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Even in the wildly eclectic ICP catalog, this 66th release stands out. Absent are the ‘3 T’s’ (Tristan Honsinger, Tobias Delius, Thomas Heberer); instead, you get familiar guests (Joris Roelofs and Terrie Ex) and the musical direction of ICP co-founder Han Bennink. And then there is the setting: Le Brocope, a gallery, music venue, caférestaurant situated in a tiny village in Holland’s far North. An inspiring location that takes up a central role on Komen & Gaan. The ensemble begins by airing out…
This CD was released as part of the ICP 30th Anniversary celebrations and came in a paper pocket fixed to the inside front cover of the Anniversary booklet.
track 1 recorded at Bimhuis, Amsterdam, NL on January 31, 1997track 2 recorded at Theater Romein, Leeuwarden, NL on April 1, 1992recorded by Dick Lucascover art by Han Bennink
'Sometimes a piece of music seems to trigger a sense of déjà vu. I had that experience listening to the Nick Mazzarella Trio’s new recording. It was as if all the things that had caught my sincere attention for some years was suddenly distilled into one set of compositions. That was an illusion, as déjà vu always is; however, it was not without some substance. I heard traces of traces of Andrew Cyrille, Steve Lacy, and Fred Anderson. This recording hit me like some of those did. The beginning of…
On his 7th album as a leader, Chicago drummer Charles Rumback explores the many ambiances that comprise his musical territory, leading a combo with serious improvisers such as cornetist Ron Miles, alto saxophonist Greg Ward and bass clarinetist Jason Stein.
Seven Bridges begins with the atmospheric tide of “Whatever It Takes”, a less-than-a-minute horn-infused exercise that almost plays like a free-form understatement. It leads to the pop song “Fall Dog Bombs the Moon”, sung by Sima Cunningham …
Big, big tip! "The Seventh Son" was originally release in 1980 on RA Records and became a true Jazz Holy Grail. For anyone collecting Spiritual Jazz this reissue is simply not to be missed. Malachi Thompson moved to Chicago as a child and credited his interest in the trumpet when he was 11 years old. Malachi worked in the rhythm and blues scene on Chicago’s South Side as a teen. In 1968, he joined the Association for the Advancement of Creative Musicians (AACM), spending some time in the AACM bi…
FRIM Records presents Can't Hide. Released December 10, 2021
Gustaf Hielm, bassElin Forkelid, saxophonesErik Carlsson, drums
All music by Forkelid, Carlsson, Hielm (STIM/NCB)Produced by FRIM.Recorded March 12, 2020, at Fylkingen, Stockholm, by John Chantler.Mixed by John Chantler.Mastered by Göran Stegborn.
"A true music lover typically has dreams that their favorite musicians, who do not normally work one with another, will meet and perform together. I had a dream many years ago that the two Giants of contemporary improvised music, Joëlle Léandre and Barry Guy play a double bass duo together. And my dream became true at the 2017 Ad Libitum in Warsaw in Festival, and was released by Fundacja Słuchaj! on a phenomenal 3 CDs box “Blue Horizon ● Barry Guy@70”. Here is another dream realized by Fundacja…
Paul Dunmall the composer is to the fore here, delving deep into his musical history by providing a range of material that celebrates the breadth of his experience including aspects of jazz, funk and soul. The flexible ostinato based pieces are constructed around the unique musical personalities of the players; the first soloist on each track being the only preordained performance decision. Dunmall has always actively encouraged younger players and many of us have benefitted from Paul’s personal…
Soon celebrating 20 years as a duo, on Ismalfa J/L Duo team up with Brooklyn-based composer/musician Adrian Knight and vocalist/lyricist Frew Elfineh Taha (also known under the moniker Black Fist). A cohesive suite in eight parts, Ismalfa is a powerful statement of dynamic and forward-looking acoustic jazz.
