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More in tune now with the rhythm of the sun and moon, Xylouris White speak to each other across great distances with the intuition and fellowship that can only be found over years in each other’s company. With fewer distractions, appreciative of the freedom to play with new sounds and spaces, they carve The Forest In Me from unbelievably thin air.
Several decades young on the trap kit, Matt Espy makes his solo bow with an album of solo drums, in dialogic flight with birdsong. Restaging a seminal moment from his seismic early days in music (and inner life), Matt references places he’s been between then and now with hallucinatory evocation. Hawksworth is a new organic space where percussive meditations on a life in music create NEW life in music, a comment on the nurture of nature itself.
Pandit Uday Bhawalkar is an Indian Hindustani vocalist. He is an exponent of the dhrupad genre. Uday Bhawalkar is a standard bearer for Dhrupad, and a strong force in its growing recognition and popularity. Uday believes that when immersed in the note and raga, the self disappears and music takes on its own existence; the principle of ‘darshan’. These values are helping him on the path of devotion to Dhrupad. Dhrupad is one of the oldest forms of North Indian classical music and Uday maintains i…
*300 copies limited edition* Blue Lake is the musical moniker of American born, Copenhagen based multidisciplinary artist and musician Jason Dungan, who signs to the Tonal Union imprint for the release of his new longform album ‘Sun Arcs’. It follows 2022’s release ‘Stikling’, earning a nomination for ‘Album of the Year’ at the Danish Music Awards plus warm praise from The Hum blog and musicians and DJs alike including Jack Rollo (Time is Away/NTS) and Carla dal Forno. A self taught player, Dung…
*100 copies limited edition* Jem Finer is an artist, musician and composer. Since studying computer science in the 1970s, he has worked in a variety of fields, including photography, film, experimental and popular music and installation. His 1000 year long musical composition, Longplayer, represents a convergence of many of his concerns, particularly those relating to systems, sustainability, long-durational processes and extremes of scale in both time and space. Recent music includes the relea…
After "Afro Exotique - Adventures In The Leftfield, Africa 1972-88" was enthusiastically embraced by heads, collectors and core Africa Seven enthusiasts alike, we dived back down into the vaults, and hope we've come up with another volume of listenable esoterica from roughly the same period. "The Quest", courtesy of fleeting 1978 leftfield supergroup Afro Cult Foundation (featuring Joni Haastrup, Remi Kabaka and friends) sets the tone-bar high and sideways, with 4.50 mins of atmospheric, effecte…
In his debut release with Constellation Tatsu, Andy Aquarius takes us on a journey from the forest to the sea. Aquarius was in the process of writing another album, the follow up to ‘Chapel’ (Hush Hush, 2021), when multiple voices emerged, each of them holding a distinct energetic signature. Those incantations became ‘La Force Aquarienne,’ a collection of intuitive prayers.
