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** 2021 Stock. Limited edition of 186 hand-numbered copies. Full on-body printing cassette housed into a very special handmade glossy cardboard slipcover sealed with two stickers. ** Xn Recordings presents Okinawa Kaidan: Saya No Yume Ha Yoru Hiraku (Saya’s “My Dreams Bloom At Night”) by Saya Kaidan. Performer – Jojo Hiroshige, Junko, Futoshi Okano, Toshiji Mikawa, Okinawa Electric Girl Says. Producer – Jojo Hiroshige.
** 2021 Stock ** The drum duo "Dada Rhythm" was formed in 2008 by Uzamashi Okamoto and Kasei Yamada, and since 2018 they have changed their name to "Dinarzum", and also work as "Nichientai", playing only seven cymbals. The duo creates a tapestry of syncopated movements where inorganic and tribal organic qualities, which are similar to minimal electroacoustics, intertwine in a dense way. Rhythmelogic was recorded on April 16, 2016 at their base of activity, Shin-Imamiya Nchichi Building, and was …
Hereby a classic Japanese acid folk tale, also credited by the wizard master Julian Cope in his ‘Japrocksampler’ top 50 list. Tokedashita Garasu Bako, or Melting Glass Box, was a studio-only project of Nishiokai Takashi (Itsutsu No Akai Fusen), “Singing Philosopher” Tetsuo Saito and Takasuke Kida (of influential psychedelic freaks Jacks). Guest musicians included Kazuhiko Kato (Folk Crusaders, Sadistic Mika Band), Kazuo Takeda (Blues Creation) and mastermind Haruomi Hosono (Apryl Fool, Happy End…
** Edition of 200 ** The second release on Constructive is ‘Last Afternoon’ by Japanese composer Takuma Watanabe. Having studied at Berklee College in the USA he is currently living in Japan where he composes for film using a string ensemble founded by himself. This is Watanabe’s first full length artist album. ‘Last Afternoon’ features collaborations with American vocalist and composer Joan La Barbara known for her recorded works with John Cage, Morton Feldman, Robert Ashley and composer and so…
** Edition of 285,comes in asilk-screened tip-on/ “old style” jacket with obi (red or black), with inserts and a postcard. Liner notes by Jon Dale ** It’s been almost three decades since Japanese guitarist and songwriter Masami Kawaguchi first broke cover, with his group Broomdusters and their debut album, 23 hours 30 minutes (Purifiva, 1997). In the intervening years, Kawaguchi has maintained single-minded discipline, through his membership of some of the Japanese underground’s greatest groups …
** Edition of 285, comes in a silk-screened (2 colors with metallic ink) 3 panels foldout jacketwithobi(red or black), inserts and a postcard. Liner notes by Michel He nritzi ** Remains of the Light, the debut album by Japanese trio Usurabi, is a gorgeous thing –six generous, deftly melodic songs that stretch out slowly, breathing deeply, yet never outstaying their welcome. The members of Usurabi started playing together in 2017, but they’d known each other for several decades, meeting via their…
The idea for Suemori's new alias arose in conversation with Osàre! Editions label boss, Elena Colombi. An inheritance from his grandfather, the name sets the tone of the album that synthesises traditional Japanese instruments into an electronic format. Dub and drone’s eerie resonance collides with staccato electro and fizzling acid on ‘Yakkosan.’ Driven by a meditative beat, flutes and choral voices glide through 'Senpai Kouhai' while ‘Hankumoi’ shudders with lucid synth. The cultural iconograph…
Satomimagae entrusts listeners with Hanazono, a compendium of miniature beauty, a sonic globe enclosed with subtly resonant energies. Satomi’s fourth full-length arrives as an invitation to revel in your immediate and imagined surroundings; to make time and space for guileless curiosity and garden variety enchantment. Hanazano, translated as “flower garden,” is a tribute to everyday mysticism, that sense of pure and private wonder excited by a stone, a river, or winds. Its often unplugged and af…
** 2021 Stock ** Meeting at GOK Sound studio in Kichijoji, Japan in front of a small audience, Swedish baritone saxophonist Mats Gustafsson (The Thing, Fire!) also performing on flutephone and live electronics, and Otomo Yoshihide (Ground-Zero, Regenorchester) performing on guitar, turntable and banjo, recorded these eight amazing improvisations of unusual and unique attitudes and timing. After 2 years it materialized on CD work at all. Mats Gustafsson's strongest baritone saxophone, self-made i…
A singular record, measured with a mastery of self and patience that’s utterly arresting in its stoic elegance and sound sensitivity. Keiji Haino plays Gamelan...
