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Getatchew Mekurya is probably the most revered veteran of Ethiopian saxophone. A real giant, both physically and musically. Not only is he at the very top level of Ethiopian saxophonists, but he is the 'inventor' of an extremely distinctive musical 'style.'
Communion, privately released in an impossibly small edition of twenty five cassettes in 1986, is a beguiling, politically underpinned meditation of cosmic improvisation and wayward folk music from Cleveland’s Universal Liberation Orchestra. The group’s name is, in one sense, a tongue-in-cheek reference to their changing membership, while also a proclamation of intention. Started in 1979 as a five-piece, first known as the Cleveland Collective, the group eventually whittled down to the duo of br…
In 1968, while he was also the leader of the Military Music Departments in Heliopolis, Salah Ragab formed the first jazz big band in Egypt, The Cairo Jazz Band. Some of the best musicians in Egypt of that time were members – Zaki Osman (trumpet), Saied Salama (tenor sax), Khamis El-Kholy (piano) and Ala Mostafa (piano). On these recordings The Band consists of five saxophones, four trumpets, four trombones, piano, bass, drums and percussion and various other oriental instruments. The opening con…
This is the first stop on Sven Wunder’s musical journey. Wunder takes the listener somewhere around the easternmost part of the Mediterranean Sea, around the Levantine Sea, where he paints a colourful portrait and illustrates the regions flora through sound.
** Edition of 200 copies ** Istanbul-based free music ensemble Konstrukt perform alongside special guest Alexander Hawkins building the perfect groove in a sweaty Cafe Oto on August 10th 2015. Two sets from the same night, each a 40 minute long improvisation. First set is a psychedelic warm-up where the Turkish quartet welcomes Hawkins in a whirlwind of hypnotic funky tunes going electric in the Miles Davis way. The second set starts with Hawkins piano keys bouncing along a silent background soo…
Entirely recorded at Tunefork Studios on the outskirts of Beirut, Burj al Imam's five tracks include three largely improvised numbers, a loose reworking of early Sun City Girls track "The Imam," and a cover of traditional Americana song "Gently Johnny." The album displays remarkable coherence, for four musicians coming from such different backgrounds. True to their habits, the Lebanese trio of trumpeter Mazen Kerbaj, guitarist Sharif Sehnaoui, and bassist Raed Yassin create acoustic improvised d…