Corpse On Horseback
This is a reissue cassette released by Aaron Dilloway in December 2024. (Originally released in 2003). It contains two lo-fi noise concrète tracks.
Look Under This
*100 copies limited edition* Bernd Boehm’s life and work still remains a mystery to most. Having engaged in several disciplines like painting, film and sculpture, towards the end of 1980’s Bernd produced a series of experimental film soundtracks along with a modest amount of new wave tracks which we now present under this edition. Having initially self-released some of these soundtracks, to be latter on published by Matthias Lang on Irre Tapes, “Look under this” reunites now all of his film soun…
Tournures Cessent / Tournures Cessent Orchestrales
This composition is a kind of false diary of the year 2015, or rather a real concentration of that year’s memories with very little rationality in its hierarchies, its ordering, or in the connections it makes. The narrative, if one wants to hear any, comes from the meeting between chronologies, the shape of the snippets, the fortuitous accidents and such, yet all in the absence of any sequential logic. The idea of building a form of sound by gambling with memories had been turning and returning …
Faustfilm: An Opera
*160 copies limited edition* Pentiments is extremely honored to present American composer Rick Corrigan’s original soundtrack for Faustfilm: An Opera, Stan Brakhage’s seldom-seen 1987 experimental psychodrama. The first of what would come to be a four-part series, Faustfilm: An Opera saw the preeminent experimental filmmaker venturing into territories strikingly different from those previously explored in his films, utilizing actors, set designs, soundtracked music and a loose adaptation of Goet…
Music for a Bellowing Room
Big tip! Sarah Davachi returns with “Music for a Bellowing Room”, the first ever release of her audio / visual collaboration with the artists and filmmaker Dicky Bahto, originally commissioned by the Museum of Modern Art in New York. Sprawling to an incredible three hours of sublime, minimalist drone - composed for tape loops, synth and delay - that draws the ear toward microscopic shifts and details, we've adored every second of this truly monumental work.
Nosferatu
The soundtrack to Murnau's Nosferatu composed / improvised / played by the trioof Emmanuelle Parrenin, Quentin Rollet and Jérôme Lorichon. The book accompanying the CD contains four versions of the Nosferatu story by four French artists: Marie-Pierre Brunel, Foolz, Caroline Sury and Alexios Tjoyas.
Mare's Tail
In 1969 both Anthony Moore and David Larcher were at the start of their respective careers and both were inspired by the ideas of the avant garde and the new technologies becoming available to them. David experimented with the various techniques being explored in the medium of film making and Anthony tested the limits of what could be done with tape recorders. It was an open and co-operative exploration. The results of their first collaboration was the film Mare’s Tail - an unusually long 2:30 h…
Spatial Data Management (Original Score)
*100 copies limited edition* Reading Group, in collaboration with Braddock, PA-based imprint Huner Francis, is pleased to present "Spatial Data Management (Original Score)" by Ulla E. Straus and John Andrew Wilhite, a beautiful score to an equally beautiful film by Philadelphia-based artist Greyory Blake. The score to Spatial Data Management (2021) is a contemplative and referential ambient work. It provides the backdrop for the essay film’s exploration of how stolen value and the contemporary p…
I Am A Darkroom OST
Remixed tracks of original soundtrack for experimental film I Am A Darkroom; written and recorded by Lucy Johnson. Produced by DoBeDo productions, Edd Carr's film I Am A Darkroom showcases the work of artists in the Sustainable Darkroom, a grassroots organisation at the forefront of working toward an ecological future for photography. From kitchen tables to at-home darkrooms, and even the dirt outdoors - these artists are challenging toxic legacies to build a new ecology of photography. An ecolo…
Friendly Electrons
"Friendly Electrons" presents the electronic side of the original Ton Steine Scherben drummer, book author and longtime Conrad Schnitzler friend / collaborator Wolfgang Seidel.
Evil Does Not Exist
Following their collaboration on 2021’s Oscar winning Drive My Car, Eiko Ishibashi & filmmaker Ryusuke Hamaguchi up the ante with a deeply inspired synergistic exchange: music for images, visuals for sounds. Eiko’s score initiated the project that has become his celebrated new film (Best Picture – BFI London Film Fest, Asian Film Awards, Silver Lion – Venice Film Fest, Best Score – Asia Film Awards). Every nuance mixed & mastered by Jim O’Rourke.
Self Sabotage
*80 copies limited edition.* Self Sabotage is a new album by prolific Slovak composer and guitar player Jakub Volovár aka URN. Volovár spent several years in Denmark and Self Sabotage is his fourth (and third for Stoned to Death) and last album composed in the atmosphere of Aarhus, which struck Volovár with its “omnipresent depression”, however due to school duties he stayed few years too long. One could read this album as a parting letter with a place that kept you under a flaccid but permanent…
The Absence Of Milk In The Mouths Of The Lost
Score to the Case Esparros film "The Absence Of Milk In The Mouths Of The Lost" starring Gary Wilson and Hannah Weir. Contains 3 bonus tracks not featured in the movie. No track listing on the tape.
Polarlys
Musica Per Immagini is about to go beyond vinyl reissues of soundtracks and music libraries, with a brand new series of products.From 2024 onwards, it will release a series of albums of contemporary and electronic music often "inspired by" different sources, both sonic, if not literary and cinematographic. A way to embrace the future without forgetting the past. Heinrich Dressel's “Polarlys” is the first album of unreleased tracks published by Musica Per Immagini, or a soundtrack for a imaginary…
La Vaga Grazia
Tip! *100 copies limited edition* Originally composed as a soundtrack for a live performance of Eva Geatti’s eponymous theatrical performance, La Vaga Grazia is a concert of synthesizers inspired by the electronic music of the 1950s, passing through the sparkle of library music and the cosmic sequencing of krautrock. Rhythmic machine scores alternated with digital glitches follow one another, directing and modifying the wandering flow of the performers on stage.
ReCoder Sound
*2023 stock. 100 copies limited edition* This album takes reference to the German underground film "Decoder" (1984) and its sound track with the main actors Christiane F and FM Einheit (Einstürzende Neubauten), also William S. Burroughs, Dave Ball, Genesis Breyer P-Orridge etc. There are many reasons why it is helpful to look back to this manifest of medial resistance, today we are recoding.
Terje
Terje is a two-track EP by Swedish composer and improviser Alex Zethson. Featuring two movements from a score Zethson wrote for Victor Sjöström’s 1917 silent film, Terje Vigen, which was based on a poem by Henrik Ibsen, these beautifully poised compositions were premiered in Trondheim, Norway on November 20th, 2021, at Vår Frue Kirke (The Church of Our Lady). For this performance, which was recorded the day following the premiere, Zethson (on piano, synths and xylorimba) was joined by Ida Løvli …
Fantasmusics
Electronic musician Dominique Laurent and Pinok Et Matho, who have been researching physical performance, mainly traditional theatre, and have produced some of the most strangest songs of all time. The first album [Les Pays De Tout En Tout] from Unidisc in 1978, the second [Azur Et Tenebres] in 1982 and this [Fantasmusics] from PG in 1983 contain everything, from childish theatre to contemporary music and jazz.
Karlsbad
Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A sl…