Jazz /
Am Frankfurter Tor
*In process of stocking* Anna and Jan first met in 2004 when they started playing together in different combinations as the Kaluza Quartet (with trombonist Christof Thewes and drummer Kay Lübke), trios with pianst Niko Meinhold or with drummer Michael Griener and various others. In 2020 they played their first duo concert on a boat in Berlin (Hosek Contemporary) and decided to continue with their work as duo. The same year they went to Christian Betz’ studio in Friedrichshain to record their mus…
Khimaira
Khimaira is a three headed monster. It has a lion head in front, a wild goat head on it’s back and a snake head at the end of it’s tail. It is the offspring of Echidna, the mother of all monsters. The group collaborates to produce eerie organic sounds, howling cries, whispered hums, disturbing wailing, shrieks that die off and reimerge with an intense fluidity. Yet there is an architecture under-girding the improvisations that's only discernible in its outline.
Correspondence
Aaron Burnett is “a standout new voice on the saxophone. In a very short time, the young musician has already lent his personal and unhindered approach to a breadth of bandleaders including Esperanza Spalding, Wynton Marsalis, Anti-Pop Consortium‘s HPRIZM, and Weasel Walter. He also toured with three time Grammy winner, Esperanza Spalding in her 2012 world tour with Radio Music Society. Aaron has the also retained the true nature of jazz in his music and his playing, constantly searching for new…
The Embalmer
Matthew Bourne is a renowned pianist with a reputation as a fearlessly unpredictable improviser. Emil Karlsen is an independently minded drummer who plays with power and delicacy. The Embalmer documents one of Karlsen and Bourne’s first meetings. Recorded in a single session in 2020, The Embalmer sees a wide-ranging musical discourse between the two musicians unfold in its most lean form across the six improvised tracks.
Conduits
*In process of stocking* Freely improvised music for baritone saxophone and double bass. Cath Roberts and Olie Brice found an escape from the musical isolation of lockdown with the amazing discovery that it was possible to play (and record) online in almost real time - these are the results.
Space
*In process of stocking* Ullén/Bergman/Lund is a piano trio based in Stockholm that plays free jazz that channels the American free jazz tradition as well as contemporary classical music. Combining raw power with an exquisite attention to detail, the three musicians make every moment sparkle with possibilities. In this aural space, every movement matters.
Ullén and fellow Swedes Bergman and Lund are all significant players in the Scandanavian freejazz scene and the trio first met in the sextet A…
Prosperity
*In process of stocking.* Next Festival Records is thrilled to announce that the new album 'Prosperity' from Mats Gustafsson & Christof Kurzmann, has been added to the catalogue.
Mats Gustafsson is a Swedish saxophone player, composer, and improviser. Gustafsson works on the boundaries of noise, electronica, contemporary rock, and free jazz, as well as contemporary dance and theatre production. He performs solo and in various all-star impro projects. He has gone on international tours with artis…
Fukiya
*In process of stocking* The sublime first solo saxophone release of Masayo Koketsu is deeply steeped in the free jazz tradition of Japan. From Coltrane's visit to Japan in 1966 to the free jazz exploits of Kaoru Abe, Masayo Koketsu's astonishing solo session marks her as a force to be reckoned with. A single 46 minute piece of achingly beautiful wails and declarations punctuate the bedrock of silence then retreat back. A singular effort.
Until The Next Time
*In process of stocking. 2022 stock.* More than half a century has elapsed since the founding of the legendary British free improvisation group AMM. We could say there would be no free improvisation as we know it today without AMM’s Eddie Prévost, John Tilbury and Keith Rowe. The mystery surrounding AMM has not faded; to the contrary, even nowadays it carries a particular appeal due to its engaged, intelligible and nonetheless radical message. AMM Until The Next Time Next Festival LP 2019 In 196…
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Tip! *In process of stocking. 2022 stock. Limited edition of 300 copies.* ‘The demands from users have often contradicted engineering possibilities. However, once the targets became clear, we, Shibuya, have made every effort to knuckle down to achieve them. The keyword is “No Compromise” believing that we can overcome the difficulties without sacrificing anything.’