This recording was designed by Yasushi Utsunomiya, a brilliant engineer, using the newly proposed "Autonomulti" method. The DVD contains eight independent channels: the sound of the duo Nanaentai performing on the third floor of the building Shin-Imamiya Nichiuchi Building, Osaka (4 channels), the sound on the second floor below where they perform (2 channels), and the environmental sound on the roof of the building (2 channels). The interleaved 8-channel data DVD contains 8 independent channels…
** Original Single Sided, Numbered ** Vanilla Records presents 月蝕 by Vehiyd. Clear cassette shell with glued on pink labels on both sides. Single-sided, 4-panel foldout J-card with a Vanilla Records stamp on the reverse. Numbered with a stamp on both the J-card flap and the cassette shell (side A). Includes a folded Vanilla Records insert. The catalog number "Vanilla Records-19" appears on the J-card and the side B cassette label. Bass – 博子, Drums – 真由美, Guitar – 界, Vocals – Piaa.
** Original Single Sided, Numbered ** Vanilla Records presents Reflexive Universe by C.C.C.C. Live Recording at MAYA in Kobe 15/09/91. Electronics – Mayuko Hino, Synthesizer, Voice – Hiroshi Hasegawa.
** Original Single Sided, Numbered ** Vanilla Records presents Refugee / On The Move by Dislocation. Edited 1991. Included Live Recording at Shinsake Gallery (May 18, 1991). Numbered (stamped) edition. Edited By – Dislocation. Electronics – T.Okazaki, Guest, Bass – Y. Sato, Guitar – F.Kimura, Performer – K.Kiyokawa, Saxophone – Y.Yanagawa.
** Original Single Sided, Numbered ** Vanilla Records presents Portuguese Man-Of-War by Monde Bruits. Performer, Recorded By, Mixed By – Monde Bruits. All material performed recorded & mixed 1991 July.
** Original Single Sided, Numbered ** Vanilla Records presents Flamenco Party by Suigin-Lamp. Recorded at Shinjuku Ongakukan April ‘91. Bass, Sampler – Kumiko Yamamoto. Guitar, Vocals, Sampler – Kazuhide Kawata. Violin, Guitar – Kosei Yatani. Tracklist: TV, Peep Points, Amentia, Gate, My Side, Happy.
** Comes in a snapcase with a numbered cassette has no label and a numbered j-card with different address stamp from 1st press. ** Violent Onsen Geisha's 91 debut for Vanilla. This is the mega tape wich kicked open the gates of fame for Violent Onsen Geisha. Thanks to Keiji Yamabe, Naohiro Ukawa (Mon'N'Dad), Atsushi Sasaki, Vanessa and Lenny. Dedicated to Chuck Connors (1924-1991)
** Fine Art Book, Ltd. to 750 copies ** Hardcover book printed on Munken Print Cream 115g/m2 // 96 pages, 24cm x 22cm, 93 photos // Logo, slot and circle embossed // Matt laminate + selective varnish // Hand-numbered, hand-stamped ** "Flowers Bloom, Butterflies Come" is the result of a dialog between the stunning Japanese photographer and artist Miho Kajioka and the wonderful UK musicians and composers Ian Hawgood and Craig Tattersall (The Humble Bee), initiated by IIKKI, between August 2019 an…
** 2021 Stock. Glass-mastered CD in hand-stamped, recycled chipboard cover ** Minimalist Chilean guitarist Cristian Alvear and Tim Olive first played together in October 2016, doing three concerts in Japan, Alvear returning to Japan in October of 2017 for additional performances in Kyoto and Osaka, then spending a day recording in Kobe; this single improvised piece he result of that day, heard as it was recorded, with a few structural edits.
"Usually the sparring partners of Tim Olive, magnetic …
** 2021 Stock. Glass-mastered CD in hand-stamped, recycled chipboard cover ** 845 label leader and sonic explorer Tim Olive uses magnetic pickups and electronics in this meeting with radical living room concert sound artist, poet and improviser Yan Jun in Kobe, Japan, Jun using a variety of electronics, radio and field recordings as the two improvise in a wonderfully mischievous set of errant dialog and restrained deconstruction.
First up is a twenty-eight-minute work, which was recorded in Octo…