Jazz /
Philadelphia, November 11, 1966
This release presents one of John Coltrane's last preserved live performances ever. Taped in Philadelphia with excellent sound quality, this set presents Coltrane playing probably the freest version of Naima, along with readings of two more of his compositions: Crescent and a powerful version of Leo. Coltrane died shortly after this performance at the age of 40 on July 11, 1967.
At the Penthouse in Seattle September 30, 1965
Radio broadcast of a daytime performance at The Penthouse, Seattle, Washington, September 30, 1965 taped by an amateur fan.
Itaru Oki Last Message With Masahiko Satoh
Japanese free jazz pioneer and trumpeter Itaru Oki, who passed away in August 2020, was active mainly in Europe. He was one the key players in the development of a distinctively Japanese take on free jazz in the Tokyo scene of the late 1960s and early 70s, leading his own power trio and collaborating with other formative names like percussionist Masahiko Togashi and bassist Keiki Midorikawa. His last recording (recorded live on October 7, 2018) was a 75-minute improvisation with legendary Masahi…
Hidros 8 Heal
Tip! For the 8th edition of Mats Gustafsson's NU Ensemble, Gustafsson focused on the current state of the world, „Hidros 8 Heal" is an attempt to rise and find the questions about the state of things. there is an extreme unbalance on local and global levels at the moment — from ideological, economical, cultural and political perspectives – and we need an equilibrium of some sorts very soon. can it heal ? what can make it all heal? and for how long can it heal?
Anna Högberg - alto and baritone sa…
Universe In Blue
Universe in Blue is a rarity. After-hours music, showcasing Sun Ra's twisted take on the Blues, these live recordings from 1972 provide an intriguing glimpse of the Arkestra’s repertoire and virtuosity at the close of their first decade playing in New York, and brought him to the greater attention of the New York press and helped cement his reputation for audacious showmanship. Ra and his band performed at the famed East Village Slug's almost every Monday night for several years through the late…
MSM Molecular Systematic Music - Live
Over the last half-decade Saxophonist and composer James Brandon Lewis has emerged as one of the most exciting figures in jazz and improvised music, a voracious listener who rejects stylistic hierarchies and one that has feverishly explored new ideas and embraced fresh motivations with every new project. Inspired by molecular biology, he develops a special system for a surprising and beautiful music with his Quartet with drummer Chad Taylor, pianist Aruán Ortiz, and bassist Brad Jones. He has ta…
Three Tsuru Origami
Three improvisers having fun and taking risks. The classic piano-less jazz trio reinvented by mixing melodies, dirty sounds, noises, extended techniques and references to tradition with a quasi-punk approach.
Inversi
An all-round musician, Cristiano Calcagnile defines his trio with these words: "Anchored low and hanging high, the trio vibrates in the belly like a single string". A trio with double bass and drums that takes into account the more modern sonorities of this classic formation but at the same time insinuates and welcomes sounds and attitudes that come from the freest experiences in the history of improvised music.
Giorgio Pacorig pianoGabriele Evangelista double bassCristiano Calcagnile drums, per…
Bronca Buenos Aires
Essential jazz from Argentina, originally released in 1971. Bronca Buenos Aires is one of the highlights in the career of Jorge López Ruiz, alongside El Grito and the much-acclaimed Viejas Raíces project. The album is jazz poem by López Ruiz to the city he loved, not just for its virtues but also its faults, and the recording was an ambitious project that gathered many of the prominent jazz musicians of Buenos Aires.
However, due to the repressive political context of the time, Bronca Buenos Air…
Idrissa's Dream
Strut continues their work from the archives of Idris Ackamoor and The Pyramids with a first ever vinyl release of Ackamoor’s debut avant-garde / Afro-jazz recordings from 1971 with The Collective, based out of Yellow Springs, Ohio. The group was formed after Ackamoor had returned to Antioch from a spell in L.A. under the wing of influential saxophonist Charles Tyler. Pianist Lester Knibbs had been appointed to the Antioch college music department as an assistant professor and had followed a sim…
The Steps That Resonate
Uniquely orchestrated with all three members bringing a trove of objects & percussion, the trio of Martin Küchen on saxophones, Agustí Fernández on piano and Zlatko Kaučič on drums are heard in this two-part live concert at BUMF festival in Smartno, Slovenia, for a superb example of intent listening and use of space around confident, stunningly creative & virtuosic playing.
