Jazz /
Omnileliomatic
"It's a great honor to work with this incredible orchestra and in support of Lelio's legacy. Over the years I had the pleasure to work with Lelio within his community of Palermo and greater Sicilia. The last time was a little over a year before his passing when we toured Sicily together for a week culminating in a recording session with Eva Geraci and Alessandro Librio. This album was published on Astral Spirits as part of my Astral Traveling Series a month before Lelio died. In December, 2021, …
Orlando Furioso
"Orlando Furioso is a haunting, one-of-a-kind statement, from an important new voice in improvised music." - Steve Lehman
Planets
Since 2018, BBE Music has been leading the field in reissuing rare modern jazz from Japan’s golden period spanning the late 60s to the early 80s. The J Jazz Masterclass Series continues to present the finest in Japanese jazz with 'Planets' by Masaru Imada Trio + 1. Originally released in 1977 as a private press album, 'Planets' showcases the refined playing and sophisticated compositions of one of Japan’s leading pianists, Masaru Imada. In a fifty- plus year career he has released over 40 albums…
Why Do You Mourn
The End is near - after two albums on the now defunct UK label Rare Noise, the powerful project of Sofia Jernberg (vocals), Kjetil Møster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar) and Børge Fjordheim (drums) release their third album on Trost. They combine Avantrock, Jazz and a haunting beautiful voice to a seethe mix of emotions, noise, music - a sonic landscape, dynamic and captivating. This album is a t…
Danze Degli Scorpioni
Dark moon music. If you are interested in the moon. Music concentrated in the process of discovering music, taking any risk. Extreme.How extreme is the exploration of one’s instruments, body, memories and stories. Vibrant, fast but at the same time calm music; slow.In search of the sound. Of movement that becomes sound. Of sound that becomes voice. That becomes movement.We dedicate this music to Coleman Hawkins, master improviser.
Orbita
The live performance recorded in the ancient Church of S. Giuliano, in Vercelli, encompasses some of the music conceived and written over the last few years, which Francesco Aroni Vigone spent in Valle d’Aosta. The recording location was chosen for its particular acoustics, perfect for a saxophone ‘solo’ and its aptitude for meditation. The performance took place during worship hours to have an unusual ‘audience’ in an unusual ‘liturgy’. The pieces are monodic songs that can be traced back mainl…
7 rocks
"This is the whole improvisation session we had on the evening of 25 April 2014, after a day spent recording some duets for Enrico’s project “Girotondo”. In the afternoon I had recorded with Mario Arcari “La prostituta e il soldato”, one of his compositions. The next day I was going to record my song “Il soldato e la cameriera” with Alberto Mandarini. So, during the evening break, after years of not playing together anymore, a little bit on my insistence, because Enrico seemed to want it too, we…
First Meeting
Release on Raw Tonk Records.
Colin Webster - alto saxRachel Musson - tenor saxCath Roberts - baritone saxCharlotte Keeffe - trumpet / flugelhornGraham Dunning - electronicsDirk Serries - guitarJohn Edwards - bassAndrew Lisle - drumsRecorded live at Cafe Oto, London on 21st August 2022. Recorded by Pedro Subtil. Mixed and mastered by Dirk SerriesArtwork by Colin Webster. Layout by Rutger Zuydervelt
Live at Plusetage Volume 1
*300 copies limited edition* Disc One: Charlotte Keeffe (trumpet, flugelhorn) & Andrew Lisle (drums). A New Wave of Jazz live event : in concert at PlusEtage (Baarle- Nassau, The Netherlands) on April 29th, 2022. Recorded by Dirk Serries. Mixed and Mastered at the Sunny Side Inc. Studio, Anderlecht (Belgium). Disc Two: Stefan Keune (sopranino, alto sax) / Dirk Serries (archtop guitar) / Benedict Taylor (viola). A New Wave of Jazz live event: in concert at PlusEtage (Baarle- Nassau, The Netherlan…
Disengage
*300 copies limited edition* With three studio albums, four live releases and a number of tours, the Belgian-British Kodian Trio has built up quite a reputation within the European improvisation scene. The trio unites the attention to texture and detail often associated with the 'English school' with the fierce urgency of the 'fire music' of the sixties and seventies. The result is a wringing cocktail on the seesaw between European free improvisation and witty free jazz. Dirk Serries' disordered…
Sam Jesteś Pompa Vol. 2
Remont Pomp (repair of pumps) is a band playing ethnic, avant-garde and improvised music, which was founded in 2003 at the Polish Association for People with Intellectual Disabilities Koło in Gdańsk, created by the association's charges. The band's inspiration is ethnic music with an emphasis on the richness of African music. Remont Pomp also discovers the space of experimental music by playing unusual instruments and objects not usually associated with music. The band uses a variety of instrume…
Duo Live 1988
Includes an eight-page booklet with a summary of an interview with Yuji Takahashi (in Japanese; interviewer, Masahiko Sato) and photos. Recorded at Hall Egg Farm, Fukaya, on July 31, 1988.
