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Polish label Not Two presents a new release by a classic trio comprised of Uwe Oberg, Joe Fonda and Lucía Martínez, recorded live at the Just Music Festival, Wiesboden, Germany on February 23, 2019.Featured tracks include:1. Their Cheeks Glowed 10:312. Lighter Than Before 09:403. Almost Two 05:214. The Sharp Side of It 15:345. Relight Years 05:266. Triple Relish 03:57Lineup:Uwe Oberg – pianoJoe Fonda – bassLucía Martínez – drums
Polish label Not Two presents a new release by Alexander von Schlippenbach and Dag Magnus Narvesen recorded live at Spor 5 in Stavanger, Norwey on 3rd March 2018.Featured tracks include:1. Relay Extempore – Trackside Duologues I / Kinga2. Reveries in Monochrome – Trackside Duologues II / Strings and Barrels3. Morphing Monk – Variations over Light Blue, Work, Trinkle Trinkle and Skippy / Sic Transit4. Brass Tacks – Vantage Ad Lib / All The Things You Are / Trackside Duologues III / Something Swee…
**175 copies** Dark and demanding improvisation, each side of this album is an extended foray into dark and dangerous explorations from the Los Angeles trio of Peter Kolovos on guitar, Patrick Shiroishi on saxophone, and Noel Meek on electronics and tapes. Shiroishi's sweeping tones matching the electronics and effected guitar in a glorious nightmare of darkly imaginative sound.
**500 copies** The debut release from the long-running Chicago based collaboration of Quin Kirchner, Daniel Van Duerm and Matthew Lux aka KVL. Also featuring super special guest Jaimie Branch on Peaceable. KVL sits nicely in the same headspace as recent modern improv that eschews a more traditional "jazz" label. Think Matthew Lux's Contra/Fact, Jaimie Branch's Fly or Die, Shabaka Hutching's Sons of Kemet or The Comet Is Coming, Ben Lamar Gaye, Rob Mazurek and others. Of course, many folks will p…
The trio of guitarist Tetuzi Akiyama, saxophonist Gregor Vidic, and drummer Nicolas Field introduces Akiyama to Vidic and Field’s standing duo. The result is a magnificent set of exploratory improvisation. Vidic and Field’s playing has a rich, textural quality, developed through their use of timbre and dynamics. In this way, Akiyama’s multiphonic approach to guitar, and his innovative use of effects, offset’s Vidic brilliantly. Over the course of 45 minutes, Akiyama, Vidic, and Field generate a …
**300 copies** Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight. This might be the only we've seen with Fisher as a leader – but the set's got a quality that will certainly have us looking out for mo…
**300 copies** Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations. Fraser has a great sense of cyclical energy here – a way of playing freely, but elliptically – so that there's this sense…
**CD version** First release from the first time trio of legends Susan Alcorn, Joe McPhee and Ken Vandermark. Invitation to a Dream is not only the first recorded statement, it is also a document of the very first meeting of the trio. Back in 2016 we asked Alcorn and McPhee to play a duo set at our favorite festival Cropped Out in Louisville, KY, and after getting our minds blown we knew we had to get the duo into a studio to record an album. After a few failed attempts due to schedules and bad …
**300 copies** "Tonus is a group that always contains Dirk Serries and his wife Martina Verhoeven, but otherwise seems to be an open membership group. Today, on Segment Tones, it is a trio. Serries plays accordion and soprano melodica (the latter I would believe for the first time), Verhoven is on concertina and cello and Colin Webster on clarinet and alto saxophone. Whatever the line-up of Tonus might be, I do believe they play slow and quiet music; music that is not in any way, shape or form, …
**300 copies** "Dirk Serries (acoustic guitars), Kris Vanderstraeten (percussion) and Martina Verhoeven (piano) – these are three featured figures of international avant-garde jazz scene. Musicians are playing and collaborating with dozens of other famous jazz masters. Their music is played with expression, drive, creativity and energy. All three musicians have their own style of improvising, sparkling virtuosity and the will to create new, exciting and modern sound. All their music is usually b…
**300 copies** "The modus operandi of more than a few of the recent New Wave of Jazz releases is sparse free improvisation using extended techniques. These albums, often disjointed with abrupt transitions and long minimalistic passages, exhibit a surprisingly consistent approach despite their aleatoric nature – a commitment to the unpredictable. Enter acoustic