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"In the quartet on this album, Paul Dunmall has returned to his first love: totally free improvisation based on interaction between the four players. Many aspects of Paul Dunmall’s playing are apparent on this album. His approach is to listen very carefully to what is happening around him and to react to it. If you see him play live, you will see how he concentrates on the flow of the music, often stepping back and allowing the music to develop before choosing the right moment to enter or re-ent…
2024 Stock. On their 3rd album Casper Van De Velde and Hendrik Lasure, the two SpongeBobs of Belgian jazz, enter Cortizona and take you on board of their newly discovered musical spectrum: Rollercoastin’ between extreme emotions Casper and Hendrik slide through 90’s Euro-optimism on synths, frantic drum rolls, lost piano sounds and sample wizardry: blending Spanish guitars, voices of singing ladies, slow mo clarinets and the patterns of a percussion robot.
‘Holiday’ is the result of a residency …
2024 stock Outstanding performance by the Austrian saxophonist Hans Koller; this is a very uncommon and memorable session from the 1960s. Koller plays tenor in a quartet that also features Fritz Pauer on piano; the track was initially recorded for a sound library session, but it is exemplary 60s contemporary jazz. In a style that appears to really challenge Koller during his solos, maximizing his remarkable tone and phrasing without descending into any kind of overdone experimentalism, most of t…
CD version. A young, super-tight and intense power trio from Moscow, Brom genuinely push heavily, crossing over among improv, noise-rock and free jazz with Sunstroke. "One of the most amazing mixes of musical elements I have heard in a long freakin´ time."--Mats Gustafsson Personnel: Dmitry Lapshin - double bass; Anton Ponomarev - saxophone; Yaroslav Kurilo - drums.
2024 repress. "Mondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist & composer Jeff Parker's ETA IVtet, is at last here. Recorded live at ETA (referencing David Foster Wallace), a bar in LA's Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, & alto saxophonist Josh Johnson to convene in extraordinarily depthful & exploratory music making. Gleaned for the stoniest …
Sun & Rain is a fully collaborative quartet that thus far has practiced a painstaking process of co-composing music together. Because of this extreme sense of collaboration and only working on the music when all four members were physically together, the album Waterfall took six years to compose. Beginning in 2014 the band gathered at Laplante’s residence in Vermont for semi-annual rehearsal retreats. These were not particularly relaxing retreats, as the band held themselves to a rigorous work e…
Recorded at Kammerspiele (Schauspielhaus Bochum), October 31, 2022, mixed and mastered by Peter Böhm.Frank Gratkowski — clarinets Maria Gstättner — bassoon Martin Siewert — guitars, electronics Sara Kowal — harp Joanna Lewis—violin Laura Strobl—viola Melissa Coleman—cello Peter Herbert — double bass Els Vandeweyer — vibes, percussion Gerry Hemingway — drums, percussion Georg Graewe — piano
Huge Tip! Double LP, Gatefold edition. Born on November 23rd, 1944 in Paris, France, Frédéric Rabold already played with his father in American Army Clubs at age 16. In 1965, Rabold joined the Axel Lauser Quartet, three years later he finally founded his own band, the Frédéric Rabold Crew. In the following years he collaborated with guitarist Martin Ederer, singer Lauren Newton, as well as avant-garde jazz musicians such as Gunter Hampel, Leszek Zadlo, Lester Bowie, Manfred Schoof, Albert Mangel…
Special edition box. An iconic, innovative and internationally renowned force in avant-garde music The Art Ensemble of Chicago released their 50th anniversary celebratory album We Are On The Edge in April, and Erased Tapes are honoured to announce the vinyl edition of this exceptional body of work. Led by surviving founding members Roscoe Mitchell and drummer Famoudou Don Moye, these brand new recordings involve a staggering array of contemporary artists ranging from across the jazz, experimenta…
Double LP, Gatefold edition. This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence. For the first time ever, Tramp Records is proud to present an "all German" artists version of the Peace Chant series, including liner notes printed in German exclusively with an English translation downloadable. Focused on rare recordings from German musicians …
Black Vinyl. John Coltrane saw the album-length suite A Love Supreme as his gift to God. The world has come to see it as a classic –not only Coltrane’s best-known work, but one of the most important and influential jazz records ever made. Featuring the Classic Quartet of pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones, A Love Supreme is one of the most honest musical performances put to tape. Its beauty and appeal are timeless.
2024 Stock. The Peace Chant compilation series is a Temple, a reliquary of sacred harmonious statements made by enlightened artists throughout time. With Tramp Records' latest offerings, "Peace Chant, Raw Deep and Spiritual Jazz volumes 5 & 6, deeper, darker, and even more remote chambers of this already exalted temple are brought to light. The team at Tramp, with their torch of love and with reverence for those builders who came before, have returned from their quest with musical treasures unfa…
2024 Stock. The Peace Chant compilation series is a Temple, a reliquary of sacred harmonious statements made by enlightened artists throughout time. With Tramp Records' latest offerings, "Peace Chant, Raw Deep and Spiritual Jazz volumes 5 & 6, deeper, darker, and even more remote chambers of this already exalted temple are brought to light. The team at Tramp, with their torch of love and with reverence for those builders who came before, have returned from their quest with musical treasures unfa…
Concert recorded at 28 rue Dunois, 9th May 1982, ... Text d'Antonin Artaud, extrait de la prèface du Théatre et son double, 1938. (Text by Antonin Artaud, extract from the preface to Le Théatre et son double, 1938).
Huge tip! It is a huge honour to announce the publication of Peter Brotzmann’s final concerts on Otoroku. When we invited Peter to do a residency at Cafe OTO back in February 2023 we had no idea these would be his last ever shows and he played with such power it would have been hard for anyone present to believe he would never play publicly again. Recorded over two nights this grouping of Jason Adasiewicz on vibraphone, John Edwards on bass and Steve Noble on drums feels especially resonant and …
"The music is never the same. It verifies its positions and conditions, its peculiar way of listening to the cavities, the motions started, the tensions between sound and silence, tone and memory. Nature is present not only as trees and clouds, light and shadows. It is a readiness for what is constantly changing, a heightened awareness on the minimal variations in the materials and processes at hand, what it means to slowly examine a rough surface, the transformation of a rhythm, a melodic phras…
Specially released for Record Store Day 2012, April 21th. Recorded during two 'Saxophone' projects of The Ex in Ethiopia. Trio-side December 28 2009 in the Bateau Ivre, Kazanchis, Addis Abeba. Solo-side Februari 22 2011 at Yared Music School, Sidist Kilo, Addis Abeba.
List of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments. The sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal …
*100 copies limited edition* The Pennsylvania improvising trio of Kevin Sims, James Searfoss, and Justin Dorsey continue to hone their fierce and potent relationship with texture, rhythm, and amorphous sound forms. This album is laced with musical paths travelled and skirted, conversant with drone, electroacoustics, and free jazz. “Glint” functions as a bit of an overture, and as “Once Threw” expands on the clatter and clamber, Dorsey’s bass becomes a focal point, taking a prominent position in …