We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Huge Tip! *Remastered and cut to double 45RPM 12” vinyl. Housed in a heavy tip-on gatefold jacket with Pantone spot colors, spot ink pigment foil on gloss film laminate finish and printed inner sleeves. Pressed to high quality vinyl at RTI.* “Without producing a single phrase, the two distorted guitars became simple “electric sound” generators, and like fish swimming freely in water, they each tear through time in their own fashion. And yet there is a remarkable sense of unity to how they fill t…
2023 restock "Packaged in an elegant cartboard box (a decca style) which includes a 26 page booklet with three little essays (Positions for listening, Real space and dislocation, A possible anthropogony) by Italian poet and writer Erika Dagnino. Featuring Anthony Braxton on alto sax, Alessandro Giachero on piano, Antonio Borghini on double bass and Cristiano Calcagnile on drums. Recorded live November 23-26 2006 at P P Cafe in Brussels, Belgium. Although I didn't initially recognize the names of…
*250 copies limited edition* Mu Quintet are a Leeds-based instrumental jazz outfit drawing inspiration from movements within the musical avant-garde. With a sound characterised by rich compositions, explosive improvisation and intricate melodies, they aim to push at the boundaries of the small ensemble.
Joel Stedman - Bass Clarinet & FluteHugh Vincent - PianoSimon Henry - DrumsElliot Roffe - Double BassMatt Cliffe - Tenor Saxophone & Flute
Jesper Nordberg Trio is a group based in Copenhagen (DK) and Malmö (SE), featuring the double bass player Jesper Nordberg, violinist Stefan Pöntinen and trumpetist Ruhi Erdogan. With Nordberg's compositions as a starting point, the trio's playing can be characterized by close interplay, radical shifts, and having elements ranging from experimental improvisation, Balkan music, Scandinavian folklore, jazz and expressionism. Jesper Nordberg's warm tone and rhythmic displacements meet Ruhi's trumpet…
*2023 stock* Spirit Spirit is an improvised suite in nine parts and epilogue by the Scandinavian trio featuring the renowned saxophone player Torben Snekkestad, pianist Søren Kjærgaard, and double bass player Tomo Jacobson. The suite was carefully composed from almost 3 hours of spontaneously improvised studio recordings by the trio. The outcome is a focused, minimal, dark, dynamic, enigmatic 38 minutes of music that unfolds like a ghostly tale. The trio was formed in 2016.
*2023 stock* Bloodstock themes, cascading drum fills, pumping bass lines, and flamethrower saxophone cries - Litterjug is a rollercoaster ride of joyful anarchy. Litterjug is a Copenhagen-based contemporary trash jazz trio featuring three original improvisers from Poland, Lithuania, and Denmark. The band's explorations are heavily rock-inspired, with a dose of abrasive free flow improvisations. The trio offers contrast-filled, action-packed music, sometimes rocking a simple groove, and other tim…
"The almost five year span bookended in this particular Ayler revisitation marks, in a certain sense,
the beginning and end points of the most lasting and creative portion of his remarkable, though
sadly brief, career." – Brian Olewnick
"On a good day it is strenuous to stay current with pianist Matthew Shipp's imposing and voluminous output. On an even better day it is a fool's hardy errand to say the least. Now with the planned re-issuing of some of his great early deconstructions of musical thought and theory, starting here with 1990's daringly incongruous yet hypnotically accessible, Circular Temple, keeping up just got a whole lot harder. With William Parker on bass and Whit Dickey on drums, this four-movement suite for pi…
*2023 stock. White vinyl edition* If you know the score, you might actually think of the piece's title as a bit of an understatement. After all, it is made of 50 densely-written pages, which might cause some interpreters to lose track of sight. For Michael Wertmüller's composition Sketches And Ballads is full of seemingly unplayable rhythms, which hail from his extensive experience as a percussionist: complex 256th parts and 512th parts are no exception in Wertmüller's work. Even the visual appe…
Recorded in Sawbridgeworth, Hertfordshire, UK, December 1976. Private session. Previously unheard. The amazing lost Dean, Miller, Pyle private tapes from 1976: featuring the very first recorded meeting of these three extraordinary pioneering talents of British Jazz/Rock, performing four magical co-composed pieces, none of which have ever been issued in any form. This album was originally intended to be released by Mike King's highly regarded Reel Recordings label. Sadly, Mike passed away before …
Saxophonist Ornette Coleman was more than just a major force in the free jazz movement. In fact, the term was coined by the album of the same name released by his quartet in 1961, his guiding ethos the erasure of fixed structures via improvisation. Released in 1960, Change Of The Century is one of the ground-breaking albums Coleman cut for Atlantic with bassist Charlie Haden, drummer Billy Higgins and trumpeter Don Cherry, which made a significant impact on the future direction of jazz. Relying …
*Dead stock copies coming from the artist's archive. Possible wear due to the long storage* Andrea Centazzo, LaDonna Smith and Davey Williams met for the first time in December 1978. An exquisite and celebrated example of improvised music.
* Dead stock copies coming from the artist's archive. Possible wear due to the long storage * Great drummer Andrea Centazzo and multi-instrumentalist Guido Mazzon recorded together in Italy in 1976 and released their album that year.
*Dead stock copies coming from the artist's archive. Possible wear due to the long storage* Legendary international ensemble Andrea Centazzo Mitteleuropa Orchestra recorded live in 1980.
* Dead stock copy coming from the artist's archive. Possible wear due to the long storage *Amazing live recording of multi instrumentalist Kent Carter. Paired in a few tracks with Claude Bernard on alto sax and Michala Marcus on flute.
For his third Discus Music, towering free jazz saxophonist Paul Dunmall has brought together an absolutely incredible group of musicians, including saxophonists Soweto Kinch and Xhosa Cole, vibraphonist Corey Mwamba and drummer Hamid Drake. Four punchy compositions and one group improvisation allow everyone maximum space for expression and exciting interaction.
Recording session sponsor Tony Dudley-Evans writes: "The music was magnificent, full of energy and the name of the session, Bright Light…
Temporary Super Offer! "For the followers of Ornette Coleman’s music, 1963 and 1964 were the lost years. His final session for Atlantic Records, Ornette on Tenor, was in March 1961, and though he played sporadic club dates in ’62, his self-produced Town Hall concert in December was to be his last significant appearance until he accepted a Village Vanguard gig in January 1965. The reasons for this hiatus, apparently, were personal, economic, philosophical, pragmatic, and artistic, all at the same…
Temporary Super Offer! "One Step Beyond is rightly seen as a pivot point in Jackie McLean’s evolution, but its adventurousness was not without precedent. As A.B. Spellman noted in Four Lives in the Bebop Business, “Quadrangle” – the opening track for 1959’s Jackie’s Bag; it was first recorded as “Inding” for Lights Out!, a 1956 Prestige date – “involved an elaborate group construction that [McLean] was afraid was too far-out,” so he used “I Got Rhythm” changes to mainstream it, which he later re…
*2023 stock* Originally issued in 1977 as the 5th entry in the Ictus catalog, Trio Live was recorded in 1976, only a handful of days after Steve Lacy and Andrea Centazzo’s Clangs was laid to tape, presumably capturing another moment on the same two-week tour that had rendered the recordings for its brilliant predecessor. This time, the pair - Lacy and Centazzo - is joined by the American bassist, Kent Carter, a sinfully under-appreciated artist who had worked extensively in Steve Lacy's group, p…