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Fumio Kashima, a famous pianist loved by Elvin Jones and Otsuka George. This is a third album with a trio of George Murats and Motohiko Hino, which shows more vivid and lively play. Rich in colors including the comfortable explosive Landscape, refreshing Revlis and the beautiful ballad "The Fall" You can also enjoy the original Karajima songs and songs.
Elegant, but also incredibly powerful work from Fumio Karashima, exactly the kind of record that shows why he's one of our favorite Japanese jazz talents ever!
Recorded over two days at the Sound Inn Studio, Tokyo in 1983. Fumio Karashima’s Round Midnight is a solid straight ahead session featuring the esteemed pianist at his prime. Featuring Ikuo Sakurai on bass, Motohiko Hino on drums and guest jazz-fusion guitarist Larry Coryell on Side B of the LP. Post bop, cool jazz with a touch of Latin-fusion courtesy of Coryell. Perfect listening for anyone looking for a well-rounded session of classic jazz standards. Fumio Karashima, born March 9, 1948 in Oit…
A 1978 piece composed by pianist Fumio Karashima with legendary drummer Elvin Jones. The trio with bassist Andy MacLeod will feature original songs and standards, including the title track. This is the work that gave Karashima an opportunity to become active on the world stage.
Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.
This is the fifth album by Fumio Kashima, who became a world-famous pianist after his encounter with Elvin Jones. The edgy groove of "American Tango" and "Merry-Go-Round" are very strong, and the colorful sound with power and volume, which sets it apart from ordinary fusion music, is very appealing.
Fumio Kashima, a famous pianist loved by Elvin Jones and Otsuka George. This first album was recreated by the trio of Suzuki Ino, Jimmy Hops. It has also been the first Japanese work of Whynot label, and it has a strong presence. A variety of famous songs and performances, such as Piranha and melancholic stormy "Little Island" are overflowing with vibrants.
Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.
In contrast to their previous work "Impact", which had a large ensemble, they welcomed Kazutoki Umezu as a guest and performed a relaxed performance with a small ensemble. A masterpiece released in 1986, which he himself admits was a really good one, with an effortless performance (from the LP liner). What shines is the trio composition of "Alicante" and "Don't Say Goodbye," a masterpiece that allows you to enjoy Itabashi's singing spirit. "Don't ~" can be said to be an answer song to the popula…
Seikatsu Kōjyō Iinkai (Committee for the Improvement of Life) began its activities in the early 1970s, led by Kazutoki Umezu and Yoshiyuki Harada. Many musicians came and went and engaged in multifaceted activities, but one of the pillars was the so-called Life Improvement Committee (Matsugumi), centered on Koichi Shofaze. This work, recorded live in Masuda City, Shimane Prefecture, is the only work left by Matsugumi with the same members. The saxophone cuts like a knife into the solid trio's pe…
The Japanese jazz cult work is one of the most popular Japanese jazz collectors around the world, including Tetsu Aizawa quartet and Yukasasasa Hino, and the original Jazz Rality series has been released as the world's first CD. As a musician, the prestigious Independent Jazz Label and Acetaz's Disc was reissued in the early 23 works of the famous Tokyo independent Jazz Label, and Acetaz's Disc. 11 of the 12 pieces released as the first release was released in the world for the first CD. These c…
One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his later projects. Born in Tokyo, in 1941, Masahiko Satoh's earli…
*2023 stock* "A great blend of funky jazz and wooden flute – the Japanese shakuhachi reed instrument, blown by Kifu Mitsuhashi here – then mixed with some larger backings that almost have a CTI Records sort of groove! The approach is similar to some of the best 70s projects from Hozan Yamamoto – and like those, updates older Japanese styles with just the right dose of jazz – never getting in the way of the soulful lines from the lead instrument, but also really warming things up nicely with Fend…
BBE Music is thrilled to present J Jazz: Free and Modern Jazz From Japan 1954-1988, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music’s acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino. This is the first time a book of this type has been has been published outside of Japan and the firs…
With J Jazz volume 4, the BBE J Jazz Bullet Train continues its journey traversing the expansive landscape of modern Japanese jazz. Volume 4 is the latest in the universally praised compilation series exploring the best, rarest and most innovative jazz to emerge from the Far East. Please take your seats for a first-class ticket to J Jazz central. This latest station stop off is with the famed Nippon Columbia label, one of the biggest labels in Japan, whose jazz output embraces every possible sty…
Tip! *2023 stock* "A cutting-edge collage of the Muhammad Ali vs. Mac Foster documentary held at the Budokan in April 1972, with performances by the Yosuke Yamashita Trio (w/ Takeo Moriyama and Seiichi Nakamura). An incredible album, and an incredible cultural moment as well – as Japanese avant piano legend Yosuke Yamashita pays tribute to the great Muhammad Ali – on the occasion of his visit to Japan for the World Heavyweight match in 1972! Half the record features instrumental selections with …
*2023 stock* "Kami Fusen" is the second volume in the ongoing collaboration between NoBusiness and Chap Chap Records, after the excellent "The Conscience"by Rutherford and Toyozumi. This time, all the musicians come from the Far East: Itaru Oki was one of the first Japanese musicians to explore the free jazz idiom in the early Seventies; Nobuyoshi Ino comes from the same country and musical scene, even if he has often played in more traditional contexts; similarly, Korean trumpeter Choi Sun Bae …
*2023 stock* "Ask most open-eared listeners about Japanese music since the 1960s, and they’ll likely talk about the psych and noise scene, the offshoots of Onkyo music movement or maybe the richly documented electronic music documented by Omega Point on their Obscure Tape Music of Japan series. The free jazz scene in Japan and neighboring countries has been a bit harder to pin down. PSF nailed the voluminous output by Masayuki Takayanagi and Kaoru Abe and labels like Trio, Japanese Denon and Pad…
Big Tip! Originally released in 1983 through Apollon Music industrial corp’s alty sublabel, Mule Musiq sub-label Studio Mule presents the first official digital reissue of Shinsuke Honda 本多信介’s rare Silence = サイレンス (夕映え) album. recorded as part of alty’s resort mind music series, Honda-san’s contemplative guitar instrumentals tint the air with nostalgia, longing and a gentle sadness at the impermanence of all things, transporting the listener to an eternal sunset of the mind.
A masterful guitari…
*2023 stock* "This album, the first under the band's name in six and a half years, is a jazz alternative album with a multilingual and hardcore taste that differs greatly from previous albums.
The recording for this album started in June 2020, during a period when many of our activities were being cancelled due to Covid-19. It had been a while since I last met or played with the members of this band, with whom prior to the pandemic I would regularly get together for gigs at various venues or tr…