The first track, ‘U Lisi’ (Ukrainian for ‘In The Forest’), represents the connective and grounding tissue of our shared dim…
*Edition of 300* Shirk is the new AOR flavored free improvisation solo album by Sam Shalabi featuring Eric Chenaux and Nadah El-Shazly where Synth Pop and Sound Poetry fester. Sam Shalabi is an Egyptian-Canadian composer, improviser and guitarist living between Montreal and Cairo. Starting out during the late 70s punk era, his work has evolved into an experimental synthesis of modern Arabic Music that incorporates free improvisation, traditional Arabic music, noise, classical, text, and jazz. Ot…
Early and mostly previously unreleased recordings from Dundedin's The Strange Girls, a band that initially consisted of Clayton Noone, Kaaterama "Motty" Morehu and Jon Arcus. The Strange Girls existed on and off from 1999 up until Motty's passing in 2019 and left behind a peculiar trail of gems scattered around on a myriad of limited lathe cuts, cassettes and CDrs. It's OK To Be Happy focuses on the trio era - Jon Arcus left the band in 2002 - and starts at the very beginning with 'Satan', the f…
Edition of 50.* Hugjiltu plays the guitar with five strings. Not used to the standard chord-forms of Western guitar, he invented his own system of tuning, combining the three-string Mongolian lute and the two-string horsehead fiddle, both of which he started playing as a child. These five strings epitomise his relationship with the music from within the Mongolian ethnic tradition and with the music beyond, a state of artistic composure few in his generation have achieved. Hailing from a musical …
Super Tip! Reissue of a traditional French Experimental/Folk rarity. Be ready for a spaced out trip through French medieval times. Ancient instruments, musique concrète, spoken word, old Occitan dialect minstrel songs, drone, from dark ambient and minimal percussive tracks to Middle Ages fuzz delirium. Includes a 4-pages insert with original liner notes by Gérard Le Vot and Thierry Lancino. As stated in the brilliant Dustygroove review: A weird and wonderful little record – one that combines noi…
"It is not only an album, but also a complete documentary of an event. We combine cassette and CD into one album so that one may review the unusual art project from different aspects. It also includes a precious booklet about everything said on the talks. Each track in the album is heard for the first time. For the project, Lao Dan and Mamer created brand new works. Mamer even began a new band named Mask. One remarkable song that didn’t be recorded is Water Flows sang by Wu Tiao Ren’s Mao Tao in…
Tip! Builenradar is the new moniker under which Belgian visual artist and musician Wouter Vanhaelemeesch performs his damaged post-apocalyptic bikerfolk. Previously known as Urpf Lanze, he’s been producing trance-like guitar boogie that takes inspiration from disparate influences since the early 2010s. Builenradar plays in a self-developed unorthodox style with a resophonic guitar on his lap and a voice ranging from messy grunts to eerie whistling and absent murmurs. Once, after Vanhaelemeesch o…
*Limited edition of 400 copies.* "Brilliant new instrumental fork-bending from the always amazing Elkhorn, presented here in a quartet setting I had not heard before. The basic band remains Drew Gardner on electric guitar and Jesse Sheppard on acoustic, but as often seems to happen with these guys, there are a couple more faces in the studio. This time it's two drummers. One is Ian McColm, a Virginia tub monster who has played in many excellent situations, including a 2012 Feeding Tube duo casse…
*2022 repress.* An album such as this obviously owes a lot to the atmosphere in which it was recorded, which we can imagine was magical. We know it took place in Fromentel, Normandy, in a farm converted into a studio by the producer Jacques Denjean, known for his work with Dionne Warwickor Françoise Hardyas well as having been a member of the Double Six. It was also at Fromentel, that Denjean would record two fantastic albums with Albert Marcoeur. When Emmanuelle Parrenin followed in his footste…
Funeral Folk is a musical collaboration between Sara Parkman and Maria W Horn. Together they explore the rituals of grief and the musical phenomenology of death through their respective crafts and influences. Sara Parkman is a violinist, singer and composer focused on Swedish folk music. For her latest release Vesper, she has been diving into her Christian heritage - the sacred music that has been a part of her family traditions for several generations. Maria W Horn is a contemporary composer em…
Via Lattea is the new recording project of the music and performance research ensemble Enten Hitti. The work takes inspiration from research on the “feminine” and from the matrilineal transmission of life. It is the result of various research trips to the places where the culture of the “sacred female” took shape over 4000 years ago: Cyprus, Crete, Turkey, Ireland, South Africa, Indonesia … The historical and geographical suggestions have been freely reinterpreted and transformed into musical pi…
Moroccan Jajouka master Bachir Attar meets American experimental musician Elliot Shrap for a live jam of drum machines and traditional Moroccan instruments in 1990. Bachir Attar's career spans five decades and represents the transcendental sounds of Jajouka, a small Moroccan village situated between Fes and Tangier, known for its unique mystical sound. Fans include William Burroughs and The Rolling Stones with which Bachir recorded with in 1989. A year later Attar collaborated with the prolific …