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*Limited Edition* Japanese guitarist Masayuki Takayanagi's performance in this set is bold and powerful, not entirely "angry" but striking nonetheless. His sharp-edged guitar work, reminiscent of Sonny Sharrock's experiments, avoids noise for its own sake. Balanced by Nobuyoshi Ino on bass and Hiroshi Yamazaki on percussion/drums, the trio creates a freer, fuzzier take on older guitar modes. The album's titles, numbered variations of the album's name, include four selections.
*Limited Edition* Percussionist Masahiko Togashi collaborates with the exceptional piano accompaniment of Takashi Kako in a unique and captivating musical journey. Kako's piano work, marked by a distinctive sense of touch and tone, complements Togashi's drumming. Kako's ability to extract guitar-like sounds from the piano, characterized by an airy chromatic quality, adds a warm and poetic dimension to the moments of freer improvisation on the record. While the music remains rooted in free jazz, …
*Limited Edition* Harold Land shines in this fantastic, rare Japanese album, possibly surpassing his '70s work. Pianist Makoto Tarashita leads with a strong, spiritual, and modal style, setting Land free on vibrant, imaginative solos. The ensemble, including bassist Yasushi Yoneki, drummer Mike Reznikoff, and percussionist Takayuki Koizumi, adds an organic and rhythmic richness.
*Limited Edition* In this early 80s trio collaboration, Japanese pianist Kunihiko Sugano teams up with the legendary American drummer Jo Jones, resulting in a pleasingly traditional vibe. Sugano opts for the acoustic piano, and the album features laid-back tracks adorned with lyrical nuances. Kunihiko delivers soulful and warm solos, subtly propelled by Jo Jones' drumming expertise, while receiving solid backing from bassist Kunimitsu Inaba. The album's lengthier tracks showcase a delightful fus…
*Limited Edition* Dive into the groovy sounds of pianist Kunihiko Sugano with this album, where he skillfully maneuvers the Fender Rhodes to produce a blend of sharpness reminiscent of an acoustic piano. The bossa nova flavor promised in the title is delivered with a post-bossa twist, akin to the bossa jazz trio style of the 60s but updated. Think of it as a 70s take on the genre, akin to the works of Tamba Trio and Milton Banana but arguably even better. Sugano's dynamic approach is complemente…
*Limited Edition* Album released in 1977 by Japanese jazz pianist Kunihiko Sugano, who started playing in a trio with Isao Suzuki and George Otsuka in the early 1960s and recorded the classic album Blow Up with the aforementioned two and Takashi Mizuhashi on Three Blind Mice in 1973. Recorded live in Date City, Hokkaido in 1976 as a trio with Osamu Kawakami and Hiroshi Murakami. The air from the venue was recorded to give a realistic impression, and standard numbers such as Luiz Bomfa's A1, whic…
*Limited Edition* Immerse yourself in the charm of a Japanese piano trio session, elevated by the rhythmic enchantment of conga player Yohichi Ogawa. The trio, featuring Kunihiko Sugano on piano, Eizoh Honda on bass, and Teruhiko Takada on drums, takes on a sweet and dynamic quality. Ogawa's conga rhythms add a distinctive flair, injecting energy into Sugano's music—a blend of lyrical imagination, gentle swing, and freewheeling vitality. With extended tracks this session is a delightful explorat…
*Limited Edition* Pianist Kunihiko Sugano shines in this early album, captured in a relaxed live setting at a small Japanese club. With a conga added to his usual trio, Sugano introduces each number with introspective lyricism before the trio kicks in, showcasing majestic and soulful solos. A classic in the 70s Japanese piano style, the ensemble includes Izao Suzuki on bass, Shinji Mori on drums, and Yoichi Ogawa on congas.
*Limited Edition* Delve into the intensity of saxophonist Kazumi Odagiri's rare trio session on Aketa's Disk label. Odagiri's fiery solos, accompanied by bassist Koichi Yamazaki and drummer Kenichi Kaneyama, create a dynamic interplay. Tracks include a vibrant take on Freddie Hubbard's "Intrepid Fox," as well as interpretations of "Invitation," "Striped Slacks," and "When Sunny Gets Blue." This searing session epitomizes the label's rare and freewheeling spirit.
