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** original copy ** Recorded in Italy in 1986, this solo set by Mal Waldron draws from a rich range of sources and traditions. Update songs An inventive composer, arranger and player, these six pieces combines melodic directness with percussive harmonic support. Update album for sale Opening with his own "Free for C. Update CD music T., " he moves into the realm of standards for most of the set, visiting works by Dizzy Gillespie, Sammy Cahn, and Frank Loesser, among others. His "Variations on a …
*Limited edition of 500 copies.* Originally released in 1953 on Charles Mingus's own "Debut" label, this is Paul Bley's historical debut album. Here the young talented and technically strong pianist appears as leader of a super-trio with nothing but Mingus himself on bass and Art Blakey on drums. This is a beautifully varied set including both renditions of classic standards such as "I can't get Started", and Bley's early originals like "Opus 1" and "Spontaneous Combustion" This is where you ca…
*2022 stock.* Here is music for your strange mood. The piano starts the first track, slow tempo beat, a strict beat, a swinging beat. Lillemor—here minor harmonies give the tune a rural, romantic feeling of some place in Spain or France. The tempo changes to medium fast—the flute solos. Light phrasing contrasts beauti¬fully to the earthy, swinging beat of the rhythm section and the repeating piano figures. The trombone adds a new color, a counterpoint of sound and phrasing, backed by the pulsati…
The new Acoustic Sounds series is mastered from the original tapes, pressed on 180-gram vinyl and packaged in high-quality gatefold ("book-like") covers, curated by Stoughton Printing Co. where the printed sheet of paper is applied to the cardboard. All under the supervision of Chad Kassem, CEO of Acoustic Sounds, the most established company in the field of publications for audiophiles. The publications are selected from the extraordinary Verve/UMe catalog, and to begin with, the series focuses…
It is unclear whether it was Wayne Shorter’s initial intention to do anything particularly ambitious during the two visits to Rudy Van Gelder’s studio in February 1966 that produced Adam’s Apple. Certainly, neither the repertoire—five recently composed Shorter tunes in AABA format and “502 Blues,” by pianist Jimmy Rowles, a hard drinker, as Shorter was at the time (the subtitle denotes the police code for drinking and driving)—nor the treatments contain the radical originality of the five pieces…
In only his second date as a leader, 18-year-old trumpeter Lee Morgan was already emerging from the long shadow cast by Clifford Brown, and this session is another step in the trumpet prodigy’s molting. Still, the set may be as notable for the four hard bop compositions of Benny Golson – including the first appearance of the soon-to-be-standard “Whisper Not” – and a stellar band of (mostly) young turks that included Hank Mobley on tenor, Horace Silver on piano, Paul Chambers on bass, Charlie Per…
*In process of stocking* Jimmy Smith was the most inventive and technically skilled organist of the Bop generation. Originally released in 1957, "A date with J.M." features performances recorded in the same year with Smith heading a sextet including a bunch of Blue Notes heavyweights such as Donald Byrd – trumpet, Lou Donaldson – alto saxophone, Hank Mobley – tenor saxophone, Art Blakey – drums, plus a guitar-organ-drums combo with guitarist Eddie McFadden and drummer Donald Bailey, and as one …
Da Bang! was recorded in February 2011, just two months before the master violinist Billy Bang (1947-2011) succumbed to cancer. In this final session, the Billy Bang Group featured one extended composition by Bang, "Daydreams," as well as compositions by some of Bang´s favorite musicians, including Barry Altschul, Don Cherry, Ornette Coleman, Miles Davis and Sonny Rollins. For Da Bang!, the Billy Bang Group featured legendary trombonist Dick Griffin as well as Bang´s regular accompanists in his …
In 1954, during his first trip to Paris, the adventurous pianist and be-bop pioneer Thelonious Monk recorded a handful of songs for French radio, later issued as The Prophet. Unencumbered by bass, drums or other a companiment, Monk gives us all we need in left-hand rhythms and right-hand melodies; ‘Round About Midnight’ and ‘Reflections’ di play masterful command and there’s a one-off take of ‘Smoke Gets In Your Eyes.’ Highlighting his capabilities in full, this is required listening for Monk fa…
