Jazz /
Perles Noires Vol. II
2025 stock Sunny Murray's talent is bigger than any category you could use to describe it. he's one of the most original musical minds of the past 50 years, a genuine innovator, the liberator of the drum kit, and an artist of uncompromising honesty. murray's playing in the 1960s with albert ayler, cecil taylor, archie shepp, & others opened up entirely new expressive realms for the drums in jazz. murray's act of liberation --to free drummers from their strict time keeping role-- still outrages m…
Perles Noires Vol. I
2025 stock Sunny Murray is widely credited with being the first drummer to fully liberate the kit, developing a form of omni-directional accompaniment that dissolved the distinction between supporting and leading and helped spark the free jazz revolution that took place in the early 60s. Indeed, Murray spent time with most of the new music's major theorists, including both Cecil Taylor and Albert Ayler. But in recent years he hasn't seemed like quite the drummer he was, lacking the focus and (pe…
Raincoat In The River Vol.1 / ICA Concert
2025 stock Marvin Nunez, aka “Uncle Marvin,” was one of the few tenor saxophone players who explored the world of sub-tone music. A world of whispers heralded by vibrations so low and subtle they could not be heard by the naked ear. We don’t hear the bass, we feel it through the soul of the ear. Through our feet, fingers and the intuitive now. Marvin Nunez wore a black raincoat with a fur lining all year round. He seemed to appear and disappear at will, coming out of the shadows and returning th…
Live On The Riviera
2025 stock When Albert Ayler's band went through Customs in July 1970 on their way to play at a festival in France, keyboardist Call Cobbs got held back and arrived a day late. Minus the keyboards, the band played anyway. The music-making of the resulting ensemble is freer and more adventurous than on the quintet's following Maeght Foundation concerts. This unique document, Ayler's penultimate recording, thus brings him back to something close to the trio setting in which he first found fame on …
Eftsoons
2025 stock Eftsoons (august 1981) was a collaboration by Hal Russell with tenor saxophonist Mars Williams.
City of Women II
2025 stock Jimi Tenor and a group of friends visited twice at Edward Vesala's unique home (Sound and Fury Studio) in Korkeakoski in southwest Finland. It was winter 1998. Matti Knaapi and Jimi Tenor has been designing and building instruments since early 80s. They brought vanful of apparatus to Sound and Fury which already had a large collection of Vesala's exotic and self built instruments. During the two rather extreme sessions 13 songs got finished. The first part was released in year 2000. S…
Endgame Of The Anthropocene
2025 stock “Antarctica shall be used for peaceful purposes only (Art. I).” “No acts or activities taking place while the present Treaty is in force shall constitute a basis for asserting, supporting or denying a claim to territorial sovereignty in Antarctica or create any rights of sovereignty in Antarctica. No new claim, or enlargement of an existing claim to territorial sovereignty in Antarctica shall be asserted while the present Treaty is in force (Art. IV ).” - The Antarctic Treaty Talibam!…
Simitu
2007 release ** ""Cold Bleak Heat is the East Coast's maximalist tour de force of spontaneous sound construction. Made up of the heaviest cats in the underworld of Hated Arts, CBH is spearheaded by Connecticut's prevailing operator of the alto/ tenor saxophones, Paul Flaherty. Alongside is his regular sparing partner, drummer Chris Corsano, sound sculpting trumpeter Greg Kelley (nmperign) and Earth-boom grounding acoustic bassist Matt Heyner (No Neck Blues Band, Test). Cold Bleak Heat is a wake …
Figure Of Speech
1993 release ** "The trio setting of tuba and non-traditional percussion and Eskelin's compositions leave an uncluttered canvas free of many of the standard traps of head-solo-head without disolving into the total formlessness of much "avant garde" jazz. The musicians (Ellery Eskelin - tenor, Joe Daley - tuba, and Arto Tuncboyaciyan - percussion) respond to the setting with some beautifully executed improvisations. At the center of the trio, Eskelin's thick tenor sound - a seemingly impossible …
POPendingEYE
1993 release ** ""I want more POPEYE", writes Alfred Harth. "Possessing uncompromising moral standards and resorting to force when threatened". He also refers to "my artist's way through postmodernism", which at the beginning of the 90s brought him to grow tired of "all those mixes, remixes, postmodernisms and pop" that he had gone through during the previous decade: he was ready to return to a "pure" approach, essentially based on real players and real instruments. Enter Russian drummer Vladim…
Mute Songs & Drumscapes
1993 release ** "A world of percussion to sink into."