Immerse yourself in the musical brilliance of percussionist Yoshisaburo "Sabu" Toyozumi's trio, featuring Mototeru Takagi on reeds and Takashi Tokuhiro on bass. The two extended improvisations on this album unfold with a delicate and quiet start, with each musician exploring small, almost private sonic spaces. Gradually, the trio builds into full interaction, leading the improvisations into fantastic directions. The careful and quiet beginnings create ample room for the music to blossom and take…
*Limited Edition* Hiroshi Hatsuyama's presence is invaluable in Japan's jazz vibraphone scene. His ability is evident in his achievements alone, as he has brilliantly colored the works of musicians such as Shoyuki Akutagawa, Koichi Matsukaze, Yoriyuki Harada, and Fumio Itabashi, all of whom have been difficult to dislodge from the scene. This is his first album. This is his first album, and it is a delightful work, sometimes bluesy, sometimes swingy, and filled with beautiful sounds. The "melanc…
Delight in Hiroshi Fukumura's live brilliance, where his unusual approach to the instrument shines. This quartet, featuring Hiroshi Tamura on piano, Tsutomu Okada on bass, and Shinji Mori on drums, delivers open, flowing tracks reminiscent of Japanese piano trios. Fukumura's solos, crafted like trumpet lines, boast a gritty yet lyrical power, this live session captures the essence of Fukumura's unique artistry and musical strides.
Hiro Tsunoda began his career as a jazz drummer in the mid-1960s, studying under Masahiko Togashi and playing professionally in the groups of Masahiko Sato and Sadao Watanabe. In the mid-1970s, Tatsunoda played back-up for Maki Asakawa at Aketa's and hit it off with Shoyuki Akutagawa, with whom he had a series of sessions. This album is excerpted from the recordings made during this period. As Tsunoda says, "It is not unusual for one song to last 30 to 50 minutes," and the performance is thoroug…
The members of the Hidehiko Matsumoto Quartet, a famous combo from the 1960s, reunited for one night only. Their performance was on a grand scale, as if they were flapping their wings on four different wings, including the groovy "Speak Low" and the swinging "Four Wings".
Helen Merrill's masterpiece, featuring arrangements by the genius Masahiko Sato, who adds new pop tunes to jazz standards. The album is composed of a very well-balanced selection of jazz standards, including Barbra Streisand's "Reminiscence," Paul McCartney's "Love in Song," and "I Remember Clifford," dedicated to Helen's golden partner, Clifford Brown.
This is Masaaki Kikuchi's first produced work. This is a spiritual masterpiece with a floating feeling produced with superb ECM members, including the title track with its primitive rhythm and Kikuchi's pleasant electric piano.
Fumio Kashima, a famous pianist loved by Elvin Jones and Otsuka George. This is a third album with a trio of George Murats and Motohiko Hino, which shows more vivid and lively play. Rich in colors including the comfortable explosive Landscape, refreshing Revlis and the beautiful ballad "The Fall" You can also enjoy the original Karajima songs and songs.
Elegant, but also incredibly powerful work from Fumio Karashima, exactly the kind of record that shows why he's one of our favorite Japanese jazz talents ever!
Recorded over two days at the Sound Inn Studio, Tokyo in 1983. Fumio Karashima’s Round Midnight is a solid straight ahead session featuring the esteemed pianist at his prime. Featuring Ikuo Sakurai on bass, Motohiko Hino on drums and guest jazz-fusion guitarist Larry Coryell on Side B of the LP. Post bop, cool jazz with a touch of Latin-fusion courtesy of Coryell. Perfect listening for anyone looking for a well-rounded session of classic jazz standards. Fumio Karashima, born March 9, 1948 in Oit…
A 1978 piece composed by pianist Fumio Karashima with legendary drummer Elvin Jones. The trio with bassist Andy MacLeod will feature original songs and standards, including the title track. This is the work that gave Karashima an opportunity to become active on the world stage.