We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Carrying on a string of stunning archival releases from major figures of Indian classical tradition (including releases from members of the Dagar family and Amelia Cuni), Black Truffle is pleased to announce an unheard recording from tabla master Kamalesh Maitra (1924-2005). For over fifty years, Maitra devoted himself to the rare tabla tarang, a set of between ten and sixteen hand drums tuned to the notes of the raga to be performed. While the tabla tarang has its origins in the late 19th centu…
*2024 stock* The Raga Guide is a 1999 Nimbus Records compilation of 74 Hindustani ragas on four CDs. It includes a textbook edited by Joep Bor (of the Rotterdam Conservatory of Music) with information and western-style transcriptions of the ragas and a catalogue of two sets of ragamala plates, dated to ca. 1610 and 1650. The 1610 plates are painted in the Mughal style. The featured artists are Vidyadhar Vyas (vocal), Shruti Sadolikar-Katkar (vocal), Buddhadev Das Gupta (sarod), and Hariprasad Ch…
*2024 stock* "Pandit Hariprasad Chaurasia has excelled himself in the rendition of raga Patdip in this album. His melodious alaap and creative phrases as only he can, take the listener to the lush meadows of ancient India."
*2024 stock* Zia Mohiuddin Dagar was the pre-eminent master of the Rudra Vina, and his profound artistry and understanding of Raga -- and the states of consciousness embodied in them -- is evident on this album. If you appreciate North Indian music, you will probably already know of Dagar Sahib's work. If you are new to the genre, this album may seem abstract if you don't have the knack of going below the usual mind-stuff (with which most of us are preoccupied) to the deep meditative state which…
Tip! *2024 stock* "This CD defines tastes, intelligence, control, musicality, creativity, and performance excellence. Subramaniam's mastery is confirmed in these revelatory ragas, revelatory in the vision that they impart and also as a demonstration of his amazing ability. It's Dr. Subramaniam all alone. No tabla. No guest artists from the jazz world. Just solo violin against a gentle backdrop of tamboura. You hear see it all here. This CD clearly shows why he is one of the world's greatest viol…
*2024 stock* "...the opening alap, dreamy and haunting, is most satisfying, whereas in sitar rags, the closing gat is more exciting. Fans of Indian music should welcome it." - The Birmingham News
Tip!!! 2024 Stock. Zia Mohiuddin Dagar (14 March 1929 – 28 September 1990), (aka Ustad Zia Mohiuddin Dagar and popularly known as Z. M. Dagar), was a North Indian (Hindustani) classical musician, one of the 19th generation of Dagar family dhrupad musicians. He was largely responsible for the revival of the rudra vina as a solo concert instrument
2024 Stock. Sensitive sitar from one of the instrument's leading younger exponents, specializing in the vocal-derived gayaki style. Pandit Budhaditya Mukherjee is an Indian classical sitar and surbahar maestro of the Imdadkhani gharana (school), recognizable by his intricate vocalic playing complemented by spectacular high speed playing. Bageshri and Des are two ragas that are extremely difficult to play, yet Pt. Budhadityaji has treated both of these ragas with the utmost respect. An outstandin…
2024 Stock. Ravi Shankar's son, Brij Narayan, learned to play the sarod, an Indian plucked guitar with a softer sound than its sister, the sitar. He trained with both his father and Ustad Ali Akbar Khan.
The eerie Lalit and the peaceful Bairagi Bhairav are played here in the early morning. Lalit is given a 25-minute alap that is played slowly and without accompaniment, and the great Zakir Hussain plays the two pieces for 25 minutes. The shorter Bairagi Bhairav is a treat, full of memorable, beau…
2024 Stock. The most famous exponent of Hindustani flute music is off course the great Hariprasad Chaurasia playing the bansuri (the bamboo flute) and to a lesser extent Ronu Majumdar. In the West, North Indian music has always overshadowed South Indian (Carnatic) music, which is a pity as the latter is as profound and beautiful as the former. North Indian music has changed through the Middle Ages by the Arabian, Turkic and Persian influences the Mogol Invaders brought with them. It had become m…
2024 Stock. Sensitive sitar from one of the instrument's leading younger exponents, specializing in the vocal-derived gayaki style. Pandit Budhaditya Mukherjee is an Indian classical sitar and surbahar maestro of the Imdadkhani gharana (school), recognizable by his intricate vocalic playing complemented by spectacular high speed playing. He holds a unique distinction of being the ever first artist (not just musician) in history to perform in the House of Commons, London. Famously proclaimed the …