Live @ VisionFest. 20
Dedicated to the memory of reed & wind players Perry Robinson and Mark Whitecage, both of whom have passed since they took part in this tremendous 2015 live recording recorded at the 20th VisionFest in NYC, in a quartet with bassist Ken Filiano and drummer Lou Grassi for three collective free jazz, particularly the extended first improvisation dedicated to late trumpeter Roy Campbell.
Existential Moments
The 3rd album from the touring trio of Joe McPhee on trumpet & tenor sax, John Edwards on double bass and Klaus Kugel on drums, following their previous NotTwo releases A Night In Alchemia and Journey To Parazzar, here captured live at FreeJazzSaar 2019, in Saarbrucken, Germany for a boisterously exciting set of three collective improvisations, including a tip of the hat to Charles Gayle.
Renual
Not Two presents the latest recording by The Nu Band: Thomas Heberer - trumpet, Kenny Wessel - guitar, Joe Fonda - bass, Lou Grassi - drums & percussion. May 16, 2022, at Tedesco Studios, Paramus, NJ
Tomorrow Is The Question!
*Limited edition of 500 copies.* This was definitely a perfect title for Ornette Coleman's second and last album for Contemporary before switching on Ertegun's Atlantic label. Originally released in 1959 "Tomorrow is the Question" was an early evident step towards the revolution to come. An adventurous yet accessible, bluesy album with Coleman and Don Cherry tasting for the first time the freedom of a pianoless rhythm section featuring Percy Heath or Red Mitchell on bass and the great Shelly Man…
4 Cuts Placed In "A First Quarter"
4 Cuts Placed In "A First Quarter", the companion piece to Solos, is the sonic result of a collaboration with artist Lawrence Weiner. As Landry remembers, “I was working for Keith Sonnier at Castelli Gallery and met Lawrence. He asked ‘can you make a video for me?’ So we did "To and Fro..." At some point he was working on "A First Quarter" (1973) and wanted me to do the music. I said ‘I already have the music.’ He said ‘what do you mean?’ I had recorded several pieces with Kurt Munkcasi and walk…
Universal Tonality
William Parker’s Universal Tonality documents an epic performance which brings his titular concept to full, vibrant life. An exquisite example of this system in practice, it features a truly once-in-a-lifetime assembly of creative music luminaries and legends. Clocking in at nearly two hours and featuring six extended pieces flowing across two discs, this Universal Tonality happening took place in December 2002. Parker invited 16 musicians of various ages, cultures and musical backgrounds – to j…
Gravity Without Airs
*In process of stocking.* The exemplary & well-traveled cornetist Kirk Knuffke here introduces a bold new trio – with bassist Michael Bisio & pianist Matthew Shipp – on an intimate & expansive double album. Gravity Without Airs features the three world-class musicians on both Knuffke compositions and in open form, together creating a tour-de-force of poetry and verve. “Rhythmically precise, New Orleans funky and full of grace, Kirk Knuffke’s music is a reflection of his multifaceted personality:…
Point Of Departure to Compulsion!!!!! revisited
Point of Departure was an inflection point in Hill’s output for Blue Note, his penchant for formal complexity and compacted materials – which he revisited beginning in 1969 with a nonet date, tracks with a string quartet-augmented ensemble, and an album with voices – giving way to what proved to be a short-lived foray into the minimally scored pieces that distinguished Compulsion!!!!!. The two recording sessions were separated by only eighteen months, but they were among the most convulsive in j…
Spirit Of Nuff...Nuff
Originally released in 1991 this was Henry Threadgil's new band's debut release. That's where Threadgill introduced the unique concept of dual tubas and dual electric guitars. In Very Very Circus's ultra-layered sound world all roles melt equally into an unprecedented sound experience. A big step forward in modern jazz from one of the greatest composers of our time. Henry Threadgill - alto saxophone, flute, Curtis Fowlkes - trombone, Brandon Ross - electric guitar, Marcus Rojas, Edwin Rodriguez …