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In mid-seventies, Nigerian bands came and went with alarming regularity, rising meteorically from the slums to stardom and falling back again just as quickly. Masisi Mass Funk from Anamara State was one such band. But during their brief moment in the…
The self-proclaimed funkiest band on the west coast of Africa, the Heads Funk Band, could arguably make that claim for the whole continent. Featuring the slick guitar of Felix ‘Feladey’ Odey, the slinky drumming of Eddie Offeyi and the swirling keybo…
OFO The Rock Company (originally known as OFO The Back Company) were Nigeria’s first acid-rock band. Blending Hendrix and Deep Purple with shamanism and a pro-black philosophy, they cut their teeth at Fela Kuti’s Afrika Shrine, developing a fearsome …
Before he was Nigeria's self-proclaimed Mr Lover Boy, Felix Lebarty was an upcoming musician in the country's Edo-Delta region. His big brother, Aigbe, was a legendary Highlife bandleader, but Felix paid his dues playing guitar with Thony Shorby Nwen…
A bona-fide Nigerian prince and probably the only musician to have ever played with Fela Kuti, Miles Davis and Bob Marley, Eji Oyewole combined African Highlife with western jazz to create a hybrid so that was as smooth as it was funky. His first alb…
The eastern Nigerian city of Calabar in Cross River State was colloquially known as Canaan City – a place of lush landscapes, alluring women and delicious cooking. When the Biafra War ended it became a land of milk and honey for bands as well, with j…
With the Super Wings in mutiny and a trail for the manslaughter of his former bandmate, Spuds Nathan, still hanging over his head, Manford Best came out swinging with Come Go With Me. It’s a chirpy, calypso-influenced insight into the state of his mi…
It’s hard to get a handle on Nigerian musicians Nash Dodoo, Charlie Cuul and Jonas Caulley. In 1980 they released an album of face-melting gospel boogie as the BML chapels. And in the same year, calling themselves the Beta Yama Group, they put out Fr…
The Mighty Flames were a crack bunch of Cameroonian musicians, drawn to Nigeria by the heavy funk sounds booming across the border like musical moths. For a short time in the late sentries they ‘owned’ Port Harcourt, destroying dancefloors with an in…
The Guelewar Band of Banjul are a band quite unlike any other – an explosive mix of soul and funk with local rhythms like Boogaraboo and Ndaga combined with a defiant insistence on singing in their local language, Wolof. They certainly blew a young Y…
Pat Thomas and Ebo Taylor are the Jagger and Richards of Nigerian Highlife. Drawn together by a mutual love of the genre – and an equally intense desire to stop it becoming moribund and bereft of ideas – Ghana’s two most progressive musicians added a…
There was a time in the 1970s when the best band in the Nigeria was actually from Cameroon. Rock Town Express, formed out of the ashes of Wrinkar Experience by Yaoundé boys Edjo'o Jacques Racine and Ginger Forcha, hit it hard, hit it loud and hit it …
Bala Miller was famous for pushing boundaries. His first job was selling beer in the Muslim north. And as a musician he'd always try to sneak in 'local' flourishes while playing trumpet with Bobby Benson and Victor Olaiya. It was with his band, the P…
In 1977 Jake Sollo returned to Nigeria to record his first solo album, Coming Home. His long-term band, The Funkees, had imploded in London. And his big break with the Afro super band, Osibisa, was cut short when he went on strike with Kiki Gyan and …
In the mid-seventies Nigeria, everybody loved the Black Children Sledge Funk Co. Band. Blasting out of the bustling river port of Onitsha, their infectious, feel-good grooves were the perfect antidote to the dark economic clouds gathering over the co…
Set up by producer Ben Okonkwo in 1973, the BEN label, and its offshoot Clover Sounds, broke some of the biggest bands outside of Lagos. The Apostles, Akwassa, The Doves, Mary Afi Usuah and Aktion all got their start in the cramped studio in the comm…
By the mid 1970’s in Nigeria, the Biafran War was a distant memory and the music scene in the eastern city of Aba was booming again. Bands like The Funkees, The Wings and The Apostles grabbed the headlines, but the more interesting stuff was coming f…
In 1979, long-time Highlife veteran Aigbe Lebarty decided to try his hand at high-energy disco funk. Checking the Lebartone Aces at the door, he borrowed the Sex Bombers from Prince Omo Lawal-Osula and created Unity, a sure-fire dance floor stomper t…
S. Job Organization (also known as SJOB Movement) was a rarity in the Nigerian music scene – a collective of equals in a world where band ‘leaders’ ruled the roost and ‘band boys’ had to make do with the crumbs. The name was an acronym representing e…
Based in the Havana Nightclub, in the central plateau town of Jos, the Sahara All Stars of Jos weren't part of the Lagos scene or the one in the east. Their leader, Dan Satch Ayo, had played with Dr Sir Warrior in the Orientals. He'd jammed with Moha…