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After trumpeter Lee Morgan set the music world on fire with the runaway success of his hit soul-jazz single “The Sidewinder” in 1964, many artists tried to duplicate his triumphant feat in search of another boogaloo sensation. Even Morgan himself cooked up funky follow-ups using “The Sidewinder” recipe including “The Rumproller,” which was recorded the next year. Beyond the groovy title tune (which was written by Andrew Hill) the quintet featuring Joe Henderson on tenor saxophone, Ronnie Mathews…
Johnny Griffin had been kicking around in R&B bands for years before his Blue Note debut in 1956. And what was "introduced" was a tenor saxophonist with a fresh sound, a warm, soulful style and the fastest technique in jazz. He moves from lyrical ballads to blistering tempos with ease. Within two years, Griff would become one of the leading tenor saxophonists in jazz as a member of Thelonious Monk's quartet.
Though he first recorded in the late-1940s, Dexter Gordon’s Blue Note debut Doin’ Allright—recorded and released in 1961—marked a rebirth for the great tenor saxophonist after a decade in which drug addiction and legal troubles limited his output. But his Blue Note years put him back on top with a run of essential albums that stand as classics of the jazz canon. Doin’ Allright featured a top flight quintet with trumpeter Freddie Hubbard, pianist Horace Parlan, bassist George Tucker, and drummer …
Just 2 days after saxophonist Dexter Gordon recorded his classic album GO! in August 1962 he brought the same quartet with pianist Sonny Clark, bassist Butch Warren, and drummer Billy Higgins back into Rudy Van Gelder’s studio to record the equally sublime A Swingin’ Affair. All the joy and beauty of the great tenor man’s music can be found in the irrepressible opener “Soy Califa,” a Gordon original that moves deftly between Latin and swing rhythms as Dex holds forth with his commanding horn. Th…
Trumpeter Freddie Hubbard burst upon the Blue Note scene in June 1960 with his auspicious debut album Open Sesame. Within 6 months Hubbard had already recorded a follow-up (Goin’ Up) and appeared as a sideman on sessions with Tina Brooks (True Blue), Hank Mobley (Roll Call), Kenny Drew (Undercurrent), and Jackie McLean (Bluesnik). Hubbard’s bravado style was already fully formed on Open Sesame with his brilliant tone and jaw-dropping technical prowess at the helm of sterling quintet with tenor s…
Grant Green's debut album, Grant's First Stand, still ranks as one of his greatest pure soul-jazz outings, a set of killer grooves laid down by a hard-swinging organ trio. For having such a small lineup, just organist Baby Face Willette and drummer Ben Dixon -- the group cooks up quite a bit of power, really sinking its teeth into the storming up-tempo numbers, and swinging loose and easy on the ballads. From the first note of "Miss Ann's Tempo," they establish a groove, and swing like hell thro…
For his third Blue Note album Inventions & Dimensions (1963), pianist Herbie Hancock began moving away from the modernist hard bop sound that defined his first two albums Takin’ Off and My Point Of View. Inspired by explorers like Eric Dolphy and Tony Williams, Hancock went in search of greater musical freedom by composing a set of ingenious originals each with their own unique inner logic that did away with what he considered the established jazz “assumptions” of the time. Hancock also pared th…
Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London Trumpeter/ flügelhornist Charles Tolliver often straddled the line between the lyricism of hard bop and the adventurous nature of the avant-garde. Released in 1975, Impact contained a stimulating progressive edge within an energetic large band (14 horns, eight strings, and rhythm section) format. Tolliver's arrangements are consistently bright and build momentum, while the soloists are given sufficient room to manoeuvre throug…
**250 copies** Three additional songs from the celebrated debut session, limited 10 inch! The talented drummer continues to explore the hard-bop sound of today with three more tracks; Bouncing at the S.U.P., Chasing the Spirit – two songs composed by the drummer and the quintet’s own hip rendition of Book’s Bossa by Walter Booker.“Heinola skilfully demonstrates the full range of his arsenal, skipping through his cherished hard bop style of jazz while interweaving subtle nods to Latin and Afro st…
Recorded Live in Sweden in September 1961, the Uppsala Concert is an important document from Eric Dolphy's first Swedish tour as leader of an obscure but talented local quartet featuring Rony Johansson (piano), Kurt Lindgren (bass), and Rune Carlsson (drums). Master Dolphy shines, as always, on all his instruments alto sax, bass clarinet, and flute, while the track list consists of a rare mix of standards such as Milt Jackson's Bags Groove, Monk's 52nd Street Theme, Cole Porter's What Is This Th…
