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"Marion Brown was already defying categorisation in 1966 when he recorded Three For Shepp, whose six tracks open Three For Shepp To Gespächsfetzen Revisited. Brown’s opening “New Blues” and Archie Shepp’s closing “Delicado,” though compelling,are relatively orthodox expressions of mid 1960s NewThing. The four tracks they bookend, however, are distinctive even today. Brown’s exquisite “Fortunato,” though it sounds like nothing Pharoah Sanders ever wrote, inhabits similarly pretty terrain as Sand…
When Mars Williams dove into his vault to excavate several recordings for a Mars Archive series on Corbett vs. Dempsey, he immediately landed on a concert date from a decade earlier. The event, recorded at Chicago's Elastic Arts Foundation in 2012, featured a trio with Williams on reed instruments, Darin Gray on bass, and Chris Corsano on drums. This configuration had already been highly enough estimated by Williams that he'd posted one set on Bandcamp, but he saved the other set for future rele…
At the tail end of 1996, saxophonist Mars Williams and drummer Hamid Drake took the tall corner stage at Chicago's Empty Bottle for two sets of duets. The rock club had just started a weekly Jazz & Improvised Music Series, curated by Ken Vandemark and John Corbett, which would run for nearly a decade. This rare pairing brought together two pivotal figures in the city's creative music scene, both of whom had extensive experience in diverse areas of music, from the free jazz focus of this intimate…
Hardcover Edition, large format. Labyrinth is a massive hardback book, 375pp in length, printed on high-quality art paper, with an embossed cover and cloth quarter-binding, written by Richard Morton Jack. This beautiful, limited edition hardback is the most comprehensive overview of the subject ever published. It celebrates over three hundred albums, offering detailed background info about each, alongside excerpts from original reviews and masses of high-quality images that reproduce their fabul…
2024 stock. With her new album, I Went This Way, (due October 23, 2020), Rachel Musson debuts her own ambitious compositions, incorporating spoken word text and daring instrumental experimentation, alongside eight other accomplished musicians. The ensemble was built around the close working relationship between saxophonist Rachel Musson and drummer Mark Sanders. The music, a blend of compositions and improvisation designed to highlight all of the different musical voices in the ensemble, is susp…
2024 stock. The Telepathic Band is named after the sort of improvisational style that can only be accomplished with a decade or two of collaboration, playing a signature ghostly, boundary-pushing music between friends. In their fourth album, Daniel Carter, Patrick Holmes, Matthew Putman, Hilliard Greene, and Federico Ughi exemplify the possibilities of in-person improvisation, offering extemporized performances with their characteristically daring instrumentation. Telepathic Mysteries, Vol. 1 ma…
2024 stock. Legendary downtown music master Daniel Carter meets Tobias Wilner from world-renowned electronic band Blue Foundation. Featuring Wu-Tang Clan bass player Djibril Toure & drum wiz Federico Ughi. As a band, they have played a number of concerts in NYC, including the Forward Festival 2016 and 2018, and are currently promoting their debut album. This group is the ultimate mix between the classic New York sound of the avant-garde (i.e., John Coltrane & Albert Ayler) combined with electron…
2024 stock. In the first lockdown, Matthew Putman (on keyboard) and Michael Sarian (on trumpet and flugelhorn) began to meet up (with precautions) for semi-regular sessions in Sarian’s makeshift home studio. The conditions were less-than-ideal—a borrowed 20-year-old keyboard, an inadequate microphone, and cramped NYC apartment acoustics—but they continued their “weekly pilgrimages, searching for [their] cadences, rhythms and melodies through the Fall.” The sessions gave them much-needed sanity, …
Eddie Prévost, a preeminent musician in the UK improvised music scene and founding member of legendary AMM, might be equally renowned for his generous, decades-long mentorship. Both talent and Prévost’s mentorship are on display in this new album, The Secret Handshake with Danger, Volume One which features five musicians (Binker Golding on Saxophones, Henry Kaiser on Guitar, N.O. Moore on Guitar, Olie Brice on Double Bass and Eddie Prévost on Drums) improvising from a lifetime of collaboration. …
2024 stock. After decades of collaboration, scores of musical projects and 28 releases, old friends and professional musicians might find themselves searching for either novelty or a return to the foundations. In the case of UK-based saxophonist Paul Dunmall and UK-based drummer Mark Sanders, it was both. The two musicians have had prolific careers—and made much of their work together—but in a recent phone call, they realized that they had never created a project that featured just their preferr…
2024 stock. That’s right, Carter plays piano on this date! It’s the first thing heard as this disc kicks immediately into definite but mature overdrive. It’s a blast to hear William Parker, bassist for Cecil Taylor’s much-lauded Feel Trio, free-walking under Carter’s percussive attacks, certainly indebted to Taylor but even more pointalistic. The case is made on “Zero Softly”, a spare minimalist musing where notes hang in the air like galaxies only to fade beneath Federico Ughi’s carpet of brush…
‘Står op med solen’ (Rising with the sun) is the second album by Amalie Dahl’s Dafnie. With this album, the band continues the exploration of their collective sound. We hear influences from both old school free jazz, and contemporary Scandinavian jazz like Fire! Orchestra and Christian Wallumrød Ensemble, as well as clear connection to the Trondheim milieu, where the group was founded in 2020. The energetic and expressive band explores their more subtle side with this record. ‘Står op med solen’…
Recorded in Oslo in September 1970, Afric Pepperbird was released on New Year’s Day in 1971. Half a century later, it still conveys the freshness and excitement of discoveries being made. The album signalled the arrival of four Norwegian improvisers – Jan Garbarek, Terje Rypdal, Arild Andersen and Jon Christensen – at the fledgling ECM label. It was the start of a lifelong association with each of the musicians, whose influence was soon to reach far beyond the borders of their homeland. In exten…
*2024 stock* "Prophecies Come to Pass is the debut recording of Sabir Mateen's compositions by his group The Shapes, Textures, and Sound Ensemble. Recorded live in Brooklyn in September 2005, the CD was edited by Mateen and Swell and mastered under Mateen's direction. It's dedicated to the late great Raphe Malik, who at one time played with the group. The ensemble is composed of an impressive roster of creative musicians: Mateen on saxophones, flute, and clarinets; Matt Lavelle on trumpet, fluge…
*2024 stock*
Matt Glassmeyer: tenor saxophone, misc. soundsNathan Hanson: tenor saxophone, electronicsSean Moran: guitarDan Fabricatore: acoustic bassFederico Ughi: drumsDaniel Carter: alto saxophone on tracks 6-7-8-9
All music by Federico Ughi
Recorded at Lunchbox Studios, Brooklyn, New York, on January 4th, 2003 Mastered at Bang Zoom Mastering, NY
*2024 stock* This eclectic group features the legendary multi instrumentalist Daniel Carter as well as the scientist/pianist Matthew Putman, drum wizard and 577 Records co-founder Federico Ughi, together with the brilliant up-and-coming member of the New York downtown scene, Texas-born clarinet player Patrick Holmes plus veteran bassist Hilliard Greene, a mainstay of the avant-garde for the last 20 years.