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*2022 stock. In process of stocking* 'It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well-known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on Afternoon in Paris -- neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well-known in European jazz circles. With Lewis on piano, Distel on guitar…
*2022 stock* Masayuki Takayanagi, who has a free jazz pioneer, gives his answer to the turbulent 1970s. His homage to Tristano-Konitz, a return to his roots, is a ritual to reach new heights for a new era." - Koki Hanawa
The inventive jazz pianist and noted Miles Davis collaborator Bill Evans made lasting impact from the mid-1950s. After a New Jersey childhood disrupted by his father’s alcoholism, Evans obtained a scholarship to study composition in Louisiana. Arrivinging in New York in the '50s, he began working with composer and multi-instrumentalist George Russell, releasing his debut solo album, New Jazz Conceptions, in 1956. Evans' true breakthrough came through his membership of Miles Davis' sextet, where …
Vibraphonist Cal Tjader is heard leading five different groups throughout this set, but the identities of the flutists, bassists, and pianists are less important than knowing that Tjader, Willie Bobo (on drums and timbales), and the great conga player Mongo Santamaria are on every selection. The music really cooks, with torrid percussion, inspired ensembles, and occasional solos from the sidemen (which sometimes include pianists Lonnie Hewitt or Vince Guaraldi, bassist Al McKibbon, and flutist P…
*In process of stocking.* In late 1957, jazz saxophonist, clarinetist, composer, and iconoclast Jimmy Giuffre broke up the original Jimmy Giuffre 3 with Ralph Pena and Jim Hall. In early 1958, for a recording session, he formed a new trio without a rhythm section. For the album "Trav'lin' Light", his new trio included Hall on guitar and the underrated trombone giant Bob Brookmeyer. For a year, they gigged together up and down the West Coast and played summer festivals, recorded, and even played …
*Limited Clear Vinyl edition, 500 copies* Recorded in 1957 this is one of Charles Mingus's lesser known sessions. Here the master was at the head of an awesome band including some of his regular sidemen. Jimmy Knepper - trombone, Shafi Hadi - alto saxophone, tenor saxophone and Dannie Richmond - drums, along with nothing but Bill Evans on piano! This is dense, lyrical and very stimulating music deeply rooted in the bop tradition yet with an open ear to other sound territories.
"One of Charles …
*In process of stocking* Jimmy Smith was the most inventive and technically skilled organist of the Bop generation. Originally released in 1957, "A date with J.M." features performances recorded in the same year with Smith heading a sextet including a bunch of Blue Notes heavyweights such as Donald Byrd – trumpet, Lou Donaldson – alto saxophone, Hank Mobley – tenor saxophone, Art Blakey – drums, plus a guitar-organ-drums combo with guitarist Eddie McFadden and drummer Donald Bailey, and as one …
These three brand new recordings made between 2020-21 were all written specifically for bassist Chris Laurence by his close friend and long-time colleague, the late great jazz trumpeter and composer Kenny Wheeler. Of the three, Piece for Double Bass and Low Strings and Baroque Piece have never previously been recorded in any form. C-Man first appeared in this form on Kenny’s album ‘Kayak’ but was also rearranged and retitled as Ma Belle Hélène for his album ‘The Widow In The Window’. Whilst Kenn…
*tiny bump on corners, discounted copies* Donald Byrd’s residency in Paris in 1958 to study with composer Nadia Boulanger gave rise to one of the greatest bands of his career with Bobby Jaspar on tenor sax and flute, Walter Davis, Jr. on piano, Doug Watkins on bass and Art Taylor on drums.Sam Records is proud to present this previously unreleased concert by the Donald Byrd/Bobby Jaspar Quintet recorded during the evening dedicated to ‘Modern Jazz’ during the 1st and only Cannes Jazz Festival on …
Previously only issued in fragmented form and long out of print, these recordings catch Tubby Hayes in transition. Less than a month after they were taped just before Christmas 1969, he was to collapse on a gig, signaling the beginning of the final phase of his tragically foreshortened career.
