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The second in the Masaru Imada reissue series that jazz collectors all over the world have been eagerly awaiting! This is a tour de force of Imada's hard bop style, featuring Shigeharu Mukai on trombone and Seiichi Nakamura on saxophone. All songs are Imada's own original numbers, and he also demonstrates his true potential as a melody-maker.
*2024 stock* Takashi Kako, who immersed himself in "the world of improvised music, where composition and performance progress instantaneously" while studying in Paris, recorded this album live on his temporary return to Japan in 1976. It is the culmination of this period, a dense and intense performance.
*2024 stock* Chaos and impulse! The impact of the moment when Japanese rock and jazz was born. Finally, the treasured sound sources from the Late 60's - a period that the whole world craves for - have been released. Recorded with the latest remastering from film music tapes left over from Koji Wakamatsu's films!
*2024 stock* The epic free jazz of the first Yosuke Yamashita Trio and the bleak singing of Rie Yokoyama. Includes a total of five tracks, including the film's opening 'Here's a Quiet Frontline', 'Umitsubame ver II', which features rare singing accompaniment by the Yosuke Yamashita Trio, and the Yosuke Yamashita Trio's performance during and at the end of the film, plus Koji Wakamatsu's story 'I am Koji Wakamatsu! is included.
LP ltd to 315 copies. An’archives is proud to present the latest album by Japanese free saxophonist and vocalist Harutaka Mochizuki, Doppelgänger ga boku wo. Since the early 2000s, Harutaka has quietly, yet steadily, released a string of solo and collaborative releases that have allowed multiple perspectives on one of the most singular voices in modern music. In collaboration, he seems to prefer the duo format, and digging through his discography, you’ll find releases where he pairs with Tomoyuk…
Japanese edition. 180 gram vinyl, comes with Ob A fantastic electric album from one of the most unique bassists of the 70s – Blow Up is one of the most sough-after titles from the acclaimed Three Blind Mice catalog. Isao Suzuki's Blow-Up is virtuosity and class all rolled up into one. A great combination of upbeat blues and mellow grooves! The album was awarded "Jazz of Japan" Award and the Jazz Disc Award of "Swing Journal" in 1973."This adventurous set finds Suzuki and his band mates (drumme…
Another "The Disintegration of the Sympathetic". Masayuki Takayanagi and Kaoru Abe's 1970 studio live recording, 40 minutes of miracle! Miraculous discovery of Masayuki Takayanagi and Kaoru Abe's live studio recordings from 1970! A live studio performance of Masayuki Takayanagi's New Direction in 1970, which began to be oriented toward immediate improvisation without setting up any notated thematic motifs. 40 minutes of continuous performance.This work is based on sound reproduction of Takayanag…
Bomb! A miraculous discovery! The complete live performance at "Inspiration & Power 14" at Shinjuku Art Theater in 1973. Uncut live performance of Masayuki Takayanagi's New Direction For The Arts Discography at "Inspiration & Power 14" held at the Shinjuku Art Theater in 1973. This CD contains all the performances of the day, although only the last part of the concert was included in the album of the same title.Recently, a cassette tape was discovered among the belongings of Masayuki Takayanagi,…
From his first full-length album ‘Minima Moralia’ (“Excellent” 8.1 Pitchfork) in 2006, through the subsequent 70+ albums that followed, Chihei Hatakeyama has created a mighty canon of work. Having collaborated with the likes of Ai Kuwabara, Hiroki Chiba, Kei Matsumaru, Gen Hoshino, Terumasa Hino, Tony Allen, and countless others, Shun Ishiwaka is one of Japan’s most prolific modern jazz drummers. Between them they’ve played across ambient, experimental, electronic, pop, hip-hop, jazz, and metal …
Spacy, originally released in 1977, boasts an impressive lineup of Japanese legends including Haruomi Hosono, Ryuichi Sakamoto, Minako Yoshida, Kenji Ohmura, and Hiroshi Sato. The album features all the usual Yamashita elements, such as euphoric vocals, innovative string arrangements, glistening keyboards, and funky guitar riffs, but the rhythms on this one are a little more forceful.
"New Hard, led by Toshiyuki Miyama, is one of Japan's leading big bands. Since the release of their seminal work Perspective in 1969, they've opened up new horizons in big band jazz with their cutting-edge sound. This work, Niou to Hato, is one such representative work of the new hard movement, which reached its zenith in 1972. Bandleader Kozaburo Yamaki was then in charge of the entire composition and arrangement, and deeply pursued one of his long-standing themes: Japan, the nation in and of i…
*2024 repress* Since it's formation in 1969, Soul Media had been advocating a fusion of jazz and rock. The next step along that line was this album, In the Groove, recorded in 1973. The sharpness of jazz is brought to the forefront, with rock melting in to give it an edge, and funk injected to imbue it with power and resilience. The result was a strong, sophisticated, and simply "cool music" that could not be categorized within existing genres such as jazz rock, jazz funk, or fusion. This work i…
"Hideo Shiraki, a key figure in Japanese jazz, left his mark with unique music and a strong presence. One of his standout works is Matsuri no Gensou, recorded in 1961. This incredible piece takes a Japanese melody and transforms it into a cool jazz style, making use of a special arrangement on the koto. The collection also features exciting tracks like 'Just One Or Eight' and the dynamic 'Cherokee, which proffers an amazing solo. Contributions from experts like Hidehiko Matsumoto and Yuzuru Sera…
"Okinawa-born tenor sax star Ryusei Tomoyose famously studied under Sadao Watanabe in Tokyo words the final part of the 190s. Once his studies were complete, he went home and decided to focus on teaching and nurturing young musicians, which he did for the rest of his life while also becoming a pioneer in the Okinawa jazz scene. This album which was originally released in 1979 is packed with his playing passion and is a legendary record into which he pours his whole heart and soul. It was recorde…
*2024 repress* Tsuyoshi Yamamoto Trio's new project is a reunion session with engineer Yoshihiko Kannari, who revolutionized the jazz sound as the exclusive engineer for the legendary Japanese jazz label Three Blind Mice in the 1970s!
*2024 repress* Tsuyoshi Yamamoto Trio's new project is a reunion session with engineer Yoshihiko Kannari, who revolutionized the jazz sound as the exclusive engineer for the legendary Japanese jazz label Three Blind Mice in the 1970s!
Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
Original release completely reproduced as faithfully as possible. Pressed and printed in Japan. A recording of a passionate live performance held in the northern land of Nemuro, which continues to be loved along with the first album "Tact." The title song is literally epic, like ice floes colliding in the ocean. Played by a group under the direction of the legendary Japanese drummer Motohiko Hino, the music is firmly in the finest modal way. The reed players, Mabumi Yamaguchi on tenor and Yasuak…