Jazz /
Symbolic Reality
* 2020 Stock * Six compositions by pianist Matthew Shipp for his String Trio with violist Mat Maneri and double bassist William Parker, their first Trio record since 2001's "Expansion, Power and Release" (Hat), their long history of working together in a variety of configurations creating a near-telepathic link between the players over Shipp's sophisticated frameworks.
We Insist! Max Roach's Freedom Now Suite
* Limited Edition of 300 Clear Vinyl * One of the major statements in the history of Jazz and African American liberation movements. Originally released in 1960 on Candid Records, Max Roach’s Freedom Now Suite consists of five original compositions and performances staging and celebrating different moments and aspects of the African American history and culture. Here is a wonderful cast of musicians reunited around Max Roach – drums and Abbey Lincoln – vocals. Throughout the album you can find g…
In Italy - Volume One
Soul Note Vinyl present a reissue of Bill Dixon's In Italy - Volume One, originally released in 1980. Bill Dixon one of the great visionary composers and improvisers in modern creative jazz, In Italy - Volume One was recorded in Milan in 1980 and released on Soul Note. A wide-open tapestry and a rare example of open interaction between pulse, melody, and pure sound as result of the work of a maverick quintet featuring Dixon, Arthur Brooks (trumpet), Stephen Haynes (trumpet), Stephen Horenstein (…
Al-Fatihah
Among the fiercest and greatest documents of Free Jazz is a lone LP - Al-Fatihah - self-released in Ohio by Black Unity Trio in 1969, the official reissue of which stands before us now. A hard cut diamond of pure fire and artistry, it’s a good as improvised music from this era gets and absolutely not to be missed
Spiritual Jazz 12: Impulse!
In Jazzman Records' latest chapter of Spiritual Jazz, the label returns to the source -- the Impulse! label, and the monumental influence of its most prominent artist, John Coltrane. Since the first release in the series back in 2008, Jazzman Records has mapped out the growth of the spiritual sound in jazz. Spiritually energized and politically conscious, the spiritual sound in jazz music is one of the most important currents in the music. The label's series has charted the growth of the style f…
Dudu Phukwana and the "Spears"
Dudu Phukwana and the Spears recorded in London, but were only ever released in South Africa. The story behind this extraordinary music and the famous names involved are documented in this extended edition of Dudu Phukwana’s debut album.
In 1964 the Blue Notes left South Africa to play at the Antibes Jazz Festival in France, and more or less stayed away forever after. In January 1969 alto saxophonist Dudu Phukwana went home briefly along with producer Joe Boyd who persuaded Johannesburg record c…
Tetratne
Temporary Super Offer! It is surely significant that both Lovens and Stoffner use all four limbs to control their instrument. Lower limbs used principally to play bass drum and hi-hat in the case of Lovens, volume control and effects pedal for Stoffner. Right and left limbs, right and left brain hemispheres It is not surprising that there is plenty going on in their music. “Whatever happened to the Art of the Individual?!” Han Bennink once asked rhetorically to a crowded backstage. Well here i…
Spirits Rejoice & Bells - Revisited
Together, ‘Spirits Rejoice’ and ‘Bell’s encapsulate a four month period where long-gestating ideas of Ayler’s were birthed, helping to usher in a conception of music unlike virtually anything else extant, paving the way for his own adventures of the next several years and, perhaps more importantly, providing an extremely fertile bed for a generation or two of musicians to come. – Brian Olewnick
Albert Ayler’s recording career was a short one, spanning only the years 1962 – 1970, yet he went thro…
Live at Molde International Jazz Festival 1976
Classic Cool/Bop session from 76, and regarded as one of the finest Norwegian jazz live recordings of the seventies featuring an impeccable performance by alto sax player Carl Neumann, playing mostly original songs by pianist Christian Reim, Bjørn Kjellemyr on Bass and Ole Jacob Hansen on drums. First time on vinyl format and with great sound quality, new pictures, new notes.
Mona Lisa - Moldejazz 73
* Edition of 500 * An amazing loft tape find of a Norwegian Jazz concert suite taped at Molde Jazz Festival 1973, Christian Reim’s sextet Mona Lisa features Norway's top jazzmen at the time and it’s a rollercoaster post-bop showcase with influences from modal and spiritual jazz with folk undertones and pop psychedelia, one of a kind, never previously released and in great sound quality!
