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Joan Bibiloni's Born is widely considered as one of the highlights of modern ambient music. Ever since it was first released in 1989 on Bibiloni's 'Blau' imprint, Born has been a sought after item by collectors of different backgrounds.The eight compositions that Bibiloni wrote, and then recorded with several gifted musicians, share the same vivid ethereal quality. From the emotive latin of El Sur, to the heart wrenching tones of Ballad For an Empty Street, Born is one of the pinnacles of the ba…
Masterful ‘60s pop by a jazz guitar guru! Not many jazz artists were interpreting popular songs in the late ‘60s, but Hungarian-born Gabor Szabo looked past the oft-covered standards to put his trademark jazz transformations on a set of fashionable tunes on 1969, including major hits for the Left Banke, the Beatles, and more songs that his contemporaries neglected. Guitar master Szabo’s 1969 platter of folk and pop music touchstones is highlighted by the rock’n bossa spin on Sealed With a Kiss! …
Multi-reedist Tony Coe was born in 1934, four years after guitarist Derek Bailey. He cut his teeth as a career jazzman with Humphrey Lyttleton, before an extended stint with the Kenny Clarke/Francy Boland Big Band. On this rare 1979 duo outing, he sticks to clarinet. And though that instrument has an illustrious jazz pedigree, Coe’s playing here is something else. It’s worth noting that the clarinettist has also played under the baton of arch-modernist Pierre Boulez, the kind of composer Derek B…
When Cyro Baptista moved to New York in 1980 from his home city of São Paulo, he brought with him an arsenal of percussion instruments, including the cuica (friction drum), surdo (the booming bass drum associated with samba), berimbau (single-string bow with resonating gourd), and cabasas galore, in the next few years deploying them most notably in numerous ensembles curated by John Zorn, who helped set up this studio session in 1982.As you might expect from someone whose infectious grooves have…
Reissue of Derek Bailey's 2nd Incus LP from 1974, fully remastered to bring Derek Bailey's uniquely personal improvisation style clearly into the 21st century. "In 1974, when Derek Bailey was planning his second solo LP on Incus, he decided to include a side-long solo using his stereo electro-acoustic set-up. Unfortunately, he never seemed to have a 20-minute stretch of time free of interruptions in his home, so he asked if he could record it at my place. After a fairly lengthy drive across Lond…
Continuing the series of collaborations between Honest Jon’s and Incus. As throughout the series, the recordings are newly transferred from tape at Abbey Road, and re-mastered by Rashad Becker. And here we have this incredible duo from underrated cellist Tristan Honsinger and Derek Bailey, originally released on Incus in 1976. There are parralels between this record and fellow sometime Parisian string pkayer Joelle Leandre's Taxi, but really, Honsinger's voice is like no other - there's less rev…
**small repress available**Honest Jon's Records present Solo Guitar Volume 1, a reissue of Derek Bailey's Solo Guitar release on Incus in 1971, with additional tracks included on previous reissues and a performance at York University in 1972. Kicking off a series of collaborations between Honest Jon's Records and Incus: three double-LPs of the legendary free-improvising guitarist Derek Bailey, solo and in duos with Anthony Braxton (HJR 201LP) and Han Bennink (HJR 202LP), augmenting the original …
Otomo Yoshihide's Guitar Solo "LEFT" was released last summer but "RIGHT" is completely different from "LEFT". the 123 short fragments of Otomo's guitar sounds are run by computer programming at random so no one know how the sound played. This CD is one infinity."-Doubtmusic
"What is most remarkable about the single, 62-minute track on Otomo Yoshihide's Guitar Solos 2015 RIGHT is how consistent, top to bottom, it sounds. Or, viewed through a different lens, how much coherence (real or imagined)…
Recorded at home in October 2006 (electric guitar on the 11th, acoustic guitar on the 14th). Mastered by André Gonçalves at the Etching Table. Limited Edition of 500 copies.
The English free jazz improvisation scene of the late 60s and early 70s was an incestuous breeding ground. Robert Fripp was producing albums by Keith Tippet, Brian Eno was using Derek Bailey and Evan Parker on albums of odd Russian electronic music on Island, and labels like EMI and RCA were actually taking a stab at selling this music to a large market. Amidst all this was Ray Russell, a popular session guitarist, also playing in John Barry's group, also reputed to be the first guitarist in Eng…