Unce upon a time… somewhere between free jazz mountains, sea of death metal and islands of live electronics… there were Shibuya Moto…
Ort
*In process of stocking. 2022 stock.* Next Festival Records presents free improvisation band Stavros Papadopulos, recorded live at Next Festival in Bratislava. Next Festival is an annual celebration of exploratory music and sound art: from electronic experimentation and freeform improvisation to audiovisual projects, it brings together artists who push the boundaries of music. On the occasion of its 20th anniversary, the Next Festival in Bratislava has started a new edition of releases recorde…
Papirfuglen
Moskus conveys their perspective of the world with vivid improvisation in a genre-free universe. In their In their most recent release, “Papirfuglen”, the ensemble further solidifies their position as one of the most cutting-edge and transfixing voices in the newest generation of both Norwegian and international jazz. They have a unique musical approach, with a combination of infectious playfulness and a headstrong penchant for experimentation. And with these tools Moskus takes yet another ste…
Sleeping Beauty
In 2021, the international contemporary music festival Only Connect commissioned an interpretation from I Like to Sleep of the first movement of Olivier Messiaen’s Turangalila symphony. A project which initially led to a 15-minute piece performed at the festival, with the trio re-writing the music of Messiaen, but also rewriting the music of their own. Messiaen as a reference and compositional tool may be heard in the album for those really listening for references. With “Sleeping Beauty” the tr…
Fire Hills
Fire Hills is Olie Brice’s third album as a composer bandleader, following the critically acclaimed ‘Immune to Clockwork’ (Multi Kulti, 2014) and ‘Day After Day’ (Babel, 2017). A double album, Brice’s compositions for improvisers are explored by two groups of the most exciting and creative musicians in the UK, all significant bandleaders themselves.
Fire Hills showcases two versions of a new phase in Brice’s music. During 2021 – a year of covid lockdowns and greatly reduced gigging opportuniti…
Als Ik Niets Meer Van De Kano Zie
*Limited Edition of 100 hand-numbered copies.* Improvisation is a universal non-verbal language. For many of us it is a practice, not a music genre, one that knows no boundaries. Personally I’m really interested in the locality of an improvisational recording. I find it much more intriguing to listen to someone who improvises and lives outside of the big hubs for free jazz and free improv of the western world. It might seem trivial to many of you, but the fact that the titles and bandcamp notes …
Red Clay
The first Freddie Hubbard album released on Creed Taylor CTI label marked a shift away from Hubbard's recording with Blue Note Records. It was the album that established Taylor's vision for the music that was to appear on his labels in the coming decade. "Red Clay" is Freddie Hubbard's seventeenth overall album.
Carpathes
"Percussionist Paul Lovens turns in some exemplary work on Carpathes, joined by Michel Pilz (bcl) and Peter Kowald (b). Actually it is mostly Pilz' date as he appears throughout the record either in solo, trio or duo with Kowald. But it is Lovens who most impresses me here as he hammers, rings, jingles the percussion, managing to both give rhythmic freedom and abstraction while implying a more traditional rhythm and he sustains himself very well. Actually the rhythm is constantly outstanding in …
Duet
“Composition 429” is the first piece using a new writing method that Braxton calls “Lorraine.” The composer’s notes to the piece describe Lorraine as “a music system that governs the ‘sonic winds’ of breath.” Saxophonist and longtime collaborator James Fei contributes an essay detailing the Lorraine system, which uses a combination of traditional notation and color-coded symbols of the composer’s design to indicate “specific sound types or performance techniques,” drawing from Braxton’s long his…
Katyusha
This isn’t your grandfather’s free jazz. Hell, it probably isn’t free jazz at all, but you have to call it something. “Katyusha” is ballistic fire music that starts where the most berserk, intense free music begins and then sustains that, then pushes it further. Blood vessel bursting intensity, stamina, speed, and momentum is here in blinding quantities, all the while retaining lightning fast interaction. No dull roar, the densities and dynamics do vary, but there is never a dull moment or coast…
Akisakila / Attitudes of Preparation (Mountains, Oceans, Trees)
*Limited edition of 400 copies.* Attitudes of Preparation (Mountains, Oceans, Trees) is a collaboration between XT (the duo of Paul Abbott and Seymour Wright) and pianist Pat Thomas. Across the two LP sides (80 minutes), and four gatefold panels (13,331 words) together they reflect on, and take inspiration from, the late pianist, composer, poet Cecil Taylor. On 12 August 2018, as part of a Cafe OTO tribute to the recently deceased Taylor, the trio perform live a 'version' of The Cecil Taylor Un…