Pioneering be-bopper and unorthodox pianist Thelonious Monk was largely underacknowledged for the role he played in changing jazz forever. The Unique Thelonious Monk, the second of his LPs for Riverside, was recorded in 1956 with bassist/cellist Oscar Pettiford, who Monk had bonded with in Coleman Hawkins’ band, and the wildcard drummer, Art Blakey, pushing things farther into the realm of experimentation, despite the set being comprised of jazz standards. Thus, ‘Tea For Two’ becomes a hard-bop …
The Jazz Epistles were the very first South African jazz group who broke away from the swinging and danceable jazz forms in vogue during the 1950s. A group formed by strong personalities like pianist Dollar Brand, later known as Abdulah Hibrahim, trumpeter Hugh Masekela, saxophonist Kippi Moeketzi, trombonist Jonas Gwangwa, bassist Johnny Getze and drummer Makaya Ntschoko. A bunch of jazz modernists who already in the late 1950s, under the influence of the American "Bop" attitude began to switch…
* 2022 stock * Recorded at the Studio Jazz Unité in Paris, France, on June 19, 1981, Filet de Sole / Philly of Soul was the only recording made by brilliant drummer Philly Joe Jones with this exact octet formation.The group plays a variety of tunes, including well-known pieces by Tadd Dameron, Benny Golson, Randy Weston, and the tandem of John Lewis & Dizzy Gillespie, plus an homage to Tadd Dameron composed by the group's tenor saxophonist Charles Davis (a regular with Archie Shepp and Sun Ra), …
* 2022 stock * "Archie Shepp's 1979 quartet of American and European musicians (Clifford Jarvis, drums; Seifried Kessler, piano; Bob Cunningham, bass) put more fire under him as an improviser than anybody since Coltrane. These cats came to play, and they were playing for keeps. It's all Shepp can do to lead the band. Opening with a furiously paced "Donna Lee," with Shepp's solo winding all around the intervals and changing them in mid-phrase, Jarvis double times even his legato. For 16 minutes t…
* 2022 stock * Futura Records presents On the New Jersey Road: Dany Doriz (vibraphone), Philippe Duchemin (piano) & Patricia Lebeugle (contrebasse) – Invité sur trois titres : Enrico Granafei (harmonica) Paterson (New Jersey – USA) Recorded on 26th and 27th september 2005 at Bioya Recording Studios, Paterson (New Jersey - USA)
Reissue of Empyrean Isles a classic Herbie Hancock album from 1964. From soul-jazz cuts to avant-garde explorations, Empyrean Isles revealed that Herbie Hancock was a jazz icon in the making. Clear vinyl.
Temporary Super Offer! This release can be seen, informed by the 100th anniversary of Charlie Parker’s birth, as an occasion for not only celebration, but reexamination and rediscovery, based upon the special qualities these particular performances provide. Parker is the focal point, the vortex of energy and ingenuity. The effect of hearing him in this arena of spontaneity and inventiveness is like watching Edison at work in his laboratory. It is Parker at his most audacious and prophetic. - Art…
**180 gram audiophile vinyl** When driving a band with his upright bass, Charles Mingus looked -and was- gigantic, in more ways than one. He had huge creative appetites (as well as being hot tempered), creating his own combination of hard bop, blues, and avant-garde jazz. There was no one more multi-faceted than Mingus between the 1950s and 1970s and of his many albums, Mingus Ah Um (1959) is considered to be a jazz classic.
Classic Cool/Bop session from 76, and regarded as one of the finest Norwegian jazz live recordings of the seventies featuring an impeccable performance by alto sax player Carl Neumann, playing mostly original songs by pianist Christian Reim, Bjørn Kjellemyr on Bass and Ole Jacob Hansen on drums. First time on vinyl format and with great sound quality, new pictures, new notes.
House Party is the fourteenth album by American jazz organist Jimmy Smith featuring performances recorded in 1957 and 1958 and released on the Blue Note label. Rudy Van Gelder used the Manhattan Towers Hotel Ballroom in New York City for recording sessions in 1957-1958, while he was still using his parents' Hackensack, N.J. home studio to record artists for Blue Note. House Party was the first of two Smith albums recorded on two dates, the second was Smith's next album The Sermon!, released in 1…
What style of piano does Elmo Hope play? It would be easy to answer “The same as Bud Powell,” but this would not do justice to a musician who, while coming along the same route as Bud for so many years, is now ploughing a separate path for himself, though in a similar general neighborhood. His original material, though it has the intense, rapt quality of Bud’s, remains personal, whether it be the relatively serene approach of Happy Hour or the minor Moroccan mood of Stars Over Marakech. When you…