Live in Avignon, France 1989
On October 14th 1989, Horace Tapscott, founder of the Pan Afrikan Peoples Arkestra, performed alongside his close friend and musical partner Michael Session at the Théâtre du Chêne Noir in Avignon, France. This was during a tour in which they traveled across Europe. The duo presented compositions by Leimert Park musicians Jesse Sharps, Nate Morgan and Tapscott himself.
The stark instrumentation of this concert led to minimal arrangements of compositions typically performed by much larger ensembl…
Blunder
The immaculate mess of Blunder originates from a three-piece impro group consisting of Mads Forby (drums), Kristian Poulsen (guitar) and Lars Greve (saxophones and clarinets). Their debut album Blunder presents a music that's hazy and patient, struck by a disarming sense of attentiveness. It's a slow dance around a malformed energetic forcefield, it's the pull of the vortex, sucking the listener into an elastic sound world of repetitive rhythmic structures and shamanistic summoning.
Microclimates
Recorded, mixed and mastered by Marc Schots in January 10th 2018 at Splendor, Amsterdam. Performed by Hupata! : Ada Rave - tenor saxophone, clarinet, Marta Warelis - piano, Yung-tuan Ku - percussion + objects, preparations, voices; featuring Marc Schots on track no.8.
All compositions by Marta Warelis, Ada Rave, Yung-Tuan Ku. Special thanks to: Michael Moore.
Live at Static Age Records
Recorded at Static Age Records in Asheville, NC, June 10, 2018 by Dylan Jordan. Performed by Tatsuya Nakatani - percussion, Shane Parish - nylon string guitar, Zach Rowden - double bass. Mixed by Tatsuya Nakatani in Truth or Consequences, New Mexico, Summer 2019.
Hellraiser
Icepick is the super-power trio of some of the busiest musicians on this planet – American, Brooklyn-based trumpeter Nate Wooley, Norwegian, Austin-based bass player Ingebrigt Håker Flaten, and American, Upstate New York-based drummer Chris Corsano. «Hellraiser» is already the third album of this trio and was recorded live in February 2018, on the occasion of a gathering supporting the Option series at Experimental Sound Studios (ESS) in Chicago. Originally, this performance was slated for anoth…
Luke Stewart Exposure Quintet
"Back in 2018, I was invited by Dave Rempis to participate in the Exposure Series at Elastic Arts in Chicago. The Series was for me a shining example of artist-lead organizing of different yet connected communities around the Music. From my standpoint, it is yet another in the continuum of such actions, specifically in Chicago, and has been a major inspiration for my work as an artist and for the material on this recording.
The ensemble was assembled by Mr. Rempis, and was the first time the gro…
Songs Of The Unsung
Distinguished Los Angeles-based jazz pianist Horace Tapscott is probably best-known as the founder of the Pan-Afrikan People’s Orchestra of PAPA, also known as The Ark, though he began his career as a trombonist, working with Lionel Hampton and others during the late 1950s. The 1978 solo album, Songs Of The Unsung, released in small number on pianist Toshiya Taenaka’s Interplay label, features Tapscott alone on piano, delivering a superb set of freely interpreted jazz tunes, including an unfette…
Live In Paris, March 1979
Superb performance recorded in Paris, March 1967, and broadcast on French radio station ORTF.From the very beginning, Los Angeles-raised Don Cherry (1936) displayed an anti-virtuoso attitude that contrasted with the ruling dogmas of jazz music. Cherry shunned both acrobatic exhibitions and radical experiments in favor of humility and pathos (thus appealing more to the rock crowd than to the jazz crowd). His style focused on the idiosyncratic timbres of his pocket trumpet and on languid phrases t…
Peter Kowald Quintet
Reissue, originally released in 1973. The only LP featuring a band under Peter Kowald's name, Peter Kowald Quintet comes from a vital moment in the German bassist's career. A close colleague of Peter Brötzmann's in their formative years, including the saxophonist's debut For Adolphe Sax (1967) and the classic Machine Gun (1968), Kowald had by 1972 broadened his circle of collaborators, eventually working with a who's who of global creative music. Recorded live in Berlin, released on FMP, this da…
Writing In Water
Reissue, originally released in 1985. Gentle, incisive solo music for violin and electronics by one of the unsung giants of free improvisation. Philipp Wachsmann emerged in the fertile mid '70s underground free music scene in London, playing with everyone from Simon Mayo to Barry Guy to Derek Bailey to Evan Parker, starting a band called Chamberpot, making albums for the collective artist-run label he managed: Bead Records. These LPs, 26 of them in total, were made in tiny batches and are now ra…