We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Jaap Blonk (born 1953, Woerden) is a Dutch avant-garde composer and soundpoet. He is primarily self-taught, both as a sound artist and as a visual/stage performer. One of his early influences was Kurt Schwitters, whose Ursonate he first heard in 1979; he memorized the entire work, and it became one of the cornerstones of his repertory; he has recited portions of the piece hundreds of times in various public places. His performances of sound poetry are unique and world renowned, making use…
Giovanni Di Domenico (piano, Rhodes), With Norberto Lobo (acoustic guitar), Tetuzi Akiyama (acoustic guitar) and Jim O'Rourke (electric guitar). Recorded during the course of 3 years (from 2011 to 2013) in various locations in Brussels and Tokyo, this double LP puts together 3 of the most uncompromising and original guitar players of the globe (there should have been a fourth great guitar player, the late Hans Reichel, but unfortunately he passed away days before asking him to join the project),…
Trost continues its Trost Jukebox Series of 7"s. Raymond Boni is a French jazz guitarist and composer. Joe McPhee (born November 3, 1939) is an American jazz multi-instrumentalist born in Miami, Florida, a player of tenor, alto, and soprano saxophone, the trumpet, flugelhorn and valve trombone. McPhee grew up in Poughkeepsie, New York, and is most notable for his free jazz work done from the late 1960s to the present day. Raymond Boni - guitar and electronics / Joe McPhee - soprano saxophone, vo…
*In process of stocking. 2022 stock.* Larry Ochs may be best known as one-quarter of the Rova Saxophone Quartet, the Bay-area group, which, in its near-40 year history, has created large-scale works with composers as diverse as Terry Riley and Barry Guy. Ochs’ projects outside of Rova have often been just as noteworthy. He first assembled The Fictive Five for a performance at his 2013 residency at The Stone and this recent recording testifies to the way the band’s strengths realize Ochs’ composi…
*In process of stocking. 2022 stock.* The latest in John Zorn‘s second Masada songbook, the highly melodic and dynamic Book of Angels, the 10 songs on Alastor come courtesy of master composer and violist / multi-instrumentalist Eyvind Kang. Though Kang generally skews towards classical, chamber, and ambient, his take on Zorn’s hand-picked selections is a surprising and gorgeous collision of styles.
“Hakem” opens with synthesized accents and a strong Indian and Persian inflection—elements that re…
"The second album by Matt Ulery’s Loom fulfills the desire of its leader to front a “band with a sound not only determined by the compositions and the instrumentation, but with the actual players who perform the music.” Ulery, a Chicago-based bassist and composer, adds, “This is why Loom has had an immediately identifiable sound, striving for maximum range of emotional depth while appealing far beyond strictly jazz listeners.” Loom projects a sonically rich, expansive sound on Flora. Fauna. Ferv…
Originally issued by Impulse in 1971, this is definitely one of the best truly cosmic jazz orchestrations ever realized. Recorded at the Coltrane home studio, Dix Hills, New York on November 8, 1970. Alice Coltrane (harp, piano); Pharoah Sanders (soprano saxophone, perc); Charlie Haden (bass); Rashied Ali (drums); Cecil McBee (bass); Vishnu Wood (oud); Tulsi (tamboura); Majid Shabazz (bells, tambourine). "Swamiji is the first example I have seen in recent years of Universal Love or God in actio…