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Third LP by the legendary Ali Farka Toure and one of 5 LPs being reissued for the first time ever. It comes with a replica of the original cover. Label design has been recreated based on the original release. Vinyl pressing company derived from runouts.
First LP by the legendary Ali Farka Toure and one of 5 LPs being reissued for the first time ever. It comes with a replica of the original cover. Label design has been recreated based on the original release. Vinyl pressing company derived from runouts.
*2024 stock* Probably the most revered veteran of Ethiopian saxophone, Gétatchèw Mèkurya is the 'inventor' of an extremely distinctive musical style. Amongst Ethiopia's numerous vocal genres, there exists a form of singing that is purely warlik: epic and declamatory, harsh and hoarse-voiced, it is known as 'shellela'. This bellicose thunderbolt, quite strictly vocal, was improvised before each attack. Gétatchèw Mèkurya had the brilliant idea of transposing the genre to his saxophone, and here we…
*2024 stock* Emptiness, melancholy, nostalgia; doom and gloom, morbid musings; heartache or homesickness: such is the stock in trade of the misery and mournful memories expressed by the song Tezeta - Ethiopia's majestic hymn to the blues. Etymologically, the word itself means memory, nostalgia, and several Ethiopian authors have used Tezeta as the title for their memoirs. For Ethiopians, it is the Tezeta genre that seems to capture the essence of the blues.
Elizabeth Cotten's 1958 debut album Folksongs and Instrumentals with Guitar, (aka Freight Train and Other North Carolina Folk Songs and Tunes) is best known for containing the earliest recording of her classic "Freight Train." The breadth of her repertoire and her endearing style have captivated generations of guitarists and fans of traditional American music. Cotten's self-taught, upside-down, left-handed playing style on the guitar and banjo made her a true original. Many of her deeply persona…
A new year beckons, and Full Spectrum Records is fixing to kick off 2023 with a hard shot of melancholia and a deluxe vinyl reissue of Wes Tirey’s whiskey-soaked folk opus, ‘No Winners In the blues.’
North London’s midnight man tumbles out his treehouse to deliver twelve potions of minor healing in “Iron Day”, his questing, soul-salvaging songbook. Brimming with majesty and maraud in equal parts, Genghis Cohn synthesises trad. English folk and woe with surrealist dream sequences on this debut long-player. A romance of two hedgehogs, devotional bone temples, broken shadows and sausage kings, GC conjures a grand slab of folk music that, in a warmly recognisable form, challenges its ancient rew…
Big Tip! In the 1950s and 60s, the blues was the dominant form of Black vernacular music throughout Texas and the surrounding areas. In segregated neighborhoods, community members gathered in saloons, dancehalls, and each other’s homes to hear their neighbors sing their stories of sorrow, heartbreak, jubilation, and triumph. Robert “Mack” McCormick, an academically untrained but fanatical devotee of the blues, stepped into this world and became one of its most devout advocates and documentarians…
Sandy Bull’s unorthodox approach to guitar was as unique as his personal circumstances. Son of jazz harpist Daphne Hellman and brother to the sitarist Daisy Paradis, Bull became part of the bourgeoning Greenwich Village folk circuit. A move to San Francisco in 1963 found him sharing an apartment with Nubian oud master, Hamza El Din, which had a profound effect on his playing, spurring early world music experiments. The previously unreleased Live In San Francisco features bluesy electric ‘Memphis…
*In process of stocking* Anti-counter culture loner folk from a teenage attic in the heart of rural Northern hippiedom. "This is music that can confidently hold its own with pioneers such as Davey Graham, Michael Chapman, Bert Jansch and Jackson C Frank, as influenced by jazz, blues and steel guitar as any of the old songbook classics from ancient Albion.” - Benjamin Myers
Today the valley town of Hebden Bridge in West Yorkshire is world-renowned as something of a bohemian backwater. It wasn’t l…
*2022 stock* This is John Renbourn’s fifth and most blues influenced album, backed by the Pentangle rhythm section of Terry Cox and Danny Thompson. The singer/guitarist often takes a folk-rock approach, and often investigates American folk songs, on ‘Faro Annie’, beginning with the traditional “White House Blues”, a song about the 1901 assassination of President William McKinley. Next is “Buffalo Skinners” another traditional piece made famous by Woody Guthrie. Then there is “Country Blues”, a p…
*2022 stock* "This album is a fantastic document of two guitarists complementing each other, giving each other space to work out ideas and while being technical top notch, they put a lot emotions into their compositions. Some of the melodies are touching something deep inside me, that is hard to explain, but I bet every music lover knows that feeling... Do not miss this album, even if you can't read or pronounce the track titles. This is pure bliss!" – Dying for Bad Music
* 2022 stock * "Here's an expanded vinylization of a boss live show from Snock and his Vermont roustabouts, recorded at Folk City on July 17, 1976. Most of it was first issued back in '88, as side two of the Land of Lo Fi/Redbirds cassette on Bellemeade Phonics. But some new masters showed up subsequently, so there's an extra song and a half available for your listening pleasure. And pure pleasure is what it is. I always believed I had seen Hurley play somewhere in NYC before this. I thought may…
Folksongs and Ballads by Tia Blake & Her Folk-Group, is more than just a “lost classic”. As clear and honest as can be, Folksongs and Ballads is a magnetic record, a refuge like only Nick Drake, Nico, and a few others have been able to create. A graceful, delicately minimalist approach to classic Appalachian and British folk songs.The perfect balance between melancholy and daydream. Originally released only in France in 1971, Ici Bientôt is very pleased to present the first-ever reissue on vinyl…
This sprawling collection by Belgian loner blues savant Bram Devens aka Ignatz encapsulates the mystery, murk, and melancholy of his uncanny craft at its most windswept and wayward. Originally issued via Goaty Tapes in September of 2015, this long-anticipated vinyl edition expands the saga with an additional 17 minutes of archival material. Deven’s palette remains constant throughout: feathery fingerpicking, modal loops, and intuitive six-string navigations interspersed with candlelit passages o…