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Massive discount on a large selection of items from the Superior Viaduct catalogue until stocks last!

Experimental /

Gestrupp
Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Anima ensemble. During that time, Limpe and Paul Fuchs collaborated with the Austrian pianist Friedrich Gulda as well as jazz luminaries like Albert Mangelsdorff, and continually attracted the interest of their audiences in new constellations. Limpe Fuchs on Gestrüpp, which was produced and recorded between 2012 and 2014…
Monte Alto
A holy grail of free improvisation/spontaneous music reissued on vinyl for the first time in nearly 40 years, beautiful pressing housed in an elaborate silkscreen print, hand-numbered, and limited to 500 copies* Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Ensemble Anima, working on the periphery of krautrock and free jazz. During that time, Limpe and Paul Fu…
Irrinitzi
Irrintzi is the full leght solo debut for Xabier Iriondo, after his split with Paolo Cantù in the Phonometak Series 10. Irrintzi is the sum of the collaborative attitude that Xabier has continued over the years, a splendid double one-side LP, housed in a deluxe die-cut cover. 500 copies only, sold out at source.
Spacecraft / Unified Patchwork Theory
Originally released in 2001. In the fall of 1966 a group of composers that included Frederic Rzewski, Alvin Curran, Allen Bryant, Jon Phetteplace, Giuseppe Chiari and Richard Teitelbaum organized "Avanguardia Musicale I," a festival of several consecutive nights at the Accademia Filarmonica Romana. The program included tape music, Fluxus performance art pieces, and live electronic works. It was also the beginning of the group MEV. One year later, the group was in Rome, Italy, but also involved i…
Les Premières Machines 1968 - 1988
Manipulating and experimenting in all directions, Pierre Bastien gets help from a lot of human-being (Percussions, piano, cello & accordion) but also from machines: toy robots play percussion, xylophone or even the guitar. The result is surprising, varied, funny, crazy but always very interesting. Part of the now famous collection Les Zut-O-Pistes, 'Les Premières machines - 1968-1988' includes the artist's debut works. Starting with the simple 'Sans Titre', recorded in May 1968 during his school…
One
Comes with 8 page booklet. Originally released in 1973 as a private press LP, 'One' is the first document of GAEB, a mysterious sextet of Californian improvisors. Formed in the late 60's by artist Richard Waters and jazz drummer Lee Charlton, the group made music using Waters's kinetic sculptures. His most important creation was the waterphone, a sort of acoustic synthesizer which used water in its resonators to produce warbling, tone bending vibrations similar to th edeep sea harmonies of humpb…
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