Charles Tolliver began his professional career and simultaneously his recording debut with the saxophone giant Jackie McLean on Blue Note Records in 1964. Since then he has become one of the all-time preeminent trumpeters in Jazz as well as one of its most gifted composer / arranger bandleaders. He is also a Grammy nominated recipient for his Blue Note Records recording With Love.With a career that has spanned five decades he has recorded and/or performed with such renowned artists as Roy Haynes…
In 1964, John Coltrane and his quartet produced two great masterpieces in Rudy Van Gelder's studios, namely the albums Crescent and A Love Supreme. Between the two sessions the quartet entered the studio for another recording: the soundtrack of the French-Canadian film Le chat dans le sac. Today, the tape of that session has been found and remastered, so finally here's the third 1964 album: Blue World. The content is extraordinary: not only do we find the classic quartet (with McCoy Tyner, Jimmy…
On the occasion of the 80th anniversary of Blue Note, here comes the first releases of a new series of LPs, entitled Great Reid Miles Covers, that celebrates the extraordinary and famous covers created by graphic designer and photographer Reid Miles, the artist who gave an unmistakable image to the albums of the blue label and also wrote an unforgettable page in the history of graphic design of the 20th Century. For this series, the new masters were processed by Kevin Gray from the original anal…
On the occasion of the 80th anniversary of Blue Note, here comes the first releases of a new series of LPs, entitled Great Reid Miles Covers, that celebrates the extraordinary and famous covers created by graphic designer and photographer Reid Miles, the artist who gave an unmistakable image to the albums of the blue label and also wrote an unforgettable page in the history of graphic design of the 20th Century. For this series, the new masters were processed by Kevin Gray from the original anal…
On the occasion of the 80th anniversary of Blue Note, here comes the first releases of a new series of LPs, entitled Great Reid Miles Covers, that celebrates the extraordinary and famous covers created by graphic designer and photographer Reid Miles, the artist who gave an unmistakable image to the albums of the blue label and also wrote an unforgettable page in the history of graphic design of the 20th Century. For this series, the new masters were processed by Kevin Gray from the original anal…
The first vinyl reissue of Bertil Strandberg Kvintett’s Cirrus album is now available on Frederiksberg Records, following on earlier Scandinavian Jazz reissues by Christian Schwindt Quintet and Carsten Meinert Kvartet. In 1973, a snowstorm almost prevented the band from making it to the studio to record this album. Cirrus, released in 1974 in tiny numbers, has since become a heralded object among jazz aficionados. Now 45 years later, Cirrus is finally available on vinyl again and comes with an i…
To believe in serendipity - that’s the operative word when it comes to alto saxophonist Lou Donaldson’s soul-jazz hit, Alligator Bogaloo, the opening track from the leader’s heralded -artistically and commercially - album of the same name, released by Blue Note in 1967. The tale of its origin has been told so many times that it holds mythic status of affirming the power of improvisational jazz. For his LP session at Rudy Van Gelder’s Englewood Cliffs, N.J., studio, Lou finished recording five tr…
**25 copies** Brand new sparkling hard-bop in the Quintet formula, from aspiring Finnish drummer talent Aleksi Heinola featuring a top cast of Finnish jazz-men: Mikael Jakobsson on keys (Five Corners Quintet), Mikko Gunu Karjalainen on trumpet and flugelhorn, Manuel Dunkel on tenor saxophone (UMO Jazz band) and Swedish Daniel Franck on double bass.
The American tenor saxophonist Steve Grossman flew to Japan to record this studio session that features an incredible line up of four local musicians: Takehiro Honda is on the piano with a rhythm section of Hideo Kawahara, Yasushi Yoneki, and Masahiro Yoshida, all working together with a tremendous energy. The recordings are dated February 1986, and include the eponymous Katonah, Afternoon in Paris(J. Lewis), and Friday the 13th (T. Monk).It is worth remembering that Grossman started his journey…
For this heavy duty reissue of Koivistoinen’s 1977 album we went back to the original multitrack tapes and discovered a heap of alternate takes that were left unmixed at the time. Koivistoinen selected the best and most interesting alternate versions of each track and a new, fresh mix was prepared specifically for this release. The first LP in this package is the original studio album (Love Records 1977), remastered for vinyl at Finnvox. The second LP contains the alternate takes, and there’s ev…