz is the result of research into the sound and textural possibilities of the electric guitar treated as a source of sound amplification. Clotet creates spontaneous, raw and vivid soundscapes, which call for the importance of the present moment, of knowing how to listen to what surrounds us and to ourselves.
The Industrious Tongue of Michael Foster is a 2-part work probing the most intimate and sensitive glands of the saxophone's internal architecture. This work is dedicated to several filmmakers whose work explores the erotic extremities and complexities of contemporary intimacy which has served as a focal point of inspiration for this album: Hisayasu Sato, Takashi Ishii, Naomi Tani and Jacques Rivette.
*In process of stocking.* Paul G. Smyth is an Irish pianist who has worked with such innovative free improvisers as Evan Parker, John Russel, Peter Brötzmann, Derek Bailey and Keiji Haino, and runs the Weekertoft label. John Wiese is an American electronics musician, known for the Sissy Spacek project as well as his work with Sunn O))), Wolf Eyes, Merzbow and Evan Parker. The duo of Smyth and Wiese was recorded at the National Concert Hall in Dublin in February 2015.
"The Outlier" is a 54-minute…
Tip! *Limited edition of 100 copies. In process of stocking.* Yellow brings together acclaimed LA-based musicians Kozue Matsumoto, Patrick Shiroishi, and Shoshi Watanabe. With total expressive command of their instruments, the trio unfurls a brilliant and impassioned free improvisation of the highest virtuosic caliber that is at once anguished, defiant, and vigorously hopeful. An astonishing musical work, Yellow is also a powerful political statement. The musicians came together on the basis of …
*Limited edition of 500 copies.* Subtitled “some more guitar solos,” Bonobo Beach was German guitarist and instrument inventor Hans Reichel’s fourth and final record of solo guitar works. After this record, Reichel would turn much of his attention to the bowed wooden-tongued instrument he created called the daxophone. Reichel recorded the six tracks at his home in Wuppertal in April, 1981, and in the process made what might be his masterpiece. These are not just some more guitar solos. Concentra…
“Terror Iridescence” is the 4th full length release by the latter-day, New York City based reincarnation of the seminal Punk Jazz/No Wave/Brutal Prog unit The Flying Luttenbachers, and the 17th album since 1992. After all of this, longtime fans tend to expect notable creative twists to be pulled by the band with each release, and this one will not disappoint. This time around, our heroes have issued forth a boldly abstract haunted-house salvo of dizzying surrealism, loaded with exceptionally biz…
The legendary Lebanese trio of trumpeter Mazen Kerbaj (Karkhana, Johnny Kafta), guitarrist Sharif Sehnaoui (Calamita, Karkhana, Johnny Kafta ) and bassist Raed Yassin (Praed, Praed Orchestra) celebrates their 20th anniversary with The Binding Third on Unrock.
They still create acoustic improvised drones that range from insistent, chiming resonances with emergency alarm bells to low, thrumming hums but with growing intensity. Avoiding conventional technique, A Trio manages to create sounds like m…
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Lux. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to …
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Via. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to …
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Hieme. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are t…
Tip! "Language is the Skin" is the fourth full length release by New Monuments, the quartet co-led by Don Dietrich (Borbetomagus) and Ben Hall (Graveyards/Bill Dixon). Hall and Dietrich continue applying pressure to the structure of the relationship between saxophone and percussion. "Language" branches out to include totally new forms, line-ups, and instrumentation. New to the band, replacing C. Spencer Yeh, are Don's 25 year-old shredder daughter Camille adding 'cello, big Stockhausian refriger…
*In process of stocking.* Minimalism is the keyword for the release from Bryan Eubanks. He composed work for four double basses, and Jonathan Heilbron, Mike Majkowski, Andrew Lafkas and Koen Nutters are the performers here. The score/concept is explained on the cover here; this is an excerpt: "[..] .....Each bass bows natural harmonics on one of the strings (I, II, III, IV), holding each note for the chosen duration and allowing a pause equal to half of this duration between each note. ..... All…
Tip! *In process of stocking* Ashley Paul is an American multi-instrumentalist/ composer based in London. Her intuitive process integrates free form song structures with a focused approach to sound. Using a complexity of instruments including saxophone, clarinet, voice, prepared guitar and percussion she creates a delicate palette, uniquely her own.
I Am Fog to us sounds like a new evolution of Ashley’s work, it is silent shoegaze with hints of free jazz. Joan La Barbara on methadone is somethin…
Other Minds is pleased to present Inhale/Exhale, the debut recording from the New Mexican trio of Pulitzer Prize winning composer/guitarist Raven Chacon, percussionist Tatsuya Nakatani, and bassist Carlos Santistevan.
A new trio from three master improvisers in the great sax / bass / drums tradition. This suite of compact pieces sees the players move between pure jazz skill and areas where extended techniques on all three instruments take the music into more textural and abstract areas. Paul Hession has played percussion with a wide range of improvising musicians from around the world including Derek Bailey, Peter Brotzmann and Marshall Allen. Bassist Michael Bardon featured in the Nat Birchall Quartet and S…
'An investigation into some smaller sounds and interactions from this new trio, plus a few excursions into more expansive territory. All of the music was improvised and performed as heard, apart from the coda of the closing track Rotten Star which is a collage. Heartless, Heartless…… / Rotten State edits together, in alternation, parts of two separate longer improvisations. Pat plays grand piano interior and keyboard simultaneously for much of the album, while Johnny responds with sounds from a …
*In process of stocking* Quartet, the masterful grouping of Rachel Musson on tenor sax, NO Moore on electric guitar, Olie Brice on double bass and Eddie Prévost on drums, an improvising ensemble of wonderfully unpredictable momentum, from passages of quiet introspection to thunderous density, but always with attentive listening and imaginative responses, heard in this spectacular 2021 concert at Iklektic.