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*2022 stock* Futura Marge presents Open Loose: Mark Helias (double bass), Tony Malaby (tenor saxophone) & Tom Rainey (drums). Recorded live on 11 April 2011 at the Sunset in Paris.
"Garden of Secrets is a very successful and varied disc with electronic-folk-jazz-progressive soundscapes, and thus another remarkable album from the Discus, which is highly recommended for friends of electronic sound journeys around the world." – Achim Breiling
An electroacoustic work by Hervé Perez taking the form of a suite of compositions which combine Hervé's software based sounds with a host of beautiful and unusual sounds from a wide range of instruments played by Hervé and collaborator …
Dirar Kalash is an improvising musician currently based in his native Ramallah, in the state of Palestine. Opportunities to perform are non-existent. Even access to an instrument is impossible at the current time. On a rare visit to the UK early in 2020, we are fortunate that Dirar found an opportunity to record with the master sound engineer Simon Reynell, on a fine instrument in the beautiful acoustic of St Paul’s Hall at the University Of Huddersfield. The plan had been to record some compos…
"The group plays a ground breaking mix of psychedelic progressive rock, mesmerizing electronics, avant-garde classical and jazz improvisation. Effortlessly combines acoustic and electric instruments along with captivating vocals to deliver a fascinating set of adventurous musical pieces." - Progressive Rock Central The fifth album by this adventurous improvising rock group. This time round an expanded 8 piece version of the band improvised in the studio for two days in October 2019. These live r…
An exciting live performance recorded at the festival Konfrontationen Nickelsdorf in 2006, featuring six early compositions by Anthony Braxton arranged for the band by Pat Thomas. When Discus Music asked Pat what recording he had in his personal archive that he would most like to see released, this one was the first choice. Pat’s arrangements of these angular melodies allow Alex Ward’s stratospheric clarinet to fly over the band’s churning grooves, and much excitement was generated in the proces…
The paths of Steve Potts and Jobic Le Masson have crossed frequently since the beginning of the 21st century, through collaborations with many artists. They have performed together regularly for the past ten years, namely in a quartet with John Betsch and Peter Giron. The album “Song”, released on the Enja label in 2016, offers a document of the current career of the quartet. “Indispensable” in Jazz News and Jazz Hot, “Oui!” for Culture Jazz, **** for Jazz Magazine… The lockdown was an advantag…
Tip! In the first years of its existence, starting in 1997, the Peter Brötzmann Chicago Tentet worked as a collective, inviting all and any of its participants to contribute compositions to the band's repertoire. Eventually, the Tentet would jettison scores and pre-planned structures altogether, opting for free improvisation, but on their early tours and initial recordings they played pieces written by the various band members. A marathon set of summer studio sessions in 2002, just off a U.S. …
Chicago-based saxophonist and clarinetist Ken Vandermark was invited to arrange a set of seventies music for a concert in 2019, and among the pieces he chose were tracks by funk legends Parliament and post-punk iconoclasts DNA. On this 12-inch 45rpm EP, Vandermark's band Marker presents a unique take on "Night of the Thumpasorus Peoples," drawn from Parliament's 1975 LP Mothership Connection, and DNA's "Egomaniac's Kiss," which first appeared on the classic 1978 Brian Eno-produced collection No …
'During the first lockdown of the Covid era in spring 2020 my creative fire was still burning. All concerts were cancelled, but I still wanted to play and improvise. That's were the idea for long-distance improvisation came up. I sent emails to some of my friends and other musicians who I admired and hoped that they might be interested in doing such a project. I'm really happy that some of the best improvisers in Europe were happy to participate in this project. I'm such a fan of all these playe…
When I proposed this trio it was intentional to create an instrumentation which closely matched that of the classic Leo Smith Trio of the 1970s – a line up which allows space and fire to co-exist. Of course, the fact that Martin Pyne doubles on both vibraphone and drums gives us a few extra sonic possibilities, and these have all been exploited by the suite of 12 compositions which the 3 of us have created together. While my own music output veers off into a wide range of bands and territories, …
Mycorrhiza is the term describing the symbiotic relationship between mycorrhizal fungi and a plants root system. The fungi forms networks between the trees, allowing them to communicate. Often nicknamed the ‘wood wide web’, the network allows trees to send each other nutrients and warn each other about predators such as bugs, deer, or harmful pathogens. This album is inspired by natural systems like this and is concerned about the human impact and the corruption surrounding it. The album flows l…
"Talk about your dynamic duos. Drummer/bassist Tony Bianco and violinist/violaist Faith Brackenbury have pooled their talents to come up with one of the best such meetings in recent memory." - Darren Bergstein, DMG NYC A no holds barred free jazz duo equally balancing fire / momentum with space / texture. Faith – “Everything is first takes and no edits, and so captures some raw feelings. It feels to me that all my learning and training, and unlearning and exploration has come to this point in a …
This 1983 recording, originally issued on Sackville LP, features jazz trumpeter Joe McPhee with the Bill Smith Ensemble.
” …a stimulating set of avant-garde music. The interplay between these masterful improvisors on group originals and Albert Ayler’s classic ‘Ghosts’ is consistently impressive and worthy of a close investigation by the more open-eared segment of the jazz audience.” — Scott Yanow, Allmusic
“Vistation breathes as if it were music that was recorded yesterday. Joe McPhee…
"This giddy avant pop affair is rather more avant than pop, with a large backing band of musicians steeped in the stylings of early 1970s psychedelia, mutant prog, free jazz saxophone solos, slinky blues (particularly on “Red White And Blue”) and moody spy soundtracks in the vein of John Barry’s score for 1965’s The Ipcress File. “Last Exit To Lublin” has a spoken word interlude in which the Cold War language of such films is remapped for the era of Brexit: “Papers, please/How long have you been…
This duo, and the resulting album developed out of conversations between Robert and Shirley whilst working on Robert’s Invocation project in 2014. Their discussions explored the varied paths of their respective backgrounds, and different relationships of all aspects of those musical paths to improvisation. Both have a shared classical training, in which the absence of an improvisation became both a frustration and source of inspiration. Part of the story of this album lies in their different for…
Anthropods is the new band from American drummer and composer, Mark Holub. Holub, known mainly as bandleader of the acclaimed and Mercury Prize nominated Led Bib has with ‘Anthropods’ created his first project as a leader since starting Led Bib in 2003. While some of Holub’s trademark Led Bib style is evident here, the album is full of contrasts, from pastoral beauty to dense free improvisation to heavy grooves, showcasing sides of Holub’s work well beyond his work with Led Bib.
Holub has been b…
"This giddy avant pop affair is rather more avant than pop, with a large backing band of musicians steeped in the stylings of early 1970s psychedelia, mutant prog, free jazz saxophone solos, slinky blues (particularly on “Red White And Blue”) and moody spy soundtracks in the vein of John Barry’s score for 1965’s The Ipcress File. “Last Exit To Lublin” has a spoken word interlude in which the Cold War language of such films is remapped for the era of Brexit: “Papers, please/How long have you been…
"As the bassist for the Matthew Shipp Trio for some dozen years, Michael Bisio has still made time to initiate a cornucopia of side projects, all distinct, all persuasive and all showcasing the deep and wide artistry of Bisio. But now, his side roads have led him back to the heart of his best-known gig. The just-released Flow of Everything centers on the bass-piano symmetry of the Matthew Shipp Trio. This isn't the first time Bisio has made a duo record with Shipp, but it's been nearly a decade.…