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Special discounted 2LP bundle * Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert. * Moving into uncharted waters for the veteran avant-garde imprint, Alga Marghen launches Formalibera, a brand new label dedicated to historically significant artefacts of free jazz, starting with a series of never before released body of archival recording made by John Tchicai in Copenhagen during the 1960s and 70s. The first - “Mc Gub Gub, (I–VIII)”; “Ode to…
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert. * John Tchicai (1936 – 2012) was one of the most important free improvising saxophonists of the 20th Century: an artist of rare vision and aptitude whose lines soared and stood out even in the most hallowed company, and whose body of work as a leader / composer is among the most singular and distinct within the entire canon of that music. But Tchicai’s importance doesn’t end there. Born in…
Portico Quartet / Hania Rani brings the singular Polish pianist and composer, Hania Rani, and East-London based widescreen minimalists, Portico Quartet, together for a unique collaboration. The idea was simple, each artist would rework one of each other's tunes. The result is a beautiful collaborative work that feel less like straight forward remixes and more like a new recording that brings the two acts distinctive sound worlds to a new place. The first track to be shared is Hania Rani - Nest (…
*2024 stock* "This 1969 avant-garde collaboration between trumpeter Don Cherry and electronics pioneer Jon Appleton was originally released on legendary jazz producer Bob Thiele's Flying Dutchman label. Consisting of four compositions with the titles 'Boa,' 'Oba,' 'Abo,' and 'Bao,' Human Music finds Cherry stretching out on various flutes and African percussion instruments in addition to pocket trumpet. Original artwork. Detailed liner notes." Includes two bonus tracks, "Don" and "Jon".
At the d…
A duo of irony, smoke, and mirrors, computer musician Tom Mudd and percussionist/violist Áron Porteleki operate at either side of the same see-saw, teetering between realms of digital and tangible soundscapes. Mudd's artistic voyage is anchored in the realm of physical modelling synthesis, an exploration of the nuanced interplay between software and improvised music, delving deep into the multifaceted realms of algorithmic composition and digital sonic artistry. Meanwhile, Porteleki's expansive…
Bitter Balls – the second full length studio album from mostly Middle Eastern supergroup Karkhana, features members of Dwarfs of East Agouza, „A“Trio, Konstrukt, Chicago Tentet, Land of Kush among others – shows the ongoing incredible progression and artistic flow the group is currently working under. Four new fine tuned compositions of crystal clear and deep, dark, distorted unrock – electric and acoustic. The cross between old school and contemporary oriental free-jazz sounds and western impro…
Black Truffle is pleased to welcome free jazz legend Joe McPhee back to the fold with Oblique Strategies, a wild trio recorded in Antwerp in 2018 in the company of Mette Rasmussen’s fire-breathing alto saxophone and Dennis Tyfus’s post-Fluxus antics on tape, voice, and percussion. Rasmussen and Tyfus have previously recorded together as Bazuinschal, and some similar strategies are on display here: mysterious metallic scrapes, extended tones in which voice and sax become indistinguishable, comic …
Black Truffle is pleased to announce The Leisure Principle, a new solo LP from London-based bassist and sound artist Otto Willberg. A key player in the London underground, Willberg is often heard on acoustic and electric bass in free improv settings and bands with Laurie Tompkins (Yes Indeed) and Charles Hayward (Abstract Concrete), as well as the fractured No Wave unit Historically Fucked. His previous solo releases have ranged from extended technique double bass to explorations of the acoustic…
Black Truffle is pleased to announce Symphony No. 107 –The Bard, a previously unheard archival recording of the legendary improvising ensemble MEV (Musica Elettronica Viva), captured in concert at Bard College, New York in 2012. Formed by a group of American expat composers in Rome in 1966, the MEV ensemble played an important role in the development of free improvisation, bridging the live electronics tradition begun by John Cage and David Tudor and the high-energy squall of free jazz. Early re…
Following on from the Bergisch-Brandenburgisches Quartett’s anarchic Live ’82 (BT095), Black Truffle continues its deep dive into the archives of legendary drummer/accordionist/photographer/composer/conceptual prankster Sven-Åke Johansson with Scheisse ’71. Recorded in November 1971 during the Berliner Jazztage at a heavy-hitting concert that also included the Spontaneous Music Ensemble and groups led by Peter Brötzmann, Manfred Schoof, and Masahiko Sato, Scheisse ’71 is the only document of a w…
