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* 2020 Stock * Jinya Disc presents a double live album initially recorded to cassette tape by Yoshihiro Tanabe, a student of Takayanagi Juku on November 25, 1979 at jazz club Taro, Tokyo. The album includes 12 tracks performed by Masayuki Takayanagi - Guitar, Kenji Kosei - Electric Piano, Hiroshi Yamazaki - Drums, and Yasuhito Mori - Bass. Initial copies came with a limited edition bonus disk by a trio version of the group containing a mono version of "Froggy Day" recorded on May 27, 1979.
The …
* 2020 Stock *Jinya Disc presents a live concert recorded to cassette tape on June 24, 1979 (afternoon set) at jazz club Taro, Tokyo. Mastered at Kojima Rokuon. The album includes 4 tracks performed by Masayuki Takayanagi - Guitar, Kenji Kosei - Electric Piano, Hiroshi Yamazaki - Drums and Yasuhito Mori - Bass.
Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvis…
**This version also includes a bonus Action Direct CDr** Jinya Disc presents a live concert by New Direction. The album includes 2 tracks performed by Masayuki Takayanagi - Guitar, and Kaoru Abe - Alto Saxophone. The first album track: Thursday / Gradually Projection, was recorded on June 18, 1970 at Tokyo. The second one: Jha / Mass Projection was recorded on May or June, 1970 at Tokyo.
Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese…
Jinya Disc presents Live at freedom by New Directions, recorded live on 25 April 1981 at Takasaki. The album includes 4 tracks performed by Masayuki Takayanagi - Guitar, and Hiroshi Yamazaki on drums.
Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use the table-top guitar. Was a leading member of every avant-garde move…
They say you can't judge a book by its cover, and going by 'Jazz Rock’, nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'yō music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost …
"Recorded live at Yamaneko-ken, Ogose, Saitama, Japan, in December 2019, Japan Suite includes 6 kind free jazz pieces in Japanese style. The fantastic idea of this album is actually to confront kind free jazz phrasing of François Carrier with the truly free jazz phrasing of Masayo Koketsu. That is actually the second amazing aspect of this album: the battle of two alto saxophones. The opening monumental Uchi-soto - Inside Outside is a great illustration of these aspects. All of this happens with…
**CD version, to be released on 29.05.2020** "WRWTFWW Records is proud to announce the official reissue of Motohiko Hamase’s extremely rare live album Anecdote (recorded in 1987). The album is sourced from original masters and available on vinyl (double LP) for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the sixth release from the Esplanade Series which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano.Anecdote was recorded …
"Eri Yamamoto transcended jazz, classical and folk forms in creating her new work for jazz trio and 50-member choir. She has seamlessly melded biography, group improvisation and far-ranging compositional vocabularies in a momentous seven-part suite, featuring her longstanding trio in collaboration with New York-based Choral Chameleon, directed by its award-winning founder, Vince Peterson. The suite is based off of the Goshu Ondo, a traditional circle dance song from Shiga, Japan, where it was su…
"Following the sell-out success of our landmark compilation, J Jazz: Deep Modern Jazz From Japan 1969-1984, BBE Records is thrilled to present another exploration into the very finest Japanese modern jazz.J Jazz Volume 2 builds on the solid foundation of the first compilation and sees co-compilers Tony Higgins and Mike Peden once again pick choice sections from their own record collections. They present a deep dive into an intoxicating and beguiling range of styles: from cinematic roaring big-ba…
**2006 release, long out of print, very few copies available** One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his…
Edition of 300 copies. Japanese free/jazz sax legend, Kaoru Abe, dies at the age of only 29 in 1978, living a fast and crazy life and dieing of a drug overdose. His entire music career was only 10 years, from 1968 to 1978. In that short period, he was well recorded with around 30 releases, ten of which are solo sax efforts, duos with guitarist Masayuki Takayanagi, bassist Motoharu Yoshizawa and drummer Sabu Toyozumi. Mr. Abe also toured and recorded with Milford Graves, Derek Bailey and Toshinor…
*2022 stock* Guitarist Masayuki "Jojo" Takayanagi (1932-1991) was a towering leader in the Japanese jazz world. His first influence was Lennie Tristano, but through the 1960s and 1970s he explored and pushed the boundaries in free form jazz, leading a group called New Direction, among others. Ever a fighting spirit, in 1982, shortly after recovering from a life-threatening medical condition and surgery, Takayanagi decided to take on a challenging task for any guitarist: To record an entire solo …
Jinya Disc presents Three Improvised Variations On a Theme of Qadhafi. A live recording board that includes live performances of improvisation by Action Direct, which was performed on the theme of "personal image" of Muanmar al-Gaddafi rather than ideology or political position. Jim O'Rourke refers to Three Improvised Variations On a Theme of Qadhafi as "a constellation of moving celestial bodies, expanding gas, exploding stars densely packed" and "a corridor of endless possibilities and discove…
Mass Hysterism: In Another Situation, a 1983 record by the late Japanese noise-guitar hellion Masayuki Takayanagi (1932–1991) is one of those albums that always going to be lurking in my attic, so to speak. I can put it away for a while, but it never goes to sleep—it's always calling me. Even if it takes a few years, I'll be back. (As an illustration of this, I obsessed over Takayanagi in a February 2007 post as well.) It's a bashing, clanging exorcism: two electric guitars (the other played by …
Masayukia Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
Masayuki Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
Otomo Yoshihide's Guitar Solo "LEFT" was released last summer but "RIGHT" is completely different from "LEFT". the 123 short fragments of Otomo's guitar sounds are run by computer programming at random so no one know how the sound played. This CD is one infinity."-Doubtmusic
"What is most remarkable about the single, 62-minute track on Otomo Yoshihide's Guitar Solos 2015 RIGHT is how consistent, top to bottom, it sounds. Or, viewed through a different lens, how much coherence (real or imagined)…
The Guitar Solo album was produced by Takeshi Fujii, the producer of the legendary jazz label "Three Blind Myth", in June 1981. Takayanagi responded to the request with "Lonely Woman" recorded in August 1982. As stated in the liner notes of this work, Takayanagi said: "In my two years of fighting against illness, my thoughts have changed, and now I'm thinking rather than making a group album. The form of solo would be appropriate to put it together" and he worked on the guitar solo as the first…
A much-needed and expanded reissue of this 1970s Offbeat label LP of cellist Keiki Midorikawa in duo with Masahiko Togashi, Masayuki Takayanagi and Masahiko Sato. Keiki Midorikawa (cello, bass), Masahiko Togashi (percussion, drums), Masayuki Takayanagi (guitar) et Masahiko Sato (piano). Recorded on January 16, 1976 at Nichi-futsu kaikan, Tokyo. The original LP of this work has duo with Takayanagi on A side and duo with Sato on B side. But in the concert, Midorikawa played duo with Togashi about …
Trumpeter Itaru Oki's third album from 1975 reissued, a flamed out free jazz masterpiece. Itaru Oki (trumpet), Yoshiaki Fujikawa (alto sax), Keiki Midorikawa (cello, bass, piano), Gozo Yoshimasu (poetry reading on 5). We are very glad to inform that a long time out of printed OffBeat label LP is reprinted on CD. Itaru Oki visited Paris, France in the 70s and when he came back to Japan temporarily in 75, he organized a elite free jazz troop and recorded in studio. 'Phantom Note' is his 3rd album,…