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'Both bassists had made regular appearances in Victo over the past two decades, but no one in the audience could have guessed that it would be Kowald's last. The German improviser died in New York City four months later. The French-Canadian radio was…
'As evidenced by this release of the set, the music played that night was intimate, even delicate. It still seems that Dixon didn't quite sit down at the table with his mates, and his electronic effects don't do him any favors, but credit seems due t…
'Simply put, this is a stunning piece of work, performed in front of a stunned audience that was won over from the first few notes. After a spell of a few years, Anthony Braxton was back in Victoriaville in 2005 to present a new line-up. This sextet …
'A happening. Not that these two heavyweight reedsmen had never shared a stage, but this was going to be a face-off, a clash between two of the hardest-working free improv trios on the circuit. On the left side of the stage: Evan Parker, with drummer…
Reverberations from bassist Peter Kowald's passing continue to be felt two years later. Last year, a long-time bass quartet with one sub gathered to bathe Kowald's spirit in a bass balm. Comprised of close associates or admirers of Kowald, this quart…
Anthony Braxton and Fred Frith each have about as close a relationship to the Festival International de Musique Actuelle de Victoriaville as just about any non-Canadians. The first release on Victo, the label run by the producers of the annual Canadi…
“We’re improvisers first and we’re bringing “moment music” into these other zones of hip hop and electronic music, drum-machine music, sound-system culture… Acoustic musicians sun-kissed by electro-magnetism, flowing out into everything. This is the …
The music on this album was created using only Electric Guitar * Using a single instrument - Electric Guitar - As A frame and the studio as the limit ie :The sound of ‘Harp’The layering of a single, guitar chord. The sound of ‘Trumpets’ & ‘Saxophone’…
*2022 stock* "There is no doubt - Serpentes is the first serious candidate for the list of the best albums of 2019" — Spontaneous Music Tribune
JJ Duerinckx, sopranino saxophoneJohn Russell, guitarMatthieu Safatly, cello
*2022 stock* “the music has kept me at the edge of my seat each time I’ve listened.” — The Free Jazz Collective
"absorbing and vivid... guitar and piano in a beautiful collision... astonishing" — a Jazz Noise
John Russell, guitarPaul G. Smyth, piano
*2022 stock* “exceptionally huge stylistic variety, marvellous and impressive instrumentation and evocative musical language ... remarkable, bright, intensive and original ... creatively made by two innovative and original improvisers.” — Avant Scena…
"Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the definitive Tribe Records reissues. Deep, spiritual jazz of the highes…
** 200 copies ** Oiro Pena moves out of the bedroom. I, like many others I’m sure, was very much blown away after hearing the first Oiro Pena 10” released by Ultraääni in 2019. From where did this Finnish flute phantasm appear? Part of the fun was th…
** Limited to 300 double vinyl copies, two inlays with photos and liner notes. Originally released in 1974 on Preiser Records** »It’s Up to You« is a free sound art and performance project by sound artist and singer Limpe Fuchs, sculptor and sound ar…
*In process of stocking* We are beyond thrilled to present the latest from South African drummer / cultural worker / organizer Asher Gamedze. I'm sure many of you are familiar with his incredible debut Dialectic Soul (On The Corner, 2020) or his wor…
The fourth issue of We Jazz Magazine, "The Call" for Horace Tapscott. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Horace Tapscott by Andy Th…
“Orbit of Sound” is the new release from composer/double bassist Max Johnson’s newest trio, with Anna Webber on tenor saxophone/flute, and Michael Sarin on drumset. Formed in 2018, the trio traverses tightly knit composed music and patient, sprawling…
The music on this album was not preconceived or premeditated in any way whatsoever. The ensemble's method of collaboration has been to begin playing without any discussion of what is to be played or how the music should be approached. The group was f…
'An exciting and forceful album of free jazz from the trio of pianist Simon Nabatov, bassist Max Johnson and drummer Michael Sarin, recording in the studio in New York City with each player propelling themselves in dynamic, inventive collective free …
'Well here is Max Johnson's picture, his snapshot of three men in a room making music, and as with any great composed shot, here would be his law of thirds for creating a great image.
First Law: Max Johnson (bass) has the ability to search out the be…