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Son Of A Bitches Brew is a true electric jazz record from the Acid Mothers Temple & The Melting Paraiso UFO. Rooted in the sound of Miles Davis' electric era this record melds jazz, funk and psych with AMT's synth swoops, space whispers and cosmic acid vibe. Tsuyama Atsushi replaces Wayne Shorter on soprano saxophone. Cotton Casino rejoins & AMT goes all in. The only joke here are the titles. Recorded at the Acid Mothers Temple between December 2011 through 2012.
Last copies from a dead stock, out of print...Clomeim is an evolution, a vital document of Change in The No-Neck Blues Band's 15+ years of para-musical activity. This pivotal recording is a creative distillation of the collective at a new and startling saturation pointLocust is proud to announce the release of Clomeim, the new studio album from New York's No-Neck Blues Band. Clomeim is an evolution, a vital document of change in The No-Neck Blues Band's 15+ years of para-musical activity. This p…
IMPREC300 is a vinyl only collection of exclusive live tracks from a handful of Important bands including Master Musicians of Bukkake, Grails, Mugstar, Cave, NHK yx, Bardo Pond, Chord & Bass Communion.
Important was started in 2001 in a small house on the beach along the New Hampshire seacoast. The first two releases, from Daniel Johnston and Merzbow, stated the breadth of intentions and we set out to run a label that would function much like a good record shop with a wide range of interesting r…
Mindblowing CD reissue "There is something magical and inexplicable in creation, and Sand manifest absolutely these mysterious phenomena. Story-tellers, musicians, shamans, geniuses, Sand were known, at the end of the 60s, as P.O.T. (Part of Time). Then Sand - Ludwig Papenberg and his brother Ullrich Papenberg, and Johannes Vester, developed a more avant-gardist, proto-industrial, visionary experimental approach, a truly unique entity in the history of music.
Not dependant on a classical “Krautr…
Introducing In Zaire, the improvised live performance of Claudio Rocchetti, Alessandro De Zan (G.I. Joe, Orfanado) and Riccardo Biondetti (G.I. Joe). They mix dub-funk rhythms, tribal percussions, indian and electric bass guitar melodies, arabic and psychedelic voices and minimal-introspective electronic sounds.
On the flip, leading the way, The Skull Defekts. Given the band members pedigree (drummer Henrik Rylander was a co-founder of Union Carbide Productions, guitarist Joachim Nordwall was a…
To quickly address the elephant in the room -- certainly, collections of demos, outtakes and home recordings are mostly bogus, but obviously you're reading this, so obviously I've somehow been coerced into releasing this batch of tunes, and you've bought it or stolen it or borrowed it or gotten a promo or whatever, so let's cut to the chase. In my defense, all of the cuts contained herein are 'songs' in the traditional western sense -- my experiments in 'surf harmonica' and 'doom zydeco' will no…
Brand new full length from Grails/Om member Emil Amos. While burying himself in old books on Cold War espionage and '70s Italian horror soundtracks, Emil Amos logged many hours into the night layering endless tracks of improv and then editing them into a cohesive sonic blanket over 2 years time. He emerged with his sixth full length record under the name Holy Sons called Drifter's Sympathy. Listeners will recognize Amos' signature hallucinatory/LSD-inspired mixing-style, heard on records like Bl…
Along with the two records by Nurse With Wound favorites Moving Gelatine Plates, Ergo Sum's weird and wonderful album Mexico is an unusual portal into the intense creativity of early 1970s French music. True, the bands are not musically similar; yet these three albums are distinguished not only by their instrumental richness, but by their unceasing sense of adventure. We'd go so far to say that Ergo Sum presents one of the most distinctive experiences in a rock idiom (apart from Zeuhl music jugg…
Originally released on CD in Japan in 2006. CD version. Released on LP & CD by Drag City on May 20, 2008. Features Jim O'Rourke on electric guitar, Darin Gray on doublebass and Chris Corsano on drums. Recorded live at the Pit Inn in Tokyo during a 2005 residency that included sets with alto sax legend Akira Sakata (recordings of which have been released separately and elsewhere).