Duo Live 1995
This is the long-awaited new CD release of percussionist Masahiko Togashi's previously unreleased recordings, supervised by Mitsuhiko Sato. In this ultimate performance, Yuji Takahashi steps away from playing computer and synthesizer and randomly utters texts he has written (mostly from his own book "Kafka"), while Togashi responds with perfectly tuned percussion. This is the ultimate performance, a century-old discovery that shines brilliantly in the history of free music.
Apices
Long-awaited re-release at a middle price of this classic and popular album, the last collaboration of Steve Lacy, Masahiko Togashi, and Masahiko Sato. Year of recording: October 15, 2000 / Location: Fukaya Hall Egg Farm
Music For Zoe
*150 copies limited edition* Music For Zoe is the result of the encounter between two masters of free improvisation, Edoardo Ricci (soprano saxophone and bass clarinet) and Lucio Bonaldo (drums) with Gianluca Favaron (computer), a prime mover of electronic sounds often pushed beyond the limits. What emerges from this encounter is a kind of European-style free music, with open structures, sometimes close to radical contemporary improvisation. The acoustic sounds of percussion and wind instruments…
Meditation / Resurrection
*2023 repress* "Meditation / Resurrection is a double-album presenting a bounty of beautiful new William Parker compositions performed by two of his flagship ensembles, the Quartet -&- In Order To Survive. It was recorded & mixed live during a one-day studio session in late 2016. With the tone of the pieces & performances reflecting our current moment, this is Parker & the groups' follow-up to 2013's epic Wood Flute Songs box (2013). At the core of both groups is Parker's foundational bass toget…
No Refunds
Recording in Brooklyn's Seaside Lounge in 2014, these five previously unreleased collective improvisations bring together West Coast reedist Vinny Golia, performing on clarinet, saxello, sopranino, baritone saxophones with double bassist Max Johnson and drummer Weasel Walter, an absolutely impressive example of free playing intent and well-balanced conversation.
Root Perspectives
"Every gesture and nuance of [Dickey’s] percussive pronunciation is telling.” –Thomas Conrad, JazzTimes
In The Dark
Allen Lowe writes: In the Dark is a commemoration (sic) of the worst time of my life – a period of time during which, having been operated on to remove a cancerous tumor in my sinus, I slept for only brief periods of time. Sometimes I made it as long as two hours continuously, but most often I dozed off for 20 minutes, 30 minutes, maybe an hour – encamped as I was on my couch, trying not to wake my wife as I wandered in the dark contemplating the long night ahead. Sometimes I turned the televisi…
America: The Rough Cut
Allen Lowe writes: "America: The Rough Cut is my statement not only on American music and American song, but also my commentary on the way American musicians of all styles handle that old-time music and those old song forms . . . The old things -- not just the blues, but gospel music and pre-blues shouts and language, plus hillbilly/minstrel song and medicine show irony -- reflect a disinterest in the polite trappings of (primarily but not only white) society, an implicit rejection of basic tona…