Minnet
*Purple Vinyl* Edition of 100. This debut-LP is structured like a long-form piece split up into smaller parts, constructed with manipulated field recordings, synthesis experimentations, layered harmonies and textured sound design. One gets the sense the material journeys through a narrative in disarray, depicted through numerous undisclosed, ambiguous perspectives — there are parts that are melodic, radiant and vaguely warm, like suddenly having tuned in to an imprint of some long-forgotten pers…
Selected Tape Works
Compilation of two scarcely-heard tapes self-published during the late 1980s / 90s by late Pennsylvania-based mail artist Mark Moreland. Hermetic cut-ups of private audio letters, radio frequency band shifting, and crude environmental sound assemblages. Gen Ken: "How to write about Mark is tough. I agree he didn't think of himself as an artist and rarely made anything like traditional art in his later years. He had some paintings he made for himself in his room and I am fortunate that he gave me…
m Helux
Budapest’s Alley Catss wants m Helux to serve as both a new station in their work and an homage to the new age-influenced and sample-heavy synthesis of previous albums (such as 2020’s "compassion & paralysis", 2016’s ℶ, or 2021’s "exophage"), and it already feels like a genre unto itself: Absurd Ambient. Inspired by the emptiness and silliness of theatrical sets left empty, devoid of action, still and incomplete, m Helux is an awkward place of bleak humour; poured over and yet frozen.
Produced b…
The Stage As Antiworld
This double CD set includes an extended collaboration between The New Blockaders & Grinder-without-Organs, and two live recordings of anti-theatre premiered at Cafe OTO (London, UK) and Audio Foundation (Auckland, NZ). The set also includes a link to access a bonus film and extra, printable material.
CD1 features 'Ein Glücklicherer Zufall: Genau Zu Lang (A Happier Accident: Exactly Too Long)', an hour-long, part studio / part live collaboration between seminal anti-music stalwarts The New Blocka…
Post-Immagini
Manuel Carbone: Synths, cassette loops and samplerssorta opalka: Synths, field recording, object(on II) Roeliff Jansen: Digital sampling(on III,VI) noiserr: Voice, synths, tape recorder (on IV) Chemiefaserwerk: Casio m-10, tape recorderOriginal cover photography: Orland C.Collage and layout: Ross Scott-BuccleuchMastering: C.metaesquema
ADN 40th Anniversary - 40 Years 40 Tracks
*2024 stock. 250 copies limited edition* In 2023 we wished to properly celebrate the 40th anniversary of ADN’s birth. So, we have contacted groups and musicians that stimulated our curiosity through these 40 years. Some of them are good friends of us, some were already part of our music trajectories; others, never contacted in the past, are near to be seen as our myths. Anyhow to cover our multiple interests we should have brought to your attentionmany more tracks, but we think this is a good sy…
Javakade 8485
The Rome based imprint, Villa Lontana Records, continues their incredible dedication to the work of Walter Maioli, with the first ever reissue of the seminal, experimental Italian composer, sound archeologist and musicologist's 1985 release, “Javakade 8485”, made with his long-time collaborator Fred Gales. A radical gesture of musique concrète that still feels groundbreaking and forward-thinking nearly 40 years after it first appeared, this stunner is issued for the first time on vinyl, as well …
And I Saw My Devil And I Saw My Deep Blue Sea
Inspired by witnessing the broken tension and renewed possibilities of a laptop breaking down at a gig – not to mention the void left behind by the sudden end of a relationship – Pentu’s latest release is a jump-cut menagerie of musical moments. Sewn together into ‘And I Saw My Devil And I Saw My Deep Blue Sea’, these fifteen tracks continue the London-based producer’s active departure from the soundscapes and song structures that dominated their previous writing style. These disparate pieces sl…
Nebuloasa
Tip! "A magnetic tape turns, imperturbably, accompanied by the crackle of a vinyl and the waves of an old radio. A heart inhabits these vibrations transformed into hypnotic drones. The loops become celestial when a song emerges, close to an incantation or prayer. Other voices try to extricate themselves from this analog maelstrom, those of specters lost in foggy saturations. Terrifying sighs, nocturnal howls, witches' rites and otherworldly melancholy, the two musicians of Géométries know how to…
Slices of Life
"During the 22nd of February 2022, two years after the beginning of the COVID-19 pandemic, we took audio snippets from our everyday lives documenting our homes and surrounding urban environments, our intellectual interests and our musical tastes. We also gathered pictures with our phones. Some of the audio sources were processed, some were not. Here you get slices of our lives from two different cities, New York and Berlin – a glimpse of the fragmentation of our times through a broken sonic diar…
Church Recordings From Monhegan
*2024 stock* Full Spectrum Records presents a beguiling new work from Notice Recordings co-owner Evan Lindorff-Ellery: ‘Church Recordings From Monhegan.’ These recordings document Evan’s encounter with the Monhegan Community Church, located on a tiny island off the coast of Maine, during a family visit in the summer of 2021. The church on Monhegan Island—seemingly always open, allowing one to step into its quaint, echoey, still room, the ocean and bird sounds faded in the distance—presented an a…
Hear Us Again For Whatever Reason
Created with sampling keyboards and DIY recordings techniques, The History of Unheard Music's soundscape is a heap of rubble to be scavenged. Their tracks are collages of references that are impossible to place. Brilliance and weirdness. Radical and adventurous. Easily some of the most unique and engaging sound works produced during the '80s.
