Music For A Bellowing Room
Big tip! 'Music for a Bellowing Room' is a collaborative durational work by musician Sarah Davachi and filmmaker Dicky Bahto, both based in Los Angeles. With a performance/running time of three hours, 'Music for a Bellowing Room' is an exercise in resolution, inviting the audience to shift their concentration and perception through gradual changes in sound and image. This piece was originally commissioned by the Museum of Modern Art in New York, and received its premiere performance in September…
Nosferatu
The soundtrack to Murnau's Nosferatu composed / improvised / played by the trioof Emmanuelle Parrenin, Quentin Rollet and Jérôme Lorichon. The book accompanying the CD contains four versions of the Nosferatu story by four French artists: Marie-Pierre Brunel, Foolz, Caroline Sury and Alexios Tjoyas.
Mare's Tail
In 1969 both Anthony Moore and David Larcher were at the start of their respective careers and both were inspired by the ideas of the avant garde and the new technologies becoming available to them. David experimented with the various techniques being explored in the medium of film making and Anthony tested the limits of what could be done with tape recorders. It was an open and co-operative exploration. The results of their first collaboration was the film Mare’s Tail - an unusually long 2:30 h…
Spatial Data Management (Original Score)
*100 copies limited edition* Reading Group, in collaboration with Braddock, PA-based imprint Huner Francis, is pleased to present "Spatial Data Management (Original Score)" by Ulla E. Straus and John Andrew Wilhite, a beautiful score to an equally beautiful film by Philadelphia-based artist Greyory Blake. The score to Spatial Data Management (2021) is a contemplative and referential ambient work. It provides the backdrop for the essay film’s exploration of how stolen value and the contemporary p…
I Am A Darkroom OST
Remixed tracks of original soundtrack for experimental film I Am A Darkroom; written and recorded by Lucy Johnson. Produced by DoBeDo productions, Edd Carr's film I Am A Darkroom showcases the work of artists in the Sustainable Darkroom, a grassroots organisation at the forefront of working toward an ecological future for photography. From kitchen tables to at-home darkrooms, and even the dirt outdoors - these artists are challenging toxic legacies to build a new ecology of photography. An ecolo…
Friendly Electrons
"Friendly Electrons" presents the electronic side of the original Ton Steine Scherben drummer, book author and longtime Conrad Schnitzler friend / collaborator Wolfgang Seidel.
Evil Does Not Exist
Following their collaboration on 2021’s Oscar winning Drive My Car, Eiko Ishibashi & filmmaker Ryusuke Hamaguchi up the ante with a deeply inspired synergistic exchange: music for images, visuals for sounds. Eiko’s score initiated the project that has become his celebrated new film (Best Picture – BFI London Film Fest, Asian Film Awards, Silver Lion – Venice Film Fest, Best Score – Asia Film Awards). Every nuance mixed & mastered by Jim O’Rourke.
Self Sabotage
*80 copies limited edition.* Self Sabotage is a new album by prolific Slovak composer and guitar player Jakub Volovár aka URN. Volovár spent several years in Denmark and Self Sabotage is his fourth (and third for Stoned to Death) and last album composed in the atmosphere of Aarhus, which struck Volovár with its “omnipresent depression”, however due to school duties he stayed few years too long. One could read this album as a parting letter with a place that kept you under a flaccid but permanent…
The Absence Of Milk In The Mouths Of The Lost
Score to the Case Esparros film "The Absence Of Milk In The Mouths Of The Lost" starring Gary Wilson and Hannah Weir. Contains 3 bonus tracks not featured in the movie. No track listing on the tape.
Polarlys
Musica Per Immagini is about to go beyond vinyl reissues of soundtracks and music libraries, with a brand new series of products.From 2024 onwards, it will release a series of albums of contemporary and electronic music often "inspired by" different sources, both sonic, if not literary and cinematographic. A way to embrace the future without forgetting the past. Heinrich Dressel's “Polarlys” is the first album of unreleased tracks published by Musica Per Immagini, or a soundtrack for a imaginary…
La Vaga Grazia
Tip! *100 copies limited edition* Originally composed as a soundtrack for a live performance of Eva Geatti’s eponymous theatrical performance, La Vaga Grazia is a concert of synthesizers inspired by the electronic music of the 1950s, passing through the sparkle of library music and the cosmic sequencing of krautrock. Rhythmic machine scores alternated with digital glitches follow one another, directing and modifying the wandering flow of the performers on stage.
ReCoder Sound
*2023 stock. 100 copies limited edition* This album takes reference to the German underground film "Decoder" (1984) and its sound track with the main actors Christiane F and FM Einheit (Einstürzende Neubauten), also William S. Burroughs, Dave Ball, Genesis Breyer P-Orridge etc. There are many reasons why it is helpful to look back to this manifest of medial resistance, today we are recoding.
Terje
Terje is a two-track EP by Swedish composer and improviser Alex Zethson. Featuring two movements from a score Zethson wrote for Victor Sjöström’s 1917 silent film, Terje Vigen, which was based on a poem by Henrik Ibsen, these beautifully poised compositions were premiered in Trondheim, Norway on November 20th, 2021, at Vår Frue Kirke (The Church of Our Lady). For this performance, which was recorded the day following the premiere, Zethson (on piano, synths and xylorimba) was joined by Ida Løvli …
Fantasmusics
Electronic musician Dominique Laurent and Pinok Et Matho, who have been researching physical performance, mainly traditional theatre, and have produced some of the most strangest songs of all time. The first album [Les Pays De Tout En Tout] from Unidisc in 1978, the second [Azur Et Tenebres] in 1982 and this [Fantasmusics] from PG in 1983 contain everything, from childish theatre to contemporary music and jazz.
Karlsbad
Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A sl…
Works For Abattoir Fermé 2007 - 2011
*2022 repress, edition of 300 copies, 4 LPs with original artwork inside 350g slipcase with silver tone print* 10 year anniversary edition of Kreng's massive »Works for Abattoir Férme 2007 - 2011”« 4 LPs worth of slow, skin crawling cinematic ambience made for the Belgian theatre group Abattoir Fermé.
It could hardly be a better time to again dive deep into Kreng and Abattoir Fermé's disturbingly beautiful underground worlds. Through 8 full- length vinyl sides we are transported through the m…
Tenno
*In process of stocking. 2022 stock.* The second in a series of releases by the legendary downtown pioneer Teiji Ito presents his postmodern masterpiece Tenno, blending Japanese, African, Carribean and Western musical instruments with sound effects, voice and electronics to create the most startling long form composition in his catalog. Born in Japan in 1935, Ito moved to New York and worked closely with Maya Deren, Jerome Robbins and Julian Beck creating music for film, dance and theatre for ne…
Blood Karaoke
James Krivchenia (b. Minnesota, 1988) is a many-armed sculptor of music. Known primarily for his roles in Big Thief (as drummer and producer), Mega Bog (as longtime engineer, co-producer and percussionist) and his various other groups and session work (ranging from the experimental improvisation of Causings to the likes of Taylor Swift) Krivchenia has been quietly building strange musical worlds in parallel with his own experimental records. Krivchenia’s solo works are tableaus of his conceptual…
Music For Smalls Lighthouse
Plinth (Michael Tanner) has been recording for the better part of a decade, sharing time as a member of numerous other acts. What makes Music for Smalls Lighthouse so special? The album tells a story whose outlines are visible even without the accompanying text; the field recordings are location-specific, and contribute to an overall mood; the composition is tender, the playing exquisite; and there's little else to which it can be compared.
Tanner has chosen just the right instruments for the oc…