Don Cherry collaborator and Bolon Bata founder Christer Bothén (b. 1941) delivers three CDs devoted to his highly personal expression on the bass clarinet and contrabass clarinet. To quote the artist himself: ”Those empty pipes have possibilities enough to cover several lives”. Sounds and silences are delicately carved out in different acoustic spaces, from a rainy soundscape in Spain to a peculiarly resonating church in Sweden. The album also includes a composition inspired by Tarkovskij’s mast…
*in process of stocking* debut album from swedish piano trio yokada.
released May 25, 2018 alex zethson: grand piano, compositions johan holmegard: drums johan berthling: bass
Tip! *In process of stocking* ‘Alone at night. Large church room. Lots of air. Stone. Wood. Glass. Quietness. Stillness. The dead and the alive. Surroundedness. ‘Existentialistic matters spinning. Peaceful state of mind. The dialectic equilibrium of complete stillness and deeper thoughts on contra-resistance on local and global levels. Fighting (y)our stupidities. Contra. I have never ever before gotten myself into such an unusual setting for a recording project. And yet, so simple. So naked. S…
*In process of stocking* "This is the first release in a series of albums on Smalltown Supersound with Norwegian freeform pianist Anja Lauvdal. On All My Clothes, Lauvdal teams up with her friend, the reclusive and now retired(?) Norwegian drummer Joakim Heibø for a session in the great tradition of piano and drums at Flerbruket Studios, Hemnes outside of Oslo.
Anja (born 1987) is from the small town of Flekkefjord in the south of Norway (where Smalltown Supersound was founded) and from the age …
'There is a beguiling sense of simplicity in the complexity of le temps. In the scale of its orchestra - containing at least samulnori, clubs, bicycle bells, and bathtub plugs - that could be confused for just the kit. In the breadth of technique, in opening, closing, rubbing, and other gestures that confront the ear with a blown snare but could otherwise pass as traditional play. In the seemingly singular focus on one aspect of the kit in each vignette, the metal of rims and cymbals in “ouvertu…
*2022 stock. In process of stocking* Saxophonist, pianist, vocalist and composer Archie Shepp is one of the most emblematic figures of Afro-American free jazz, in all its components. In the early 1960s he helped found the Jazz Composers Guild, performed with Cecil Taylor in The Connection and made several albums for Impulse. Inspired by the great jazz tradition (Ellington, Monk and Mingus) and the masters of the tenor saxophone, including Ben Webster and John Coltrane, his mentor, Archie Shepp e…
*2022 stock. In process of stocking* Futura Marge presents Parisian Concert, vol 2 by: Archie Shepp (tenor and soprano saxophones), Siegfried Kessler (piano), Cameron Brown (double bass) & Clifford Jarvis (drums)Recorded live on 18 October 1977 at the Palais des Glaces in Paris
*2022 stock.* Futura Marge presents Casa-Port/Rabat-City by Dar Jazz: Michel Fernandez (tenor & soprano saxophones), Adil Riski (guitar), Abdou Beckouri (electric bass) & Marc Chambon (drums)Recorded in April and May 2008 at Studio 75 in Rabat (Morocco)
A tribute to NY reedist & wind player Mark Whitecage, who passed away in March 2021, in a concert at Rochester's BopShop in 2018 by the band he is probably best known for: Nu Band, with trumpeter Thomas Heberer taking Roy Campbell's original seat, plus Lou Grassi on drums and Joe Fonda on bass, a great concert blending modern creative jazz with passionate playing and a bit of hard bop.
*2022 stock* Futura Marge presents Chloé by Ray Mauger trio. Ray Mauger (guitar), Alain Raman (electric bass) & Chris Dailey McCraven (drums) - guest on two tracks: Félix Perron (curved soprano saxophone). Recorded in Paris on 12 January 2007 at Studio Mesa, and on 8 June and 16 July 2007 at Studio Border.
*2022 stock* Futura Marge presents Terronès - Suite andalouse pour Odile, Gérard & Eric Terronès by Raymond Boni Fortuna 21 octet. Raymond Boni (guitar & musical direction), Laure Donnat (voice), Joe McPhee (soprano saxophone & pocket trumpet), Anna Startseva (violin), Emmanuel Cremer (cello), Bastien Boni (double bass), Rémi Charmasson (guitar) & Jean-Marc Foussat (sound report). Recorded on 16 and 20 June 2003 in Paris, and on 25 June 2003 in Marseille (France)