** 2023 Repress of this classic. 180 gram audiophile vinyl, gatefold sleeve ** Originally released in 1974, Big Fun presents music from three different phases of Miles Davis's early-seventies "electric" period. Sides one and four ("Great Expectations" and "Lonely Fire") were recorded three months after the Bitches Brew sessions and incorporate sitar, tambura, tabla, and other Indian instruments. "Ife" was recorded after the 1972 On the Corner sessions, and the framework is similar to tracks fro…
Gondwana Records and Portico Quartet announce a strictly limited edition collectors-item. Featuring an expanded version of their long-form composition Terrain and re-arranged for the Portico Quartet Ensemble and recorded live in Studio One
“Silent Movies is a gorgeous and insular detour for downtown guitar visionary Marc Ribot, a dude best known for frenetic Tzadik -endorsed aggro-jazz, wild excursions with Cuban music, atonal balloon-rubbing antics, and percussive ejaculations on any number of Tom Waits albums. The album is a meditative and sober hour of solo guitar work that ranges from gorgeous to foreboding, everything played with the meticulous unspooling of bittersweet black-and-white slapstick. Its 13 tracks were all compos…
**A real find. In the best way this is a record that is immediate and enduring. Limited to just 300 copies for the world, we urge you to grab one while you can** The new solo LP by Giovanni Di Domenico, Insalata Statica comprises a single album-length composition, initially a suite of six distinct parts that have been weaved together to form a kaleidoscopic whole. Composed and performed almost in its entirety by Di Domenico himself, the music takes listeners from passages of melancholic introsp…
This project was inspired by « La pensée sauvage » de Claude Levi-Strauss. « On the 29th of September, a concert took place at the Manufacture Atlantique in Bordeaux with a piece I designed for the ensemble « UN » with Benjamin Bondonneau’s artistic collaboration. Earlier, 24 solos that were induced as an independant series of events in various places in Bordeaux at different times of the day, chosen by the musicians and programmed from June to August 2017. Successive events gave birth to in sit…
Bamboo present the first ever reissue of Paul Bley's Improvisie, originally released in 1971. Recorded Live March 26th, 1971 at Club B14 in Rotterdam, Netherlands, Improvisie is a part of the 1971 trilogy of Paul Bley and Annette Peacock's combined experimental recorded work. Together with recent reissues of 1971's The Bley Synthesizer Show (BAM 7020CD/LP) and 1972's Dual Unity (BAM 7018CD/LP), Improvisie is taken from a compelling period for two iconic figures of the free jazz movement, and the…
* Edition of 100. Solid Turquoise Shell Cassette with J Card and clear plastic casing * Free Jazz pioneer, Evan Parker returns to Walthamstow to record an album taking inspiration from the renowned designer and activist, William Morris at the home of the socialist campaigner, which now houses the William Morris Gallery. The original working title for the album was 'Barbarism Once More', taken from a longer quotation from Morris, which reflects the passion, spontaneity and iconoclastic nature of …
Fundacja Sluchaj! presents Warszawa 2019 by Evan Parker Electro-Acoustic Ensemble. Recorded live on 12 of October 2019 at 14th Ad Libitum Festival, Laboratorium, U-Jazdowski, Wojciech Krukowski Hall, Warsaw by Kuba Sosulski. Mixed by Evan Parker with Fil Gomes at Arcobarco, Ramsgate, UK. Mastering by Grzegorz Piwkowski (High End Audio). Photos: Piotr Gruchała. Liner notes: Stuart Broomer. Cover Design: Zuza Ustjan. Executive Producer: Maciej Karłowski.
The ElectroAcoustic Ensemble was formed in…
Tip! Performing live at Cafe OTO in London, 2018, Japanese sound artist and composer Ken Ikeda comes together with percussionist and Matchless label-leader Eddie Prevost for a concert of resonant, rich improvisation, Ikeda's electronics complementing Prevost's bowed cymbals as the duo builds to a diverse offering of powerful yet controlled sonic uproar. Stunning!
Rare duo set from Japanese musician and artist Ken Ikeda - who has composed and recorded for David Lynch and Moriko Mori amongst other…
The International Nothing is the Berlin-based duo of clarinet players Kai Fagaschinski and Michael Thieke. The two have been working together since 2000, refining a highly personal language focused on introspective, microtonal textures through stasis, patiently investigating timbre, multiphonics and extended techniques, with a commanding intensity spiced with a dry sense of humor (reflected also in the cover art by Japanese Masae Tanabe). This duo has released three albums on the Japanes…