Ordet
*150 copies limited edition* Four of the five pieces on Ordet can be considered as solo collaborations – or perhaps, collaborations with oneself. These assemblages/constructions are reworked/reimagined/revisited/recycled pieces - transformed into something new. The one exception, Livermorium, is more accurately described as a process piece. Al Margolis is a composer/performer, improvisor, and painter. Since 1984, often under his project name If, Bwana, he has worked in the field of non-commercia…
Aprilnacht
Originally released on tape by SicSic in 2014, Aprilnacht commemorates a decade of music from Brannten Schnüre and marked the spring in a tetralogy of albums about the four seasons when it came out. Back then the Würzburg-based project consisted solely of Christian Schoppik, who later welcomed Katie Rich to take over the vocals. He used to perform as Agnes Beil, but dropped the name when, while making this album realized his music was becoming "much gentler and more fragile". Aprilnacht already …
Delicate Droplets
*2024 stock. 100 copies limited edition* Cassette loops, multi-track looper, digital recorder.Mastered by Giuseppe Ielasi
Mental EU
New output from Primorje, the collaborative project between Giovanni Donadini (Ottaven, Canedicoda) and Matteo Castro (Mercury Hall, Lettera 22, also founder of Second Sleep label).
Psychoacoustic Electronics
Tip! *300 copies limited edition* Andy Ortmann owns Nihilist Records, of whom we also reviewed The New Blockaders and Diana Rogerson's works last week. And before I say anything about the music on this album, I would love to show you a bit of the inside of my head. Because when I read the title of this impressive triple vinyl totalling over two hours of music, I was thinking about something completely different. So: What is psychoacoustic music, and how do psychoacoustic electronics fit into the…
Strange Times
Strange Times is a virtuosic realization of contemporary electroacoustic soundscapes composed and performed by Stephen Ruppenthal and Gary R. Weisberg. With masterful employment of electro-acoustic techniques and tools, including the original 70's Buchla Music Easel Ruppenthal used in the Electric Weasel Ensemble, these two artist create an essential, psychedelic, electro-acoustic experience. Strange Times is a hallucinatory journey into our epidemic-ridden times through a collection of startli…
Rhetorical Islands
Tip! First vinyl edition of the album Rhetorical Islands, originally released by Giuseppe Ielasi in 2012 as a limited-edition CD on his Senufo Editions label, with recordings made in 2011 as a commission for l’Audible Festival, Paris. The album’s ten tracks have neither titles nor accompanying text, standing for themselves as what Ielasi himself has called “isolated sound worlds”. They are nonetheless unparalleled in their plasticity, acoustic events with a rare degree of tangibility. Ielasi evo…
Polonius
Edition of 350 copies. Pressed on 180g vinyl, including insert and sticker by Luca Salvatori. Aleatory. Rhizomatic. This is the beat broken free of metrics and binary quantization. The beat, with its bindings shattered, charging loose onto the dancefloor and subsuming it in a storm of gnashing teeth and whirling steps and ecstatic free dance, ecstatic free play. The beat, set free to grow in infinite folds and spores and to be carried in endless fractal blooms across the four winds, from dimlite…