Jazz /
Africadelic
Diggers Factory present a reissue of Manu Dibango's Africadelic, originally released in 1972. The strange and majestic musical beast that is Africadelic was Dibango's follow-up to Soul Makossa (1972), but it was initially released on Louis Delacour's library music label, Mondiaphone, before Soul Makossa became an international phenomenon.
As a Mondiaphone release, it was aimed at television and film producers seeking atmospheric background music, so the original titles are simply "Theme No 1," "…
One Night in Pelican
A night-time haunt in the backstreets of Soweto run by a well-known bootlegger should have been a prime zone for nefarious underworld activities. Instead, it nurtured an underground of a different kind. Soon after its opening in 1973, Club Pelican became a spot where musicians steeped in the tradition of South African jazz began to cook up experimental sounds inspired by communion, competition and the movements in funk and soul blowing in from the West. Located in an industrial park on the weste…
Ethnic Expressions
Tip! Groovy, spiritual, and oh so, rare, this live album by drummer Roy Brooks is one of the best to ever come out of the spiritual jazz scene. With a career spanning over 50 years and collaborations with artists like Horace Silver, Stanley Turrentine, Yusef Lateef, and Charles Mingus, Roy Brooks was a foundation and leading force of the jazz scene throughout his entire storied life. As one of the most talented drummers of any generation, Brooks would lead his own group, the Artistic Truth, and …
Labyrinth
Labyrinth is dark, brooding, beat-heavy, melancholic mood music courtesy of Ian Carr and the Nucleus crew. A favourite of Madlib, it goes without saying that this is one magnificent record. Originally released on Vertigo in 1973, Labyrinth was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be bac…
Under The Sun
Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Under The Sun opens with the crisp, medium tempo “In Proc…
Alleycat
Come for the leopard, stay for the stone cold jams. Yet another thrilling, funky-prog jazzy-rock fusion beauty from Ian Carr’s Nucleus. Originally released on Vertigo in 1975, Alleycat was never re-pressed so those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Alleycat was the last Nucleus album recorded for the V…
Grafitti
A superb Jazz Flavoured Latin Funk Soul album recorded in 1977 by Grammy Award Winning Carlos Franzetti when he was a struggling musician trying to get his first breaks in a tough New York Jazz scene. With a Top Notch grouping including Percussionist Ray Mantilla, Victor Venegas on Bass and Dick Meza from the Tito Puente Orchestra. Carlos played all the Keyboards, wrote the numbers and was also responsible for all the arrangements. Released by Guiness Records (No relation to the Drink) and swift…
De Las Colonias Del Río De La Plata
Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz’s leading figure Jorge López Ruiz, the project Viejas Raíces marked Lopez Ruiz’s departure from the traditional forms of jazz.
Blue Notes for Mongezi
Otoroku is proud to present the first vinyl reissue of "Blue Notes for Mongezi", one of the most passionate celebrations of a life in music ever laid to tape. Recorded in late 1975 by Blue Notes, then reduced to a quartet - Dudu Pukwana on alto sax, whistle, percussion, and vocals; Johnny Dyani on bass, bells, and vocals; Louis Moholo-Moholo on drums, percussion, and vocals; and Chris McGregor on piano, and percussion - and issued the following year by Ogun, the album is a kairos; the first com…
Scream For Peace - Biennale de Paris 1969
Between May 1968 and the end of 1969, Paris became the Mecca of new jazz. Many American musicians, struggling to make a living from their activity in the USA, went to live in Paris. Thus: Don Cherry, Sunny Murray, Marion Brown, Anthony Braxton, Alan Silva, the Art Ensemble of Chicago… By their side, the French musical avant-garde gained confidence and emancipated itself with Jef Gilson, Michel Portal, Bernard Vitet, François Tusques, Jean-François Jenny-Clark, Henri Texier, Jacques Thollot… Unde…
How Long This Time? Live 1970
*All tracks previously unreleased. Stereophonic sound.* Featuring the classic KTG frontline of Marc Charig, Nick Evans and Elton Dean with rhythm section appearances by British jazz luminaries Jeff Clyne, Trevor Tomkins, Roy Babbington and Bryan Spring. These six previously unreleased live studio tracks were recorded for broadcast purposes in January and August of 1970, between the group’s two now seminal British jazz/rock releases for the Polydor and Vertigo labels respectively, 1969’s ‘You Are…
It's Up To You
** Limited to 300 double vinyl copies, two inlays with photos and liner notes. Originally released in 1974 on Preiser Records** »It’s Up to You« is a free sound art and performance project by sound artist and singer Limpe Fuchs, sculptor and sound artist Paul Fuchs, and pianist and recorder player Friedrich Gulda, who formed the trio Anima at the time of the recordings in 1974. As musical guests they were able to enlist the trombonist Albert Mangelsdorff, the bassist Barre Phillips, the oud play…
Funky Africa
*In process of stocking* We Are Busy Bodies is proud to present a reissue of composer, guitarist, and later producer, Almon Memela’s ultra rare 1975 album, Funky Africa. From the original liner notes: 'Africa has always been many things to many people. To some, Africa is the Dark Continent, a mysterious, romantic and vast expanse of unexplored territory. To others, again, Africa is the ultimate symbol of man's triumph over his environment: a wakening giant destined to play a significant role in …
Deeper Roots
*In process of stocking* Second, and long out of print album by South Africa's Roots. Remastered from original audio tapes. Artwork completely restored by Steve Lewin.
Shrimp Boats
Assembling unreleased recordings from 1979 and 1980, Shrimp Boats is a South African jazz archival compilation from 1987 built around its epic side-long title track featuring saxophonist Basil "Mannenberg" Coetzee. The recording was made during pianist Lionel Pillay's November 1979 session with Coetzee for the As-Shams/The Sun album Plum and Cherry. Side Two is composed of material recorded in September 1980 from the session for Lionel Pillay's Deeper in Black album. The 1951 pop standard "Shrim…
Tshona!
*In process of stocking* As a member of the all-star Jazz Epistles in the late 1950s, saxophonist Kippie Moeketsi (also spelled Moketsi during his tenure with the As-Shams record label in the 1970s) was one of the pioneering forces of modern South African jazz. While Jazz Epistles bandmates Hugh Masekela and Abdullah Ibrahim would go on to build their careers in the United States in the 1970s, it was at home in South Africa that Moeketsi would leave his mark on the domestic jazz discography. Fro…
Drive Live
*Official remastered reissue* We Are Busy Bodies presents Drive Live. A live performance by South African group The Drive, founded in 1971 by Adolphus "Bunny" Luthuli and Henry Sithole.
Drive Unlimited
We Are Busy Bodies presents Drive Unlimited. A gem by South African group The Drive, founded in 1971 by Adolphus "Bunny" Luthuli and Henry Sithole.
Remastered reissue by We Are Busy Bodies. Art restoration by Steve Lewin.
Sikiza Matshikiza
Born in Queenstown in South Africa's Eastern Cape province in 1938, Patrick Vuyo Matshikiza was raised in a musical family. His uncle Todd Matshikiza was a jazz columnist for Drum Magazine in the 1950s and composed the music for King Kong - the all-black musical from 1958 that played in London's West End and launched the career of singer Mariam Makeba. Pat was educated at St. Mathews, an historic mission school in Keiskammahoek, where he played organ and graduated with a teacher's diploma. He mi…
Swedish Library Grooves Vol. 2
The explorations of the mid-70s sounds of rare grooves and library music, all reimagined, recorded, produced and in Sweden by Falk & Klou.