But on this night, buoyed and stimulated by his regular working quartet of pianist Mike Pyne, bassist Ron Mathewson and drummer Spike Wells, Hayes wasn’t only on form he was on fire! Indeed, coming so clos…
** Heavyweight 180g LP with tip-on sleeve. LP with printed inner sleeve with liner notes & pics ** As private pressings go, Ron Everett's 'Glitter of the City' is certainly one of the most obscure, controversial and mysterious of them all. Until now, the name Ron Everett has been practically unheard of outside his native Philadelphia, and only devoted funk & jazz enthusiasts have been aware of his album, originals of which are owned by literally just a handful of collectors scattered across the …
** In process of stocking ** Super cool jazz score by Michel Magne in the vein of 'Take Five'. Super rare too with original copies. Anyone who was into the earlier Jazz Room single release of Take Vibes version of Golden Brown' is going to want to get their hands on a copy of this! Regularly featured on Worldwide FM's / Gilles Peterson's playlist this is a must buy - limited pressing, don't miss!
Jinya Disc presents The complete works of Jojo, 2 DVD set, valuable footage of Action Direct and duo. This release contains 2 DVD:
The Complete Works Of Jojo: Action Direct
Masayuki Takayanagi: guitars, motors, tape recorders, ring modulators, analog effects, megaphone speakers, etc. Filmed by Yasunori Saito and Kyoko Saito at the New Direction for the Arts Regular Concert Vol. 69 (1, 2) and Vol. 70 (3, 4), at Jean Jean, Tokyo, August 4 and December 17, 1990. Recorded by Masaki Shimada (1, 2) an…
* 2020 Stock * Jinya Disc presents a double live album initially recorded to cassette tape by Yoshihiro Tanabe, a student of Takayanagi Juku on November 25, 1979 at jazz club Taro, Tokyo. The album includes 12 tracks performed by Masayuki Takayanagi - Guitar, Kenji Kosei - Electric Piano, Hiroshi Yamazaki - Drums, and Yasuhito Mori - Bass. Initial copies came with a limited edition bonus disk by a trio version of the group containing a mono version of "Froggy Day" recorded on May 27, 1979.
The …
* 2020 Stock *Jinya Disc presents a live concert recorded to cassette tape on June 24, 1979 (afternoon set) at jazz club Taro, Tokyo. Mastered at Kojima Rokuon. The album includes 4 tracks performed by Masayuki Takayanagi - Guitar, Kenji Kosei - Electric Piano, Hiroshi Yamazaki - Drums and Yasuhito Mori - Bass.
Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvis…
Classic Cool/Bop session from 76, and regarded as one of the finest Norwegian jazz live recordings of the seventies featuring an impeccable performance by alto sax player Carl Neumann, playing mostly original songs by pianist Christian Reim, Bjørn Kjellemyr on Bass and Ole Jacob Hansen on drums. First time on vinyl format and with great sound quality, new pictures, new notes.
Roman pianist and film composer Armando Trovajoli scored over 300 feature films during his remarkable career. Starting out in the 1930s as a player in Orchestra Rocco Grasso and Sesto Carlini’s beloved jazz orchestra, in 1949 he represented Italy at the Festival du Jazz de Paris and he began composing films three years later. Jazz Piano, released by RCA in 1959, saw Trovajoli fronting a quartet with three of his regular orchestra members, namely drummer Sergio Conti, bassist/arranger Berto Pisan…
*2022 stock* One of consolations of the electronic age is that those great moments in music which once were ephemeral and irretrievable can be faithfully captured, preserved for all time and savoured over and over again. Thus, some of the great musical peaks in the ten-year lifespan of the great Kenny Clarke-Francy Boland Big Band are stored for posterity on more than a score of albums. Despite writer Bob Houston’s urgent appeal for a conservation order to be put on this improbable aggregation o…
*2022 stock* At the Jazz Festival which took place in Sanremo in March ’66, out of the seven bands present only one was Italian; that is of course if you exclude Guido Manusardi, an Italian pianist that has been living in Sweden for years. What I’m talking about is Franco D’Andrea’s piano trio with Giorgio Azzolini and Franco Tonani: an excellent trio that I think would have been able to obtain a bigger interest if Eraldo Volontè and Dino Piana had been added to these three excellent musicians. …
"With the reissue of the Miles Davis' Birth of the Cool sessions, accompanied by recordings of this seminal nonet’s slightly earlier live dates at New York City’s Royal Roost, we now have as complete as possible an account of this still fresh sounding and beautiful music. The array of talent alone is startling: Miles Davis in transition between his earlier bebop stylings, and his later gorgeous tone and sparer choice of notes; Lee Konitz on alto sax playing startling melodic inventions which he …