Jazz /
Three For Shepp
In 1966, when Marion Brown was ready to make his first record as a leader, he was standing on the shoulders of giants. Formative associations with Ornette Coleman and Sun Ra established Brown as a saxophonist to watch, and he had already appeared on free jazz landmarks Archie Shepp's Fire Music and John Coltrane's Ascension. Originally released on Impulse!, Brown's debut lays down three startling originals and three tunes by Shepp – echoing his mentor's 1964 homage to Coltrane, Four For Trane. …
Grand Unification
Professor, herbalist and healer, Milford Graves is first and foremost one of the world's great geniuses of the drum. Rarely heard live, even more rarely found in the studio, a new recording by Milford Graves is a special event. Long overdue, this is the CD that free jazz fans and every drummer in the world has been waiting for: his music for solo drums. Intense, shooting off in all directions at once and yet always firmly rooted in the tradition, Tzadik is proud to release this important and his…
Live at Antibes Jazz Festival in Juan-les-Pins 1968
Temporary super offer! Pharoah Sanders, live at the Antibes Jazz Festival in Juan-les-Pins on July 21, 1968. Experimental jazz titan Pharoah Sanders made a lasting impact with his unorthodox approach to tenor saxophone. Born Farrell Sanders in Little Rock, Arkansas in 1940, he was given the nickname Pharoah by grandmother, in reference to the potential regal lineage of his African heritage. Playing clarinet at church services during his youth, he began playing tenor sax at high school. In 1959 …
All Is Always Now (Fred Frith Live at The Stone) 3CD
Between 2006 and 2016, Fred Frith played 80 concerts at New York's unique space for experimental music 'The Stone'. A selection of his encounters with such powerful and creative personalities as Laurie Anderson, Pauline Oliveros, Sylvie Courvoisier, Evan Parker, Nate Wooley, Ikue Mori has been combined in this 3-CD box set comprising 23 fascinating tracks which cover a decade-long adventure in improvisation.The musician Theresa Wong was quite impressed with this collection: "I was struck by the …
Je Suis Un Sauvage / Le Moral Necessaire
A single produced by the highly-revered Saravah label at the time, featuring the Art Ensemble of Chicago backing the poetry of the little-remembered Alfred Panou, is not as well-known as the label's other releases. Seen in the 1967 film Weekend by Jean-Luc Godard, Alfred Panou who is of mixed Benin-Togolese origin, already had a career as an actor in political theater when, pushed by producer Pierre Barouh, he recorded two of his texts concerning Black Power. Panou's prose is one of the first, i…
Jazz Liisa 11
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Jazz Liisa 12
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Jazz Liisa 07
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Jazz Liisa 09
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Screen Off
The high impact duo of Paal Nilssen-Love (drums) and Ken Vandermark (reeds) has been working together at an accelerated rate since 2002, and they have put out seven albums of exceptional and wide ranging improvised music since then. Though they have both worked in many critically acclaimed groups- from the Peter Brötzmann Chicago Tentet, Lean Left (with Terrie Hessels and Andy Moor of The Ex) to Double Tandem (with Dutch saxophonist, Ab Baars)- they have continued to return to their duo for more…
Jikan
The trio of Scandinavian rhythm section Paal Nilssen-Love (drums) and Johan Berthling (double bass) hooking up with Japanese free jazz legend Akira Sakata (saxophone/clarinet) started in 2013 at the Molde Jazz Festival in Norway. The trio took their name from the legendary 1977 collaborative album by Yosuke Yamashita Trio and dance group Dairakudakan – an album that Sakata was a central part of, that even 40 years later stand solid as a radical and bold musical statement. And this piece of histo…
Four Pieces
**Original 1982 vinyl edition of the album. Few copies available** Four Pieces (recorder in November 1981) documents a long lost studio collaboration between pianist Giorgio Gaslini and Anthony Braxton. Alto and Soprano Saxophone and Piano, beautifully together in a set of free improvisations – really letting us hear the imagination that drives the duo. Two real masters of free music - the two exchanging lines that race beyond personality on an extended version of Braxton’s “Composition 191” an…
Cioè...
**Original 1978 vinyl edition of the album. Few copies available** A beautiful illustration of the strength of cellist and double-bassist Paolo Damiani as a leader – that way he has of firmly directing a quartet from the place of the bass, yet always in a subtle way that never overpowers the rest of the group! The balance here is wonderful – as Strutture Di Supporto's sound drives free improvisation to great dramatic effect, and soulfully set the tune from the start – yet the lead lines are ofte…
Skies Of China
**Original 1985 vinyl edition of the album. Few copies available** What emerges from Giorgio Gaslini’s various suites is a happy explorer, recalling worldly journeys and launching musical adventures. He was the first Italian jazz musician to play in India and China and the result of each journey was an extended suite. Gaslini’s own language that emerges triumphant, a fondness for floating clusters and fractured boppish themes (his writing can hint at influences from Monk to Schoenberg, George R…
Murales - Giorgio Gaslini Quartetto Live
**Original 1976 vinyl edition of the album. Few copies available** Recorded live at Teatro Delle Arti in Roma, on January 5th, 1976, and released on his own Dischi Della Quercia (like many creative musicians in the ‘70s, Gaslini launched his own record label, both to document his own work and that of his associates) the same year, it is one of the Giorgio Gaslini's most representative works of his career in the 70's. An adventurous album, with bassist Bruno Tommaso and drummer Andrea Centazzo n…
New Japanese Noise
Akira Sakata: alto saxophone, Bb clarinet, voice. Kiko Dinucci:electric guitar. Kohei Gomi: electronics. Paal Nilssen-Love: drums. Toshiji Mikawa: electronics. Produced by Paal Nilssen-Love and Lasse Marhaug Recorded live in concert at Roskilde festival 2018, Roskilde, Denmark, July 4th 2018 by Christian Brynildsen Obermayer. Mixed and mastered by Lasse Marhaug. Cover by Lasse MarhaugFor the 2018 edition of the Roskilde festival in Denmark Paal Nilssen-Love was asked to put together two special …
New Brazilian Funk
For the 2018 edition of the Roskilde festival in Denmark Paal Nilssen-Love was asked to put together two special projects. Nilssen-Love chose to put together two groups: one Japanese and one Brazilian-based band. Nilssen-Love has for a long time been influenced and inspired by a wide range of Brazilian music, and has in the last ten years also made the connection by collaborating with Brazilian musicians and bringing his own projects to Brazil. For the Roskilde project (now to become a steady ba…
Holography
**2006 release, long out of print, very few copies available** One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his…
Time
Multi-reedist Tony Coe was born in 1934, four years after guitarist Derek Bailey. He cut his teeth as a career jazzman with Humphrey Lyttleton, before an extended stint with the Kenny Clarke/Francy Boland Big Band. On this rare 1979 duo outing, he sticks to clarinet. And though that instrument has an illustrious jazz pedigree, Coe’s playing here is something else. It’s worth noting that the clarinettist has also played under the baton of arch-modernist Pierre Boulez, the kind of composer Derek B…
Cyro
When Cyro Baptista moved to New York in 1980 from his home city of São Paulo, he brought with him an arsenal of percussion instruments, including the cuica (friction drum), surdo (the booming bass drum associated with samba), berimbau (single-string bow with resonating gourd), and cabasas galore, in the next few years deploying them most notably in numerous ensembles curated by John Zorn, who helped set up this studio session in 1982.As you might expect from someone whose infectious grooves have…