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** Limited Collector Edition of 1.000 copies. Includes hand-numbered certificate, 10 LPs in faithful replicas of the original covers and polylined inner sleeves, a 80-page LP-sized book in English, all housed in a custom lavish linen box. ** We’re thrilled to announce the first ever box set gathering the entire ten album collection of Brian Eno’s Obscure Records, originally issued between 1975 and 1978. Containing the debut releases of Gavin Bryars, Michael Nyman, John Adams, David Toop, Max Eas…
*300 copies limited edition* Dopelganger is the project in collaboration between classically trained accordion player and singer Garazi Navas (Usansolo, Bizkaia-Biscay, 1995) and Miguel A. Garcia (Vitoria-Gasteiz), an artist living in Bilbao with an extensive career in the fields of experimental music and sound art. Sainen Hildo is an album based on Miguel’s original compositions, recomposed and rearranged for accordion and voice by the two composers. Using the natural resonance and harmonics of…
*300 copies limited release* Orphax & PONI (person of no importance) is a collaboration between the two Dutch brothers, Sietse (Orphax) and Tjeerd (PONI) van Erve. Since their early years they share a broad interest in music, fed mostly from their fathers’ record collection, ranging from early blues to Pink Floyd or Beethoven. But also listening to Belgian radio channel Studio Brussels (which during the late 80s and early 90s was a common listening close to the borders between The Netherlands an…
"Abbuio" is a term that refers to the Italian translation of the English word "Blackout" according to the proposal of the Italian linguist Arrigo Castellani. This new work marks Bignamini's return to the solo acoustic guitar. Moving away from the more classic fingerpicking style, he offers five soft "ballads" (3 improvisations and 2 compositions) inspired by sleepless nights.
João Almeida (trumpet) and Pedro Melo Alves (drums), two of the most creative and prolific Portuguese jazz musicians of their generation, are Mooris. Recorded in May 2021, right after the second lockdown in Portugal, “I” shows them freely exploring their instruments of choice but also finding and creating sound with “objects”, as they describe. Both musicians leave behind familiar ground and use their instruments to create sounds that appear ceremonial or even manifest themselves as rituals. “+”…
*100 copies limited edition* Headlights Recordings presents Manuel Mota's new work Isocèle. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to him indistinct, and that…
Johannes Björk is a musician and literary critic based in Gothenburg. His music combines drones, pop melodies and field recordings to produce refined sketches rather than fully formed songs – resembling slowly refurnished interiors, rather than scenes with a clearly discernible subject. Originally released in a mini-edition of 12 copies for a show in Stockholm earlier on in the year, it is now presented in an expanded LP form with two tracks added in, and another two re-recorded.
Accompanied in…
Tip! Other Minds is pleased to present The Light is Real, featuring the trio of Thollem (voice and wavestate synthesizer), Terry Riley (voice), and Nels Cline (electric guitars, effects, and megamouth). This recording is the sixth iteration of the Thollem/Cline trio, with previous installments including performances by William Parker, Pauline Oliveros, and Michael Wimberly.
The origins of this recording go back to an epiphany Thollem experienced in Northern New Mexico during the Covid-19 pandemi…
*100 copies limited edition* Tip! Brooklyn pianist and composer Richard Sears debuts on Shahzad Ismaily’s Figureight records with the hypnotic Appear to Fade, a gentle, melancholic, semi-improvised expression for piano and experimental tape loops, recorded in a single day.
Appear to Fade unveils a realm where the boundaries between jazz and ambient music blur, guided by the skilled hands of Richard Sears on piano and Una Corda. This recording weaves between improvisation and composition, brought…
Having each followed their own distinct trajectory of exploration for decades - interweaving rigorous experimentalism with transcultural conversations - and building upon roughly 20 years working as a duo, Jessika Kenney and Eyvind Kang return with Azure, their third full-length with Ideologic Organ. Among their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contem…
On 'Der Ferne', Phil Struck intricately weaves an abstract tapestry of textures, incorporating elements reminiscent of Hassellian-like sounds and multi-textured dubby soundscapes, a testament to the musician's getaways from urban life, journeying in the heart of nature. The music's warm and concise amalgamation of audio fragments lends it an ineffable quality, evoking hazy, sun-drenched memories, while the radiating reminiscences of the natural world invite contemplation of its true essence, rem…
Tip! LP release by Fougère honcho Kévin Orliange. Repetitive music made with tape loops, which tell the bad weather and deep industrial forest of the place where he lives called Le Plateau de Millevaches (who inspired Deuleuze and Guattari's Mille Plateaux).
Much-Needed repress * Limited edition. Gatefold Cover, quality vinyl pressed at RTI. Includes a four-page insert with liner notes by La Monte Young, Charles Curtis, Anthony Burr, and Tashi Wada * Saltern's latest offering marks the first-ever release of "lost minimalist" Terry Jennings' visionary 1960 composition, Piece for Cello and Saxophone, as arranged in just intonation by legendary composer La Monte Young for renowned cellist Charles Curtis. Born in Los Angeles in 1940, Jennings was a clos…
*2023 much needed repress!* Reiko Kudo first appeared on the Tokyo underground music scene in 1980 with Noise, a duo which consisted of Tori Kudo on organ and herself (then under her maiden name Reiko Omura) on voice, guitar and trumpet. Their only album "Tenno" (1980 on Engel) is probably one of the most outstanding and uncompromising records of all time. Besides other pioneering female producers from Japan such as Non (of Non Band), Phew and Haco, who all had started their startling careers in…
Organum ‘Raven’ CD, which was released by Siren Records in 2018 was the last piece that Jackman released under the name Organum. He changed the name Organum to Organum Electronics in 2019 and has released five volumes of the albums on Siren Records since then. ‘Sekihi Oidori’ is a development of the quiet nature of earlier Organum works and Jackman decided to release the album under his own name because of a very personal essence. ‘Sekihi Oidori’ is composed of low-key church organ drones, airy …
Following her previous solo works Solas (2016), Fairge (2017) and Trian (2019) Saor [pronounced Sieur: meaning "free" in Scottish Gaelic] is the first release in a triptych of albums, inspired by escapes to the peaks of Claire M Singer's homeland of Scotland. Saor perfectly encapsulates Claire's experimental approach to the pipe organ, exploring rich harmonic textures and complex overtones creating ever-shifting melodic and rhythmic patterns, which conjure visions of the Scottish dramatic landsc…
"'Halos of Perception' was inspired by Lerkenfeldt's encounter with a member of Cave Clan, an Australian "urban exploration" group who probe abandoned forts, drains, bunkers and tunnels, searching out places that most people ignore or purposefully avoid. Her friend would travel underground to visit a small room and read alone by candlelight, prompting Lerkenfeldt to consider how sound travels through concrete tunnels, and how people used to put on underground shows. She recreates this nervous at…
*100 copies limited edition* With a microscopic focus on the snare drum, Jean-Baptiste Geoffroy extracts and manipulates its sound in a variety of tunings whilst maintaining a precision and simplicity of method and form. This exercise is a common one for the artist, in which he limits both the instruments used and the techniques with which its sounds are processed — in this case using only reverb and hard EQ-ing to engineer the final outcome. Even with these self-imposed restrictions, there is a…