Jazz /
Theme From Zoltan / Mister E
Another highly collectable Nathan Davis release on SABA, also recorded in 1965, ‘Happy Girl’ has remained unissued on vinyl since the 1960s. The date gathers together another top drawer line-up, with Woody Shaw on Trumpet and Larry Young, the Coltrane of the organ, uniquely found on piano for this session. Jimmy Woode again supports on bass, with a furious Billy Brooks on drums. ‘Theme From Zoltan’, a fierce modal original by Shaw, was recorded by Young the following year on his classic Blue Not…
Carmell's Black Forest Waltz / B's Blues
Nathan Davis recorded ‘The Hip Walk’ in 1965 alongside his school mate, trumpeter Carmell Jones (who a month later went on to record the Song for My Father album with Horace Silver). The quintet is backed by the tightest of rhythm sections: Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums. One of the most beautiful, swinging jazz pieces ever captured on tape, ‘Carmell’s Black Forest Waltz’ is presented in all-analogue richness on 45 single format for the first time. On side …
Sconsolato / Just Give Me Time
Although considered to be the greatest jazz singer the world has ever known, Mark Murphy remained underground with a cult status. Perhaps the pinnacle of his recording career was Midnight Mood released by SABA in 1968, aligning his unique vocal skills with the Clarke-Boland Octet. With the arrangements of Francy Boland, Kenny Clarke playing offbeats and between-beats, and individualists like Sahib Shihab and Ake Persson, the backing on this date provided a unique dialogue for Murphy. After the l…
Faces (1977) & Bonus Tracks
Gabor Szabo's Faces, recorded for Mercury in 1977, is a distinctly jazz-fusion album. It was produced by trombonist and former Crusaders member Wayne Henderson, with the rhythm section coming from the soul-jazz-funk band Pleasure, with whom Henderson was working for the Fantasy label at the time. Built on gripping rough funk grooves, the music leaves plenty of room for Szabó's elegant guitar lines and meticulously constructed solos. The album, which was rather neglected when it was released, can…
Greek Fusion Orchestra Vol.2
** 2021 Stock ** Teranga Beat proudly presents Vol.2 of Kyriakos Sfetsas' 1976 "Greek Fusion Orchestra" project. Sfetsas' vision behind the formation of GFO, was to create a piece of work that would expand the boundaries of Greek traditional music. The result was a Progressive-Jazz Fusion masterpiece comprising complex and intriguing compositions, performed by Athens' best musicians of the day. Following the success of Vol.1, Vol.2 is a compilation of musical pieces Sfetsas recorded with the gro…
Mind on the Run
Basil Kirchin, a forgotten genius of post-war British music, was an influential jazz drummer, creative free-spirit and pioneer of Musique Concrète. Kirchin wrote a lot of albums, Mind on the run is one of the most representative Library record he wrote with fellow John Coleman. A milestone in british avantgarde.
Echoes of Africa
Highly recommended, a true Revelation! After a long hiatus since the homonymous 2006 release on Schema Records, The Invisible Session is back with Echoes Of Africa to be released on the newly-launched Space Echo label. Initiated in 2006 by Schema Records’ co-founder and musician Luciano Cantone, The Invisible Session’s influences are rooted in Black music. Written in collaboration with trombonist and multi-instrumentalist Gianluca Petrella, and with lyrics by poet, rapper, and MC Martin Thomas P…
La Locura de Machuca 1975-1980
La Locura de Machuca is the story of one man’s bizarre odyssey into Colombia’s coastal music underground, and the wild, hypnotic sounds he helped bring up to the surface. One night in 1975, a successful tax lawyer named Rafael Machuca had his mind blown in Barranquilla’s ‘Plaza de los Musicos’. Overnight he went from a high ranking position in the Columbian revenue authority to visionary production guru of the newly formed record label that bore his name, Discos Machuca, and for the next six yea…
Sauce and Dogs
* Second edition. Each cover have individual artwork, different from the 1st edition * Modern Free / Experimental Jazz with heavy Brazillian rhythms and thundering electronics from the mysterious (but obviously very experienced) group.
