We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
A quartet session bringing together players from Northern Europe, Japan, and Chicago : Akira Sakata (reeds), Fred Lonberg-Holm (cello & electronics), Ketil Gutvik (electric guitar) and Paal Nilssen-Love (drums & percussion) for an intense and joyful free jazz.
A sweaty summer session or radical free music! Recorded in July 2012 close to a nice small lake in the North of Italy, at the beautiful Sauna Studio (yes, even the studio name is as hot as the music!).Featuring Peter Evans as special guest, and an unusual tuba instead or a more expected double bass, Piero Bittolo Bon’s Lacus Amoenus delivers a brilliant, adventurous ensemble sound, full of raw, daring improvised music. Certainly not your usual easy listening jazz music, “The Sauna Session” is…
Fingerpainting is the first solo release of Greek percussionist and electronic music composer Christos Chrondropoulos. The main source of inspiration for this one sided, 45 rpm, solo percussion album are the documental recordings of musicological record labels such as Smithsonian Folkways, Tangent and Ocora.
Following the short recording time format that is encountered commonly in these releases, Fingerpainting gives the impression that it's a recording of an unknown music culture that operates …
CD1: Edward "Kidd" Jordan – tenor saxophone, Alvin Fielder - drums, percussion, Peter Kowald – bass. Recorded on 28th April, 2002 at Zeitgeist Multi-Disciplinary Arts Center, New Orleans, Louisiana / Coordinator - Eduardo Young / Engineer - John Crutti Jr. All titles composed by Edward "Kidd" Jordan (Danjor Music, ASCAP), Alvin Fielder (ASCAP) and Peter Kowald (GEMA) Special thanks to Rene Broussard, Rob Cambre and Dr. Jimbo Walsh
CD 2: Edward "Kidd" Jordan – tenor saxophone, Alvin Fielder - dru…
Recorded in Vienna during Winter on a snowy night, Berlin-based musicians Magda Mayas & Anthea Caddy present on "Schatten" a dense and piercing improvisational statement. Focusing mainly on texture and structure,but also the percussive possibilities of their instruments, both artists display a continuum of immense creativity, pushing their instruments to higher limits and even beyond recognition with each new aural event surpassing the previous one. Magda Mayas explores both the outside as well …
Percussion solo recorded in Marseille in 1983. Gérard Sicarusa (born in 1957)was a founder member of GRIM in 1978 and played with André Jaume, Raymond Boni, Bernard Vitet, Sylvain Kassap, Jean-Marc Montera and Yves Robert.
Coxhill was a noted figure on the UK underground jazz and rock scene, his saxophone playing gracing recordings by Kevin Ayers (with Coxhill being a member of Ayers group The Whole World) and later on acts such as Caravan. Recorded between July 1970 and January 1971, the double LP Ear of the Beholder gave Lol Coxhill the chance to produce a unique solo work which saw him touch various musical areas, including the Avant Garde, Jazz, Rock and more. Coxhill was assisted in the recording sessions by …
Split LP by Throw Down Your Hammer And Sing and Sheldon Siegel. Throw Down Your Hammer And Sing is the trio of Nate Wooley, Fred Lonberg-Holm and Jason Roebke, Sheldon Siegel is the trio of Erik Heestermans, Gerard Hermanand Gino Coomans. Two sides of grainy textures and truly happening improv. This album was a co-production of Smeraldina-Rima and croxhapox. The artwork was made by Berlin-based artist Hannelore Van Dijck resulting in two different LP-sleeves, each sporting two different drawings…
Cam Jazz, the company behind the great series of Black Saint/Soul Note reissues, presents the first release in a new line – the complete works by artists on the Italian label Dischi Della Quercia. The inaugural set presents the complete label output from famed Italian pianist Giorgio Gaslini and includes eleven albums that have been unavailable in the US until now. Each is presented in a slipcase with the original album artwork and housed in a sturdy box. Pianist, composer, conductor and …
After the great 2012 record by Brötzmann / Noble / Edwards, the worse the better, Peter Brötzmann and Steve Noble started to play some gigs as a duo. It worked out really well, wonderful pieces of music that had to be put on cd; an expert, you might even say telepathic, interplay between those two outstanding musicians, sometimes delicate and swinging, sometimes full-force free jazz.