guitarist Daniel Thompson and saxophonist Colin Webster, both experienced improvisers who team up on the three tracks of Boskage. This pa…
**300 copies** "Close | Quarters is a seven-track slice of often compacted and angular improv for viola and prepared chamber. The two players here are Benedict Taylor and Anton Mobin. Taylor is a British improviser / avant musician who has been active in the scene since the early 2000s releasing a good body of work, as well as becoming a respected name, and Frenchman Mobin has once again been active since the early 2000’s making a name for himself as both an improviser and sound artists.The albu…
**300 copies** "Overall, especially on the over 35-minute Set 1, which perversely in placed last on the CD, the improvisations’ mooring is supplied by the brief, repetative but distinctive patterning of Belgian pianist Martina Verhoeven. Much like John Tilbury’s program with AMM, these continuous motifs are the reassuring signposts for the puffs, scratches, strums and plops contributed by Britons, flutist / alto saxophonist Colin Webster, violist Benedict Taylor and Graham Dunning using a snare …
**300 copies** "One aim of improvised music is to create unprecedented sounds. And by specializing in the textures that can be extracted from the spinet, the piano’s 18th Century ancestor, keyboardist Christoph Schiller, who now divides his time between Basel and Weil am Rhein is firmly involved in this trope. On this hushed, microtonal CD, Schiller applies his tweaking of the traditional keyboard to responsive sounds from an instrument as venerable as his, Anouck Genthon’s violin on Zeitweise L…
**300 copies** "Spreading their intuitive playing over nine, randomly sequenced improvisation titled with numbers, Benedict Taylor and Dirk Serries many variations on fiddle string twists and slurred guitar fingering produce tunes that are manually constructed, deconstructed and put back together again. Tracks often posit and resolve singular experiments. For instance, the hard dry swagger of IV opens up into a tremolo and spiccato bowed narrative. Swift, repetative slithers from Taylor enliven …
**300 copies, 2019 stock** "The Serries-Verhoeven acoustic, chamber duo – Serries on the acoustic guitar and Verhoeven on the piano – is actually the last one to be recorded in the Tonus series but the duo distills the very essence of the series serves as a fitting introduction to this series. Cagean Morphology was recorded, mixed and mastered at the Sunny Side Studio at Anderlecht, Belgium on March 10th 2018. The minimalist layout of the Tonus series, was designed by Rutger Zuydervelt, aka Mach…
**300 copies, 2019 stock** "Minimal art is often presented as an act of simplification, a field in which nothing much happens and lesser (or even lazy) artists can have a field day. However, it is both in the visual arts and in music, perhaps one of the most misunderstood movements. Minimal artists not only sought out a certain core essence, but leading artists and theorists, such as Donald Judd, also offered a reaction against the extravagant focus on the subjective by the abstract expressionis…
**300 copies, 2019 stock** What self-taught musicians lack in education and (sometimes) technical prowess, many make up for with the need to carve out a space for themselves. Their trajectory is often like a perpetual motion of restless movements. Even among those musicians, Dirk Serries is a special case. Loyal to whoever he comes across, but a solitary seeker at the same time. An eternal outcast whose discography expands at a swift and steady pace, building an island entirely of his own, despi…
**300 copies, 2019 stock** "In its essence, free improvisation is a leap into the unknown. A question mark. And while it is possible to reproduce previously used ideas, in its purest sense it takes balls to accept its challenges, for the simple fact that the performer is out there alone, even when playing with others. Free Improvisation is being naked on a stage. The unavailability of form and reassurance about what is happening next cannot be underestimated. In improvised music, the musician is…
**300 copies, 2019 stock** "Understated, tightly controlled, minimalist music always gets the better deal. There is something mature and cultured about an artist who distills and reaches for the essence instead of provoking and dabbling in exuberance, volume and a cluster of diverging ideas. In a world that is nearly driven to total chaos by a maddening abundance of impulses, Goethe’s worn out adage - that it is in self-limitation that a master first shows himself - has become the ultimate compl…