"Make it like starring at the shadows in plato's cave . Oblique and mysterioso - in a ponderous kind of everything and nothing puff of peppermint tinged smoke kind of a way"
Black Jazz Signature
**Finally repressed by popular demand.** Black Jazz Signature is a compilation album by American artist Theo Parrish. It was originally released through Snow Dog Records in 2013. The album features tracks from the 1970s record label Black Jazz Records, including "My Favorite Things" by Gene Russell, "Those Who Chant" and "Blue Bossa" by Walter Bishop Jr., "Jupiter" and "Convulsions" by The Awakening, "Trance Dance" by Doug Carn, "Time & Space" by Rudolph Johnson, "Criss Cross" and "BE" by Calvin…
Daymare
Taking their name from a Thelonious Monk quote, I Like To Sleep are three young Norwegian musicians, all 22 years old. "Nicolas and Øyvind first met in high school in Trondheim before they joined up with Amund in a youth big band. It soon became apparent that they shared the same musical background centered around 70s progressive rock, jazz, improvisation and classical music. Soon after the trio was formed, first for fun, but soon with higher ambitions, they won the prestigious "Young Jazz Music…
On The Corner
* 180 gram vinyl * Scorned by critics at the time of its release, Miles Davis' 1972 album On The Corner is now seen as a forerunner of Post Punk, Hip Hop, Drum and Bass and Electronic music, thanks to its revolutionary recording techniques.
Miles wanted to reconnect with a younger audience, who had forsaken him for Rock and Funk, and the experimental On The Corner was his answer. Leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio.…
Thrust
* 180 gram vinyl * The cover of Thrust reveals a lot of the album. Herbie's sitting comfortably his spaceship controlled by a synth froman alien world, reachingto the clouds and beyond. Well, that's what his stature was in 1974 - one of the seminal renewers of Jazz by incorporating new electric instruments like theARP synthesizer.
Thrust is the follow up to Head Hunters using the same band except for drummer HarveyMason, who is replaced by Mike Clark, a Jazz great in his own right.
Again, only f…
Sextant
* 180 gram vinyl * Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played with the greats such as Donald Byrd and Miles Davis. He was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound. In fact, he always bounced back and forth between his electronic and acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an original and distinctive voice.
Sextant fro…
New Grass
Albert Ayler's 1969 album New Grass has been misunderstood from the day of its release. The album finds Ayler experimenting with soul music and digging back into his R&B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, A…
Drumsville
Earl Palmer the man behind the evolution of the backbeat from Jazz and R&B to Rock 'n' Roll. One of the great figures in the New Orleans music scene and one of the most-recorded drummers ever. His highly dynamic drums style has served hundreds of hitmakers such as Fats Domino, Little Richard, Sam Cooke, Ray Charles, The Beach Boys, Eddie Cochran, Dinah Washington, Dizzy Gillespie, you name it. "Drumsville" originally released on Liberty Records in 1961 features a selection of rare gems produced …
Bells of Kyoto
Mitsuko & Svetlana Records present the first reissue of Bells Of Kyoto's self-titled album, originally released in 1984. Archival reissue of rare 1984 jazz-funk fusion diamond in the rough by German-Australian-British madcap ensemble Bells Of Kyoto, produced by Ollie Marland of De-Lite and Jah Wobble's Invaders Of The Heart fame. Fusions grooves with Orient-funk detours and looking out the window of a Swissair aircraft moments of cool mid 1980s contemplation. Highly recommended to porthole dream…
Sagittarius
**2019 stock, reduced price** Frank Cunimondo has an extensive discography, having recorded with nearly every artist from Pittsburgh. In addition, he has shared the stage with a number of jazz stars including: Sonny Stitt, Lou Donaldson, Jimmy Witherspoon, Urbie Green, Lee Konitz, Louie Bellson, Joshua Redman, Phil Woods and Frank Rosolino. The Frank Cunimondo Trio is also a fixture of the Pittsburgh Jazz scene. Frank's most popular recording Feelin' Good (from the album The Frank Cunimondo Trio…
Ethiopian Knights
Right from the stop-start bass groove that opens The Emperor, it's immediately clear that Ethiopian Knights is more indebted to funk - not just funky jazz, but the straight-up James Brown / Sly Stone variety - than any previous Donald Byrd project. And, like a true funk band, Byrd and his group work the same driving, polyrhythmic grooves over and over, making rhythm the focal point of the music. Although the musicians do improvise, their main objective is to keep the grooves pumping, using their…
Mr. Shing-A-Ling
This 1967 recording was always the best of Lou Donaldson's funky albums. It's just amazing that Blue Note put this back into circulation on 180 gram vinyl. Mr. Shing-A-Ling is worth the investment for the ultra-funking Peepin' alone. Composer and organist Lonnie Smith lays down a basic fatback groove and manages to glean a funk anthem that set the foundation for a whole decade worth of Lou Donaldson LPs (Midnight Creeper is a mere rewrite of this classic). Among Donaldson's big funk classics - t…