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**500 copies** "This first vinyl offering by a sporadically 20-something years unit, still extant, originally assembled under the name Cinema Soloriens by filmmaker / musician James Harrar in 1993, to play accompaniment to his films. The line-up usually includes legendary Sun Ra alto master (and current Arkestra leader) Marshall Allen with Harrar (who is also known for his work with Arthur Doyle and Daevid Allen), plus whoever else is tapped. For this date, recorded in Nashville back in 2016, th…
**100 copies** Improvising duo Ed Lucas and Graham Dunning explore texture, timbre, dynamics and drones.Ed Lucas plays trombone, sometimes augmented with controlled feedback, and has had many associations with improvising musicians in London and beyond.Graham Dunning uses turntable with field recordings pressed to dublate, along with snare drum and objects, focusing on tactile soundmaking.End of a Cable is their first album together. Graham Dunning: turntable, snare drum and objectsEdward Lucas:…
Jinya Disc presents Three Improvised Variations On a Theme of Qadhafi. A live recording board that includes live performances of improvisation by Action Direct, which was performed on the theme of "personal image" of Muanmar al-Gaddafi rather than ideology or political position. Jim O'Rourke refers to Three Improvised Variations On a Theme of Qadhafi as "a constellation of moving celestial bodies, expanding gas, exploding stars densely packed" and "a corridor of endless possibilities and discove…
Giovanni Di Domenico (piano, Rhodes), With Norberto Lobo (acoustic guitar), Tetuzi Akiyama (acoustic guitar) and Jim O'Rourke (electric guitar). Recorded during the course of 3 years (from 2011 to 2013) in various locations in Brussels and Tokyo, this double LP puts together 3 of the most uncompromising and original guitar players of the globe (there should have been a fourth great guitar player, the late Hans Reichel, but unfortunately he passed away days before asking him to join the project),…
'We all met in Berlin at different times. Anthea and I had been playing as a duo since about 2006. Anthea also developed a performance/installation project with Annette I think around 2008. About a year later, I organised a house concert and we decided to play as a trio, which seemed very organic and easy immediately. We recorded parts of the album shortly after that. [] There was not much editing involved in either of the recordings, just minor changes. As for the general style - we act…