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Temporary Super Offer! These sessions were recorded exactly two years apart, in early November 1966 and 1968 (both were released in 1969). While they can’t be called “bookends” by any means, they do bracket a remarkable period in Don Cherry’s musical…
Recorded live may 03 2018 at Porgy&Bess, Vienna recorded by Wolfgang Racher & Gerald Domjan mixed and mastered by Martin Siewert
released March 14, 2022 Konrad Bauer - trombone Georg Graewe - piano John Lindberg - double bass
*2022 stock* Futura Marge presents Live At The Sunset by Other Dimensions In Music (Roy Campbell trumpet, pocket trumpet, flugelhorn, flute, recorder & double flageolet, Daniel Carter alto saxophone, flute, trumpet & voice, William Parker double bass…
The extraordinary, powerful and characterful French singer Carla Diratz (described by none other than Robert Wyatt as "the soulful Ms Diratz") collaborates here with composers Martin Archer and Nick Robinson to deliver an extremely diverse set which …
I have wanted to make a trio recording – that simplest and yet most demanding configuration for any saxophone player – for many years, but had been unable to decide who the other players should be. It was only when I heard Michael’s solo work that I …
TAO Forms is rather stoked to present this astonishing new work from the fertile creative mind of tenor saxophonist–composer James Brandon Lewis. Performed by the Red Lily Quintet, an exceptional & singular inter-generational ensemble, this album spe…
*2022 stock* Futura Marge presents Septentrion by Arnaud Sacase (saxophone alto), Jobic Le Masson (piano), Benjamin Duboc (contrabass) & Antoine Paganotti (drums). Recorded on 15 et 16 december 2003 at Gaël Mevel's à Abbeville-la-Rivière (France)
Tip! *300 copies limited edition* Recorded in Stockholm on October 25, 1962, this session is one of Albert Ayler's earliest recordings, featuring a European backing group he assembled during his brief stay there, before returning to the States in 196…
Tip! *300 copies limited edition* Recorded in Stockholm in 1962, and originally released on Sonet Records, these sessions stand as Ayler's first step into a new sonic world. This was when Ayler was still dealing with classic Jazz standards such as "I…
Alice Coltrane had an enormous legacy to overcome in her late husband- her debut album, "A Monastic Trio" stuck pretty close to what John Coltrane's last bands were doing the studio, "Huntington Ashram Monastary" finds her branching out. Recorded in …
Tip! 'Frijazz mot rasisme' or ‘Free Jazz Against Racism’, as you may have guessed, is a compilation of Norwegian contemporary and outsider music. There’s plenty to get your teeth stuck into here. Highlights include Sanskriti Shrestha & Andreas Wildha…
* 2022 stock * Sunny Murray's Aigu-Grave, a nominal quintet date with percussionist Pablo Sauvage appearing on two of the five tracks; the rest of the group features French tenor saxophonist Richard Raux, Bobby Few and Alan Silva. Its two leading tra…
* 2022 stock * Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards for a completely different experience. Heading up his Unit, he was joined by Sahib Shihab, ex- partner to Gille…
* 2022 stock * In 1971, the day after the death of Igor Stravinsky, Jef Gilson and his Unit (Pierre Moret and Jean-Claude Pourtier) made this curious homage to classical music. It is jazz, contemporary and electroacoustic music that the trio interrog…
*2022 stock* Futura Records presents Dizzy Reece quintet's From in to out. Dizzy Reece (trompette), John Gilmore (saxophone ténor), Siegfried Kessler (piano), Patrice Caratini (contrebasse) & Art Taylor (batterie) Recorded on 23th octobre 1970 at la…
*2022 stock* French avant-garde pianist François Tuskques's solo work released in 1970 is now available on CD for the first time with additional bonus tracks. This is a high quality work that c an be said to be the flowering of his creative and origi…
Temporary Super Offer! "Attempts to dismiss Sun Ra as an “outsider” artist, an eccentric who made strange claims, are always own goals. Of course he was an outsider. That was precisely his point. And not just an outsider. He came from so far away we …
This is the third issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Stories include Joe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo J…