Studio session recorded for BBC Radio 3 'Jazz on 3', May 2012. Gino Robair, energised surfaces & synth. John Edwards, bass. John Butcher, saxophones. "Built around extrasensory sonic perception their strategy advanced amoeba-like, continuously melding and breaking apart timbres in different configurations and with varied possibilities. Edwards' super-speedy wood and string smacking was sometimes appropriately violent; Butcher's output jumped from sonorous glissandi to staccato reed bites an…
Ass-whooping live set from the Full Blast trio, recorded in Cologne in 2006: Brotzmann’s work with electric bassist Marino Pliakas and drummer Michael Wertmuller extends his work with Last Exit in that it combines an almost metal/No Wave attack with a fluid non-stop dynamic and a feel of electric blues. Brotzmann has always favoured electric bassists – Bill Laswell, Massimo Pupillo – and there’s something about the unyielding aspect of the instrument that acts as a propulsive metal backbone for …
Two key 80s moments from Peter Brotzmann – split together here on a heavy LP! First up is material from the album Low Life – hard-handed work from the duo of Peter Brotzmann on reeds and Bill Laswell on bass – a set that's kind of a side project of the Last Exit quartet, and one that comes across with a similar sense of power! Laswell's handling a fair bit of basses here, often with a bit of processing – thanks partly to producer Martin Bisi – and there's a dark, electric undercurrent to the who…
Aoyama Crows is the fifth album by Peter Brötzmann's Die Like a Dog Quartet. Saying the music can still surprise would be a lie. But that doesn't mean it lacks excitement, on the contrary. The performance, recorded at the Berlin Total Music Meeting in November 1999, contains all the elements necessary for an enticing free improv session. The rhythm section formed by Hamid Drake and William Parker is tried, tested, and true. The drummer can oscillate in and out of a pulse with incredible ease. He…
Through several duos, a picture of improvised music in Slovenia. Tao G. Vrhovec Sambolec, computer & Vid Dra ler, drums, percussion. Andrej Fon, bagpipes, clarinet & Ana Kravanja, violin. Matija Schellander, double bass & Toma Grom, double bass. Samo Kutin, hurdy gurdy & Marko Jeni , violin. Andrej Fon, el. guitar, clarinet & iga Pucelj, feedback loops. Vid Dra ler, drums, percussion & Marko Karlov ec, alto saxophone. Vitja Bal alorsky, el. guitar, analog electronics & Bo tjan Simon, alto saxoph…
Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton. The first track from 1993 brings all musicians together for a 29 minute work of great dynamic and dialog. The following track present a quartet with Oxley, Bailey, Thomas and Wand from the same session, and the final 1993 track is the duo of Oxley and Rutherford. The first '77 tra…
Of course we know Bocian since their earliest releases, which was all on 7". Now, an impressive catalogue further, they suddenly return to this format, and make two of them. On one hand Bocian is a label for strictly improvised music and on the other hand for radical experiments in electronic music. This 7" is clearly a product of the first interest. These four pieces were recorded earlier this year in Vienna and has Nilssen-Love on congas and Gustafsson on slide and brass saxophones. This is th…
Superb improvisation from three masters - Evan Parker on sax, Barry Guy on bass and Paul Lytton on drums - performing at the Maya Recordings Festival, September 23 - 25, 2011 at Theater am Gleis, Winterthur, Switzerland." After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of th…
A vital and inspired early European Free Improvisation masterpiece. Cien Fuegos presents a 1969 album from the Manfred Schoof Orchestra -- headed up by popular European avant-garde jazz figure, Manfred Schoof. Originally issued on FMP, the label's first release. Features appearances from musicians such as Peter Brötzmann, Derek Bailey, Han Bennink, Paul Rutherford, Evan Parker. Born 1936 in Magdeburg, Manfred Schoof is one of the most popular jazz avant-gardists in Europe. He played in projec…
John Stevens, batterie et voix. Paul Rutherford, trombone et euphonium. Evan Parker, saxophones ténor et soprano. Barry Guy, contrebasse et électroniques. Londres, août 1978. Un quartet initialement sorti en vinyl chez View en 1980 et en CD chez Konnex en 1994. En bonus, Paul Rutherford, trombone et électroniques et Barry Guy, contrebasse à Milan en 1979. John Stevens, batterie et voix et Evan Parker, saxophone soprano à Londres en 1992. Free et historique!