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*2022 stock* The work of upstate New York noise-jazz trio Borbetomagus is frequently described in terms of overwhelming power and aggression. In a live context, that's absolutely the dominant impression one is likely to get. On record, though, it's possible to have some control over the volume, and thus to listen closely and carefully and discern real technique at work, not to mention a subtlety that's not really surprising, given that saxophonists Jim Sauter and Don Dietrich, and guitarist Dona…
"The album offers a varied collection of adventurous improvisations in different constellations. Underlining that Keeffe is a multi-sided, very inventive and inspired musician." - Dolf Mulder Vital Weekly
That a variety of moods are conjured so effectively speaks volumes about how both artists are in synch with their objectives, so clearly vested in the realization of their ideas, so highly attuned to their birthing of new musics that to accompany them on their magical mystery tour is an experience not soon forgotten." - Darren Bergstein, DMG The electronics / woodwind duo celebrates its 15th year of existence with a new album, the first for 5 years. Material developed for concerts during the per…
*350 copies limited release* A new album from Anglo-Norwegian trio The Geordie Approach, in a unique collaboration with Japanese koto-player Michiyo Yagi. Live at SuperDeluxe is both a tribute to the long-lost venue which for many years constituted the hub of high-end Tokyo experimentalism, as well as a testament to the transnational ethos of improvised music. The three musicians of The Geordie Approach have long been drawn to the experimental, rustic, activist-run underground venues found in ba…
There are enough ideas in the first couple of numbers to fill a whole album, with wailing sax and clarinet and lightning propelled guitar in the brief opener ‘Heat Patch’- think Zappa- then Fripp in ‘The Celebration Restriction’. It’s a whirlwind, visceral listen with the free spirit of experimental jazz and the nous of heavy rock." Phil Jackson.
Conceived and realised over an 8-month period of intense solitary work, "Gated" is Alex Ward's most ambitious musical statement to date. The ten pieces…
In August 1969, Masayuki Takayanagi formed his first New Direction group and embarked on an unparalleled musical journey that over the final 22 years of his life would define him as an uncompromising artist who would forge a visionary new musical language. Comprised of himself on acoustic and electric guitar and joined by Motoharu Yoshizawa on bass and Yoshisaburo "Sabu" Toyozumi on drums, Takayanagi's group created a new unconstrained form of music; It expanded on the most radical, fiery elemen…
Masayuki Takayanagi was one of the truly iconoclastic musicians to emerge from Japan, or anywhere else, in the 20th Century. Though he won acclaim in the 1950s and '60s as a master of the electric guitar and jazz improvisation, Takayanagi was a restless spirit, deeply engaged with the era's new movements in contemporary art, music, literature, and philosophy. His work, beginning in the late 1960s placed him on the leading edge of these developments; he began expanding on the most radical element…
Tip! *200 copies limited edition* Stellan Veloce’s first record for Hyperdelia is not only their debut album but simultaneously the inception of a band: Stellan Veloce’s Complesso Spettro. At Veloce’s disposal, the players have turned into a Frankensteinian super group: with Andreas Dzialocha on electric bass, Bridget Ferrill doing electronics & processing, Julia Reidy on guitars, Marta Tiesenga on baritone sax, Earl Harvin and Jesse Quebbeman-Turley on drums, Elena Kakaliagou playing horn, Carl…
‘Grid Ravage’s debut album for Dropa Disc sounds organic, just like their live performances, with the music being born on the spot. The tight drumming of Louis Evrard (Ottla), the razor-sharp cello of Gino Coomans (Sheldon Siegel) and the permeating electronics of Yves De Mey naturally flow into each other. The result is a strikingly versatile and accessible record, on which the tension is built up in every track, until it’s not clear anymore who’s being followed around by whom. In this way, th…
**Edition of 100** "Recorded with a 4-track cassette recorder in c/ Natalio Rivas 7, Granada, Spain, on the nights of June 23rd (Nido i) and September 21st (Nido ii), 2018. Electric guitar, toy instruments, recordings of my daughter playing in Las Mimbres, Granada. The two tracks were meant to be some sort of lullabies, some music my then-2-year-old daughter could fall asleep to." - Francesco Covarino
Tip! "Recorded during the first lockdown in July 2020. All pieces are derived from improvisations experimenting with extended techniques / prepared bass, microtonality and Harry Partch's 11-Limit tonality diamond tuning system, overdubbing and long formless melodies. Inspired and dedicated to my daughter Yumi who was born on 25th April 2020." - Michael Bardon
"Nick is a guitarist with a long history, most of it not troubling the charts. From the youthful pop of Polydor’s “Typhoon Saturday” through the anarchy of Dig Vis Drill, as well as working with the Comsat Angels, Neil Ardley and many, many more. He has developed an individual musical voice based around the looping and processing of a guitar. The music evokes many different moods and is both beautiful and challenging in equal measures, like theme music for films that have never been made. Every …
Eclectic Maybe Band is the creation of Guy Segers, a player / composer / producer first prominent as bassist with legendary band Univers Zero, and subsequently active in many live and studio projects. “Again Alors?” is the third release by EMB which brings together detailed studio work with the creativity of real time improvisation. Using different groupings from within a large ensemble cast, which includes many well-known names, Guy has created an album where half the tracks are drawn from live…
New Forces is pleased to offer a reissue of Jeph Jerman's "Keep the Drum," originally released on cassette by Apraxia in 1990. Since the 1980's Jeph Jerman has been a key figure in experimental music, from the textural noise of his legendary Hands To project, to more recent studies in field recording and acoustic sound recorded under his own name. On "Keep the Drum" Jerman explores what he calls "concussion music," working with a pile of hubcaps, sheet metal and "other bits of junk" to rethink t…
Tip! *100 copies limited edition* Erosion is a sprawling yet focused love affair with the bass drum, allowing myriad objects to playfully interact with its grand form. Kevin and Jacob engage with the instrument in an entirely unrelenting way, traversing textural, pointillist sections, as well as rippling metallic drones. Notice’s admiration of Kevin and Jacob’s work goes back to circa 2008, with Kevin’s album with Tetuzi Akiyama and Christian Kiefer on the much-loved Digitalis Industries, and J…
Dovetailing and combining the rich harmonics of Michel Doneda's soprano and sopranino saxophone with Pascal Battus' rotating surfaces--mechanisms from small consumer electronics and their like put in motion and in contact with resonators and vibrators--this French improvising duo create fascinatingly shifting, unusual textures and sonic environments.
Dirk Serries (worldwide renowned for his ambient alter-ego Vidna Obmana from 1984 till 2007) returns to this expansive sound universe with a new collaborative album that redefines the genre. Together with alto saxophonist Trösta the duo delivers a breathtaking album just in time to comfort, soothe and challenge in these darker times. Island On The Moon is a symphony of harmony, depth and nuance. A solace drenched in melancholy and light, made without the aid of computers but by the hands of two …
In 1976 the Entourage Music and Theater Ensemble reached a creative zenith. The nomadic troupe had just released The Neptune Collection, its iconic second album for Moses Asch’s Folkways Records, and decided to present the music to audiences across the rust belt in its most miasmic, elemental form. Extended stretches of full-group improvisation mingled with folk-tune like melodies during these performances, which featured multiple dancers spontaneously interpreting the music, at times in elabora…