Plays Ornette Coleman's Little Symphony And Eight Other Modern Jazz Classics
1994 release ** "Affinity consists of Joe Rosenberg on soprano, Rob Sudduth playing tenor, bassist Richard Saunders and drummer Bobby Lurie. They have a very inclusive approach in picking out "nine modern jazz classics," so this inventive CD ranges in repertoire from Lee Morgan and Thelonious Monk to Ornette Coleman and Anthony Braxton (two compositions, including his infamous march). Affinity's playful interplay is a bit reminiscent of Steve Lacy's early recordings, and the versatile solos fit…
Dante No Longer Repents
1997 release ** "The Vinny Golia quintet on this CD is comprised of Golia on every woodwind known to man although he seems to prefer the extremes of range (e.g., piccolo, sopranino and contrabass saxes) alone with Tad Weed on the piano, Rob Blakeslee on trumpet, flugelhorn and cornet, Michael Bisio on the contrabass and Billy Mintz on the drum set. The music is in a style I have heard called freebop although I am not sure how common a usage that is. Freebop usually has a harmonic structure that…
Up Umeå
1999 release ** "As John Corbett argues in his liner notes, this session, recorded in 1969 (but not released until 1999) at the national Swedish TV studio, is a fascinating document of European free jazz. Phil Minton hasn't yet developed the timbral serialism and lightning speed of his later vocal work, but he hollers and trumpets with gusto. Minton's grandiose arrangements owe a debt to John Coltrane's Africa/Brass, but they have a special dignity too."
No Secrets
1988 release ** "Featuring Julian Priester and Gary Peacock."
Julian Priester - tromboneJay Clayton - voiceJerry Granelli - percussionGary Peacock - bass
Clusone 3
1992 release ** "The first live documentation of this, at the time, three-year-old, hard working trio. A wild romp of different jazz and world music styles connected by intense improvisation."
Michael Moore - alto saxophone, clarinet, melodicaErnst Reijseger - cello, electric celloHan Bennink - drums, percussion
Double Mirror
1996 release ** "Recorded live in 1995, Italian woodwind specialist Stefano Maltese along with fellow countryman, percussionist Antonio Moncada garner the services of modern jazz/improvising superstars pianist Keith Tippett and saxophonist Evan Parker for this engaging affair. Here, some of Italy's finest team with two musicians who respectively helped shape the oft-fabled British free jazz movement for two lengthy improvisational pieces consisting of spurious dialogue, turbulent reinvention, an…
Attikos
*2025 stock* "A “meeting of spirits” between Greek singer Savina Yannatou and legendary free jazz bassist Barry Guy recorded live in Amsterdam, May 2010, where they performed at the famous Bimhuis Club. The music consists of free improvisations and a composition by Barry Guy, alongside two traditional songs arranged by Savina Yannatou and Barry Guy.The architects Ilya and Emilia Kabakov imagined a vertical opera space of several floors to be built within a cooling tower at the Zollverein Collier…
Fox Fire
*2025 stock* "There was a sense of excitement as the trio opened their first set in Birmingham of a mostly north England tour. Adjectives such as spiritual, energized, even devotional all come to mind. The meeting with Ken Vandermark in a classic trio formation of Saxophone (doubling clarinet), bass and percussion was suggested by Mark Sanders reacting to a tour proposal by the indefatigable organizer of Jazz events in the U. K. Tony Dudley-Evans. The music was like an initiation, a very special…
Tarfala
*2025 stock* "Listening to the tapes of this live concert from Culturen Västerås, persuaded me that certain attributes of the playing of Mats Gustafsson and Raymond Strid are indeed bound with “Terroir”. There is probably a useful Swedish word describing this, but the French word nevertheless seems appropriate in describing a sense of place, something earthy and powerful. My thoughts moved to volcanoes and in particular glaciers, which of course abound in Sweden. The explosive power of the volca…